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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 0 / 15 / 79 it is the complementary color CMYK 1 / 4 / 0 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 0 / 15 / 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 0 / 15 / 79: CMYK 2 / 0 / 24 / 79, CMYK 3 / 0 / 17 / 72, CMYK 3 / 0 / 12 / 65, CMYK 4 / 0 / 9 / 58 and CMYK 4 / 0 / 7 / 51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 0 / 15 / 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 0 / 15 / 79: CMYK 11 / 0 / 15 / 79, CMYK 14 / 0 / 25 / 86, CMYK 22 / 0 / 56 / 93, CMYK 0 / 0 / 0 / 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

Complementary color

CMYK 1 / 4 / 0 / 18

HEX #CFC9D1

RGB 207 201 209

HSL 285, 0.08%, 0.8%

LAB 81.64, 3.53, -3.25

 

CMYK 2 / 0 / 24 / 79

HEX #353629

RGB 53 54 41

HSL 64.62, 0.14%, 0.19%

LAB 22.14, -3.17, 8.05

 

CMYK 3 / 0 / 17 / 72

HEX #46483C

RGB 70 72 60

HSL 70, 0.09%, 0.26%

LAB 30.07, -3.33, 6.93

 

CMYK 3 / 0 / 12 / 65

HEX #575A4F

RGB 87 90 79

HSL 76.36, 0.07%, 0.33%

LAB 37.67, -3.45, 5.95

 

CMYK 4 / 0 / 9 / 58

HEX #686C62

RGB 104 108 98

HSL 84, 0.05%, 0.4%

LAB 45.01, -3.55, 5.06

 

CMYK 4 / 0 / 7 / 51

HEX #797E75

RGB 121 126 117

HSL 93.33, 0.04%, 0.48%

LAB 52.14, -3.65, 4.25

 

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

CMYK 14 / 0 / 25 / 86

HEX #1F241B

RGB 31 36 27

HSL 93.33, 0.14%, 0.12%

LAB 13.42, -4.45, 5.27

 

CMYK 22 / 0 / 56 / 93

HEX #0E1208

RGB 14 18 8

HSL 84, 0.38%, 0.05%

LAB 4.91, -3.09, 4.01

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

CMYK 15 / 0 / 16 / 78

HEX #2F372E

RGB 47 55 46

HSL 113.33, 0.09%, 0.2%

LAB 22.07, -5.51, 4.52

 

CMYK 16 / 0 / 15 / 78

HEX #2E372F

RGB 46 55 47

HSL 126.67, 0.09%, 0.2%

LAB 22.01, -5.72, 3.75

 

CMYK 16 / 0 / 13 / 78

HEX #2E3730

RGB 46 55 48

HSL 133.33, 0.09%, 0.2%

LAB 22.04, -5.49, 3.12

 

CMYK 16 / 0 / 9 / 78

HEX #2E3732

RGB 46 55 50

HSL 146.67, 0.09%, 0.2%

LAB 22.1, -5.02, 1.86

 

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

CMYK 11 / 0 / 15 / 59

HEX #5D6959

RGB 93 105 89

HSL 105, 0.08%, 0.38%

LAB 42.99, -7.91, 7.47

 

CMYK 11 / 0 / 15 / 39

HEX #8B9C85

RGB 139 156 133

HSL 104.35, 0.1%, 0.57%

LAB 62.47, -10.5, 10.03

 

CMYK 11 / 0 / 15 / 19

HEX #B8CFB0

RGB 184 207 176

HSL 104.52, 0.24%, 0.75%

LAB 80.71, -13.46, 12.83

 

CMYK 0 / 0 / 0 / 99

HEX #030303

RGB 3 3 3

HSL 0, 0%, 0.01%

LAB 0.82, 0, -0

 

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

CMYK 16 / 0 / 2 / 78

HEX #2E3736

RGB 46 55 54

HSL 173.33, 0.09%, 0.2%

LAB 22.23, -4.03, -0.65

 

CMYK 0 / 16 / 5 / 78

HEX #372E34

RGB 55 46 52

HSL 320, 0.09%, 0.2%

LAB 20.1, 5.38, -2.32

 

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

CMYK 16 / 13 / 0 / 78

HEX #2E3037

RGB 46 48 55

HSL 226.67, 0.09%, 0.2%

LAB 19.93, 0.91, -4.75

 

CMYK 0 / 16 / 13 / 78

HEX #372E30

RGB 55 46 48

HSL 346.67, 0.09%, 0.2%

LAB 19.96, 4.5, 0.23

 

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

CMYK 16 / 0 / 2 / 78

HEX #2E3736

RGB 46 55 54

HSL 173.33, 0.09%, 0.2%

LAB 22.23, -4.03, -0.65

 

CMYK 4 / 16 / 0 / 78

HEX #352E37

RGB 53 46 55

HSL 286.67, 0.09%, 0.2%

LAB 19.99, 5.21, -4.58

 

CMYK 0 / 16 / 15 / 78

HEX #372E2F

RGB 55 46 47

HSL 353.33, 0.09%, 0.2%

LAB 19.93, 4.29, 0.87

 

CMYK 11 / 0 / 15 / 79

HEX #30362E

RGB 48 54 46

HSL 105, 0.08%, 0.2%

LAB 21.81, -4.43, 4.17

 

CMYK 16 / 4 / 0 / 78

HEX #2E3537

RGB 46 53 55

HSL 193.33, 0.09%, 0.2%

LAB 21.59, -2.46, -2.27

 

CMYK 4 / 16 / 0 / 78

HEX #352E37

RGB 53 46 55

HSL 286.67, 0.09%, 0.2%

LAB 19.99, 5.21, -4.58

 

CMYK 0 / 13 / 16 / 78

HEX #37302E

RGB 55 48 46

HSL 13.33, 0.09%, 0.2%

LAB 20.53, 2.73, 2.43

 

Description

Color code: CMYK 11 / 0 / 15 / 79 | qconv.com Color code: CMYK 11 / 0 / 15 / 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 48 red, 54 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
48 54 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 15 yellow and 79 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 15% 79% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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