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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 12 / 3 / 44 / 10 it is the complementary color CMYK 58 / 75 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 12 / 3 / 44 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 12 / 3 / 44 / 10: CMYK 7 / 0 / 44 / 13, CMYK 7 / 0 / 41 / 5, CMYK 5 / 0 / 36 / 0, CMYK 0 / 0 / 29 / 0 and CMYK 0 / 0 / 22 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 12 / 3 / 44 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 12 / 3 / 44 / 10: CMYK 9 / 0 / 42 / 13, CMYK 10 / 0 / 46 / 20, CMYK 10 / 0 / 51 / 27, CMYK 11 / 0 / 57 / 34 and CMYK 11 / 0 / 65 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 3 / 44 / 10

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

Complementary color

CMYK 58 / 75 / 0 / 51

HEX #35207E

RGB 53 32 126

HSL 253.4, 0.59%, 0.31%

LAB 21.19, 35.97, -49.7

 

CMYK 7 / 0 / 44 / 13

HEX #CFDF7C

RGB 207 223 124

HSL 69.7, 0.61%, 0.68%

LAB 85.75, -20.03, 46.52

 

CMYK 7 / 0 / 41 / 5

HEX #E0F18F

RGB 224 241 143

HSL 70.41, 0.78%, 0.75%

LAB 92.02, -20.26, 45.38

 

CMYK 5 / 0 / 36 / 0

HEX #F1FFA2

RGB 241 255 162

HSL 69.03, 1%, 0.82%

LAB 97.16, -18.52, 42.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 9 / 0 / 42 / 13

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

CMYK 10 / 0 / 46 / 20

HEX #B9CD6E

RGB 185 205 110

HSL 72.63, 0.49%, 0.62%

LAB 79.1, -21.22, 44.8

 

CMYK 10 / 0 / 51 / 27

HEX #A8BB5B

RGB 168 187 91

HSL 71.88, 0.41%, 0.55%

LAB 72.64, -20.96, 45.94

 

CMYK 11 / 0 / 57 / 34

HEX #97A948

RGB 151 169 72

HSL 71.13, 0.4%, 0.47%

LAB 66.08, -20.61, 47.01

 

CMYK 11 / 0 / 65 / 41

HEX #869735

RGB 134 151 53

HSL 70.41, 0.48%, 0.4%

LAB 59.4, -20.14, 47.89

 

CMYK 9 / 0 / 42 / 13

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

CMYK 16 / 0 / 42 / 13

HEX #BADE81

RGB 186 222 129

HSL 83.23, 0.58%, 0.69%

LAB 84.1, -26.96, 41.7

 

CMYK 23 / 0 / 42 / 13

HEX #ABDE81

RGB 171 222 129

HSL 92.9, 0.58%, 0.69%

LAB 83.17, -32.41, 40.33

 

CMYK 30 / 0 / 42 / 13

HEX #9BDE81

RGB 155 222 129

HSL 103.23, 0.58%, 0.69%

LAB 82.27, -37.96, 38.99

 

CMYK 37 / 0 / 42 / 13

HEX #8CDE81

RGB 140 222 129

HSL 112.9, 0.58%, 0.69%

LAB 81.51, -42.83, 37.87

 

CMYK 9 / 0 / 42 / 13

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

CMYK 11 / 0 / 42 / 93

HEX #11130B

RGB 17 19 11

HSL 75, 0.27%, 0.06%

LAB 5.5, -2.23, 3.67

 

CMYK 10 / 0 / 43 / 73

HEX #3F4628

RGB 63 70 40

HSL 74, 0.27%, 0.22%

LAB 28.35, -8.67, 17.14

 

CMYK 9 / 0 / 42 / 53

HEX #6E7946

RGB 110 121 70

HSL 72.94, 0.27%, 0.37%

LAB 48.8, -12.92, 26.58

 

CMYK 9 / 0 / 42 / 33

HEX #9CAC63

RGB 156 172 99

HSL 73.15, 0.31%, 0.53%

LAB 67.63, -17.36, 35.62

 

CMYK 9 / 0 / 42 / 13

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

CMYK 42 / 0 / 24 / 13

HEX #81DEA8

RGB 129 222 168

HSL 145.16, 0.58%, 0.69%

LAB 81.69, -39.53, 17.99

 

CMYK 8 / 42 / 0 / 13

HEX #CD81DE

RGB 205 129 222

HSL 289.03, 0.58%, 0.69%

LAB 64.93, 44.35, -35.7

 

CMYK 9 / 0 / 42 / 13

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

CMYK 42 / 9 / 0 / 13

HEX #81CADE

RGB 129 202 222

HSL 192.9, 0.58%, 0.69%

LAB 77.39, -17.64, -17.09

 

CMYK 0 / 42 / 9 / 13

HEX #DE81CA

RGB 222 129 202

HSL 312.9, 0.58%, 0.69%

LAB 66.13, 45.9, -22.51

 

CMYK 9 / 0 / 42 / 13

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

CMYK 42 / 0 / 24 / 13

HEX #81DEA8

RGB 129 222 168

HSL 145.16, 0.58%, 0.69%

LAB 81.69, -39.53, 17.99

 

CMYK 33 / 42 / 0 / 13

HEX #9581DE

RGB 149 129 222

HSL 252.9, 0.58%, 0.69%

LAB 59.31, 28.33, -44.9

 

CMYK 0 / 42 / 18 / 13

HEX #DE81B7

RGB 222 129 183

HSL 325.16, 0.58%, 0.69%

LAB 65.47, 42.86, -12.83

 

CMYK 9 / 0 / 42 / 13

HEX #CADF81

RGB 202 223 129

HSL 73.4, 0.59%, 0.69%

LAB 85.46, -21.42, 43.64

 

CMYK 42 / 0 / 12 / 13

HEX #81DEC4

RGB 129 222 196

HSL 163.23, 0.58%, 0.69%

LAB 82.32, -33.71, 4.11

 

CMYK 33 / 42 / 0 / 13

HEX #9581DE

RGB 149 129 222

HSL 252.9, 0.58%, 0.69%

LAB 59.31, 28.33, -44.9

 

CMYK 0 / 42 / 30 / 13

HEX #DE819B

RGB 222 129 155

HSL 343.23, 0.58%, 0.69%

LAB 64.64, 38.88, 1.8

 

Description

Color code: CMYK 12 / 3 / 44 / 10 | qconv.com Color code: CMYK 12 / 3 / 44 / 10 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 223 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 223 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 3 magenta, 44 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 3% 44% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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