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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 100 / 83 / 16 / 2 it is the complementary color CMYK 0 / 16 / 82 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 100 / 83 / 16 / 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 100 / 83 / 16 / 2: CMYK 98 / 80 / 0 / 20, CMYK 90 / 73 / 0 / 12, CMYK 84 / 68 / 0 / 5, CMYK 78 / 62 / 0 / 0 and CMYK 71 / 55 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 100 / 83 / 16 / 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 100 / 83 / 16 / 2: CMYK 100 / 80 / 0 / 18, CMYK 100 / 87 / 0 / 25, CMYK 100 / 97 / 0 / 33, CMYK 100 / 100 / 0 / 40 and CMYK 100 / 100 / 0 / 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 83 / 16 / 2

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

Complementary color

CMYK 0 / 16 / 82 / 0

HEX #FFD52D

RGB 255 213 45

HSL 48, 1%, 0.59%

LAB 86.52, -0.25, 79.94

 

CMYK 98 / 80 / 0 / 20

HEX #052ACD

RGB 5 42 205

HSL 228.9, 0.95%, 0.41%

LAB 29.65, 53.42, -83.7

 

CMYK 90 / 73 / 0 / 12

HEX #163CE0

RGB 22 60 224

HSL 228.71, 0.82%, 0.48%

LAB 35.57, 50.33, -84.86

 

CMYK 84 / 68 / 0 / 5

HEX #274EF3

RGB 39 78 243

HSL 228.53, 0.89%, 0.55%

LAB 41.77, 47.09, -85.37

 

CMYK 78 / 62 / 0 / 0

HEX #3860FF

RGB 56 96 255

HSL 227.94, 1%, 0.61%

LAB 47.53, 41.6, -82.59

 

CMYK 71 / 55 / 0 / 0

HEX #4972FF

RGB 73 114 255

HSL 226.48, 1%, 0.64%

LAB 52.59, 32.3, -74.31

 

CMYK 100 / 80 / 0 / 18

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

CMYK 100 / 87 / 0 / 25

HEX #0018BF

RGB 0 24 191

HSL 232.46, 1%, 0.37%

LAB 25, 57.19, -83.23

 

CMYK 100 / 97 / 0 / 33

HEX #0006AC

RGB 0 6 172

HSL 237.91, 1%, 0.34%

LAB 20.47, 57.35, -79.43

 

CMYK 100 / 100 / 0 / 40

HEX #000099

RGB 0 0 153

HSL 240, 1%, 0.3%

LAB 16.99, 54.09, -73.67

 

CMYK 100 / 100 / 0 / 47

HEX #000086

RGB 0 0 134

HSL 240, 1%, 0.26%

LAB 13.95, 49.11, -66.88

 

CMYK 100 / 80 / 0 / 18

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

CMYK 100 / 97 / 0 / 18

HEX #0006D1

RGB 0 6 209

HSL 238.28, 1%, 0.41%

LAB 25.96, 66.96, -92.19

 

CMYK 87 / 100 / 0 / 18

HEX #1B00D1

RGB 27 0 209

HSL 247.75, 1%, 0.41%

LAB 26.26, 68.39, -91.67

 

CMYK 70 / 100 / 0 / 18

HEX #3E00D1

RGB 62 0 209

HSL 257.8, 1%, 0.41%

LAB 28.45, 69.24, -87.96

 

CMYK 54 / 100 / 0 / 18

HEX #6100D1

RGB 97 0 209

HSL 267.85, 1%, 0.41%

LAB 32.13, 71.1, -81.73

 

CMYK 100 / 80 / 0 / 18

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

CMYK 100 / 83 / 0 / 98

HEX #000106

RGB 0 1 6

HSL 230, 1%, 0.01%

LAB 0.31, 0.43, -1.98

 

CMYK 100 / 81 / 0 / 78

HEX #000B39

RGB 0 11 57

HSL 228.42, 1%, 0.11%

LAB 4.83, 14.33, -30.18

 

CMYK 100 / 80 / 0 / 58

HEX #00166C

RGB 0 22 108

HSL 227.78, 1%, 0.21%

LAB 13.57, 30.45, -50.79

 

CMYK 100 / 80 / 0 / 38

HEX #00209F

RGB 0 32 159

HSL 227.92, 1%, 0.31%

LAB 22.07, 43.19, -68.87

 

CMYK 100 / 80 / 0 / 18

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

CMYK 0 / 100 / 0 / 18

HEX #D100D1

RGB 209 0 209

HSL 300, 1%, 0.41%

LAB 49.69, 84.57, -52.37

 

CMYK 40 / 0 / 100 / 18

HEX #7DD100

RGB 125 209 0

HSL 84.11, 1%, 0.41%

LAB 76.05, -51.62, 74.95

 

CMYK 100 / 80 / 0 / 18

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

CMYK 0 / 100 / 80 / 18

HEX #D10029

RGB 209 0 41

HSL 348.23, 1%, 0.41%

LAB 43.82, 69.59, 40.55

 

CMYK 80 / 0 / 100 / 18

HEX #29D100

RGB 41 209 0

HSL 108.23, 1%, 0.41%

LAB 73.59, -71.4, 71.97

 

CMYK 100 / 80 / 0 / 18

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

CMYK 0 / 100 / 0 / 18

HEX #D100D1

RGB 209 0 209

HSL 300, 1%, 0.41%

LAB 49.69, 84.57, -52.37

 

CMYK 0 / 20 / 100 / 18

HEX #D1A700

RGB 209 167 0

HSL 47.94, 1%, 0.41%

LAB 70.31, 3.02, 73.4

 

CMYK 100 / 0 / 100 / 18

HEX #00D100

RGB 0 209 0

HSL 120, 1%, 0.41%

LAB 73.29, -74.18, 71.59

 

CMYK 100 / 80 / 0 / 18

HEX #002AD2

RGB 0 42 210

HSL 228, 1%, 0.41%

LAB 30.18, 54.96, -85.73

 

CMYK 0 / 100 / 30 / 18

HEX #D10092

RGB 209 0 146

HSL 318.09, 1%, 0.41%

LAB 46.49, 76.61, -20.28

 

CMYK 0 / 20 / 100 / 18

HEX #D1A700

RGB 209 167 0

HSL 47.94, 1%, 0.41%

LAB 70.31, 3.02, 73.4

 

CMYK 100 / 0 / 70 / 18

HEX #00D13E

RGB 0 209 62

HSL 137.8, 1%, 0.41%

LAB 73.51, -71.25, 57.97

 

Description

Color code: CMYK 100 / 83 / 16 / 2 | qconv.com Color code: CMYK 100 / 83 / 16 / 2 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 42 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 42 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 83 magenta, 16 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 83% 16% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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