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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 10 / 18 / 0 / 70 it is the complementary color CMYK 3 / 0 / 7 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 10 / 18 / 0 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 10 / 18 / 0 / 70: CMYK 0 / 15 / 3 / 71, CMYK 0 / 11 / 0 / 64, CMYK 2 / 10 / 0 / 57, CMYK 3 / 9 / 0 / 49 and CMYK 4 / 9 / 0 / 42

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 10 / 18 / 0 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 10 / 18 / 0 / 70: CMYK 10 / 18 / 0 / 70, CMYK 10 / 22 / 0 / 77, CMYK 10 / 31 / 0 / 85, CMYK 10 / 55 / 0 / 92 and CMYK 0 / 100 / 0 / 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

Complementary color

CMYK 3 / 0 / 7 / 25

HEX #BAC0B2

RGB 186 192 178

HSL 85.71, 0.1%, 0.73%

LAB 76.89, -4.63, 6.33

 

CMYK 0 / 15 / 3 / 71

HEX #4A3F48

RGB 74 63 72

HSL 310.91, 0.08%, 0.27%

LAB 28.06, 6.62, -3.72

 

CMYK 0 / 11 / 0 / 64

HEX #5B515B

RGB 91 81 91

HSL 300, 0.06%, 0.34%

LAB 35.72, 6.18, -4.33

 

CMYK 2 / 10 / 0 / 57

HEX #6C636E

RGB 108 99 110

HSL 289.09, 0.05%, 0.41%

LAB 43.12, 5.8, -4.91

 

CMYK 3 / 9 / 0 / 49

HEX #7D7581

RGB 125 117 129

HSL 280, 0.05%, 0.48%

LAB 50.3, 5.47, -5.46

 

CMYK 4 / 9 / 0 / 42

HEX #8E8794

RGB 142 135 148

HSL 272.31, 0.06%, 0.55%

LAB 57.29, 5.17, -6

 

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

CMYK 10 / 22 / 0 / 77

HEX #342D3A

RGB 52 45 58

HSL 272.31, 0.13%, 0.2%

LAB 19.69, 6.23, -7.1

 

CMYK 10 / 31 / 0 / 85

HEX #231B27

RGB 35 27 39

HSL 280, 0.18%, 0.13%

LAB 11.19, 6.85, -6.69

 

CMYK 10 / 55 / 0 / 92

HEX #120914

RGB 18 9 20

HSL 289.09, 0.38%, 0.06%

LAB 3.38, 4.81, -4.31

 

CMYK 0 / 100 / 0 / 100

HEX #010001

RGB 1 0 1

HSL 300, 1%, 0%

LAB 0.08, 0.4, -0.29

 

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

CMYK 8 / 19 / 0 / 71

HEX #453D4B

RGB 69 61 75

HSL 274.29, 0.1%, 0.27%

LAB 27.05, 6.58, -7.25

 

CMYK 4 / 19 / 0 / 71

HEX #483D4B

RGB 72 61 75

HSL 287.14, 0.1%, 0.27%

LAB 27.36, 7.79, -6.74

 

CMYK 1 / 19 / 0 / 71

HEX #4A3D4B

RGB 74 61 75

HSL 295.71, 0.1%, 0.27%

LAB 27.58, 8.6, -6.4

 

CMYK 0 / 19 / 1 / 71

HEX #4B3D4A

RGB 75 61 74

HSL 304.29, 0.1%, 0.27%

LAB 27.65, 8.78, -5.62

 

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

CMYK 10 / 18 / 0 / 50

HEX #736980

RGB 115 105 128

HSL 266.09, 0.1%, 0.46%

LAB 46.05, 8.72, -11.31

 

CMYK 11 / 18 / 0 / 30

HEX #A092B3

RGB 160 146 179

HSL 265.45, 0.18%, 0.64%

LAB 62.75, 11.68, -15.33

 

CMYK 10 / 18 / 0 / 10

HEX #CEBCE6

RGB 206 188 230

HSL 265.71, 0.46%, 0.82%

LAB 78.93, 14.25, -18.59

 

CMYK 12 / 19 / 0 / 90

HEX #17151A

RGB 23 21 26

HSL 264, 0.11%, 0.09%

LAB 7.16, 2.22, -3.14

 

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

CMYK 0 / 19 / 11 / 71

HEX #4B3D43

RGB 75 61 67

HSL 334.29, 0.1%, 0.27%

LAB 27.4, 7.28, -1.39

 

CMYK 19 / 0 / 17 / 71

HEX #3D4B3E

RGB 61 75 62

HSL 124.29, 0.1%, 0.27%

LAB 30.33, -8.57, 5.92

 

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

CMYK 0 / 11 / 19 / 71

HEX #4B433D

RGB 75 67 61

HSL 25.71, 0.1%, 0.27%

LAB 29.02, 2.23, 4.88

 

CMYK 19 / 0 / 11 / 71

HEX #3D4B43

RGB 61 75 67

HSL 145.71, 0.1%, 0.27%

LAB 30.47, -7.46, 2.92

 

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

CMYK 0 / 19 / 11 / 71

HEX #4B3D43

RGB 75 61 67

HSL 334.29, 0.1%, 0.27%

LAB 27.4, 7.28, -1.39

 

CMYK 8 / 0 / 19 / 71

HEX #454B3D

RGB 69 75 61

HSL 85.71, 0.1%, 0.27%

LAB 30.96, -5.42, 7.53

 

CMYK 19 / 0 / 7 / 71

HEX #3D4B46

RGB 61 75 70

HSL 158.57, 0.1%, 0.27%

LAB 30.56, -6.76, 1.12

 

CMYK 10 / 18 / 0 / 70

HEX #453F4D

RGB 69 63 77

HSL 265.71, 0.1%, 0.27%

LAB 27.73, 5.75, -7.54

 

CMYK 0 / 19 / 16 / 71

HEX #4B3D3F

RGB 75 61 63

HSL 351.43, 0.1%, 0.27%

LAB 27.28, 6.48, 1.06

 

CMYK 8 / 0 / 19 / 71

HEX #454B3D

RGB 69 75 61

HSL 85.71, 0.1%, 0.27%

LAB 30.96, -5.42, 7.53

 

CMYK 19 / 0 / 1 / 71

HEX #3D4B4A

RGB 61 75 74

HSL 175.71, 0.1%, 0.27%

LAB 30.69, -5.79, -1.26

 

Description

Color code: CMYK 10 / 18 / 0 / 70 | qconv.com Color code: CMYK 10 / 18 / 0 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 63 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 63 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 18 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 18% 0% 70% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Ювелирный интернет-м...
Link: http://www.ohmygold.ru

21% - tea & biscuits
Link: http://aidenstillhere.tumblr.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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