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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 0 / 13 / 24 it is the complementary color CMYK 3 / 29 / 0 / 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 0 / 13 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 0 / 13 / 24: CMYK 9 / 0 / 15 / 24, CMYK 8 / 0 / 14 / 17, CMYK 8 / 0 / 12 / 10, CMYK 8 / 0 / 11 / 3 and CMYK 4 / 0 / 6 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 0 / 13 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 0 / 13 / 24: CMYK 11 / 0 / 13 / 24, CMYK 12 / 0 / 15 / 31, CMYK 13 / 0 / 17 / 38, CMYK 14 / 0 / 20 / 45 and CMYK 15 / 0 / 24 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

Complementary color

CMYK 3 / 29 / 0 / 66

HEX #533D56

RGB 83 61 86

HSL 292.8, 0.17%, 0.29%

LAB 29.03, 14.66, -11.29

 

CMYK 9 / 0 / 15 / 24

HEX #B1C2A4

RGB 177 194 164

HSL 94, 0.2%, 0.7%

LAB 76.44, -11.31, 13.15

 

CMYK 8 / 0 / 14 / 17

HEX #C2D4B7

RGB 194 212 183

HSL 97.24, 0.25%, 0.77%

LAB 82.9, -11.31, 12.31

 

CMYK 8 / 0 / 12 / 10

HEX #D3E6CA

RGB 211 230 202

HSL 100.71, 0.36%, 0.85%

LAB 89.26, -11.32, 11.51

 

CMYK 8 / 0 / 11 / 3

HEX #E4F8DD

RGB 228 248 221

HSL 104.44, 0.66%, 0.92%

LAB 95.52, -11.34, 10.74

 

CMYK 4 / 0 / 6 / 0

HEX #F5FFF0

RGB 245 255 240

HSL 100, 1%, 0.97%

LAB 98.92, -5.9, 6.02

 

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

CMYK 12 / 0 / 15 / 31

HEX #9BB096

RGB 155 176 150

HSL 108.46, 0.14%, 0.64%

LAB 69.63, -12.25, 10.89

 

CMYK 13 / 0 / 17 / 38

HEX #8A9E83

RGB 138 158 131

HSL 104.44, 0.12%, 0.57%

LAB 62.92, -12.3, 11.77

 

CMYK 14 / 0 / 20 / 45

HEX #798C70

RGB 121 140 112

HSL 100.71, 0.11%, 0.49%

LAB 56.08, -12.36, 12.72

 

CMYK 15 / 0 / 24 / 52

HEX #687A5D

RGB 104 122 93

HSL 97.24, 0.13%, 0.42%

LAB 49.07, -12.43, 13.73

 

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

CMYK 13 / 0 / 12 / 24

HEX #A8C1A9

RGB 168 193 169

HSL 122.4, 0.17%, 0.71%

LAB 75.66, -13.09, 9.25

 

CMYK 13 / 0 / 10 / 24

HEX #A8C1AD

RGB 168 193 173

HSL 132, 0.17%, 0.71%

LAB 75.75, -12.35, 7.22

 

CMYK 13 / 0 / 8 / 24

HEX #A8C1B1

RGB 168 193 177

HSL 141.6, 0.17%, 0.71%

LAB 75.85, -11.6, 5.2

 

CMYK 13 / 0 / 6 / 24

HEX #A8C1B5

RGB 168 193 181

HSL 151.2, 0.17%, 0.71%

LAB 75.95, -10.83, 3.17

 

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

CMYK 11 / 0 / 13 / 4

HEX #D9F5D5

RGB 217 245 213

HSL 112.5, 0.62%, 0.9%

LAB 93.82, -14.9, 12.35

 

CMYK 12 / 0 / 12 / 84

HEX #242924

RGB 36 41 36

HSL 120, 0.06%, 0.15%

LAB 15.94, -3.46, 2.52

 

CMYK 11 / 0 / 13 / 64

HEX #525C50

RGB 82 92 80

HSL 110, 0.07%, 0.34%

LAB 37.89, -6.48, 5.59

 

CMYK 11 / 0 / 13 / 44

HEX #7F8F7D

RGB 127 143 125

HSL 113.33, 0.07%, 0.53%

LAB 57.69, -9.36, 7.64

 

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

CMYK 13 / 1 / 0 / 24

HEX #A8BFC1

RGB 168 191 193

HSL 184.8, 0.17%, 0.71%

LAB 75.72, -7.38, -3.66

 

CMYK 0 / 13 / 6 / 24

HEX #C1A8B5

RGB 193 168 181

HSL 328.8, 0.17%, 0.71%

LAB 71.34, 11.32, -3.33

 

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

CMYK 13 / 11 / 0 / 24

HEX #A8ABC1

RGB 168 171 193

HSL 232.8, 0.17%, 0.71%

LAB 70.39, 3.39, -11.58

 

CMYK 0 / 13 / 11 / 24

HEX #C1A8AB

RGB 193 168 171

HSL 352.8, 0.17%, 0.71%

LAB 71.07, 9.58, 1.8

 

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

CMYK 13 / 1 / 0 / 24

HEX #A8BFC1

RGB 168 191 193

HSL 184.8, 0.17%, 0.71%

LAB 75.72, -7.38, -3.66

 

CMYK 2 / 13 / 0 / 24

HEX #BEA8C1

RGB 190 168 193

HSL 292.8, 0.17%, 0.71%

LAB 71.42, 12.49, -9.85

 

CMYK 0 / 12 / 13 / 24

HEX #C1AAA8

RGB 193 170 168

HSL 4.8, 0.17%, 0.71%

LAB 71.5, 7.99, 4.08

 

CMYK 11 / 0 / 13 / 24

HEX #ACC2A9

RGB 172 194 169

HSL 112.8, 0.17%, 0.71%

LAB 76.2, -12.21, 10.06

 

CMYK 13 / 5 / 0 / 24

HEX #A8B8C1

RGB 168 184 193

HSL 201.6, 0.17%, 0.71%

LAB 73.84, -3.66, -6.44

 

CMYK 2 / 13 / 0 / 24

HEX #BEA8C1

RGB 190 168 193

HSL 292.8, 0.17%, 0.71%

LAB 71.42, 12.49, -9.85

 

CMYK 0 / 8 / 13 / 24

HEX #C1B1A8

RGB 193 177 168

HSL 21.6, 0.17%, 0.71%

LAB 73.29, 4.19, 6.66

 

Description

Color code: CMYK 11 / 0 / 13 / 24 | qconv.com Color code: CMYK 11 / 0 / 13 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 194 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 194 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 13 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 13% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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