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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 100 / 67 / 0 / 23 it is the complementary color CMYK 0 / 25 / 77 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 100 / 67 / 0 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 100 / 67 / 0 / 23: CMYK 97 / 66 / 0 / 25, CMYK 90 / 60 / 0 / 18, CMYK 83 / 56 / 0 / 10, CMYK 77 / 52 / 0 / 3 and CMYK 71 / 46 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 100 / 67 / 0 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 100 / 67 / 0 / 23: CMYK 100 / 67 / 0 / 23, CMYK 100 / 73 / 0 / 31, CMYK 100 / 82 / 0 / 38, CMYK 100 / 92 / 0 / 45 and CMYK 100 / 100 / 0 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

Complementary color

CMYK 0 / 25 / 77 / 0

HEX #FFBE3B

RGB 255 190 59

HSL 40.1, 1%, 0.62%

LAB 80.96, 12.03, 70.69

 

CMYK 97 / 66 / 0 / 25

HEX #0541BF

RGB 5 65 191

HSL 220.65, 0.95%, 0.38%

LAB 33.08, 34.72, -69.84

 

CMYK 90 / 60 / 0 / 18

HEX #1653D2

RGB 22 83 210

HSL 220.53, 0.81%, 0.45%

LAB 39.6, 30.9, -70.18

 

CMYK 83 / 56 / 0 / 10

HEX #2765E5

RGB 39 101 229

HSL 220.42, 0.79%, 0.53%

LAB 46.17, 27.58, -70.27

 

CMYK 77 / 52 / 0 / 3

HEX #3877F8

RGB 56 119 248

HSL 220.31, 0.93%, 0.6%

LAB 52.74, 24.78, -70.21

 

CMYK 71 / 46 / 0 / 0

HEX #4989FF

RGB 73 137 255

HSL 218.9, 1%, 0.64%

LAB 58.53, 18.19, -64.7

 

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

CMYK 100 / 73 / 0 / 31

HEX #002FB1

RGB 0 47 177

HSL 224.07, 1%, 0.35%

LAB 27.32, 40.78, -71.05

 

CMYK 100 / 82 / 0 / 38

HEX #001D9E

RGB 0 29 158

HSL 228.99, 1%, 0.31%

LAB 21.38, 44.49, -69.4

 

CMYK 100 / 92 / 0 / 45

HEX #000B8B

RGB 0 11 139

HSL 235.25, 1%, 0.27%

LAB 16.02, 46.54, -66.57

 

CMYK 100 / 100 / 0 / 53

HEX #000078

RGB 0 0 120

HSL 240, 1%, 0.24%

LAB 11.66, 45.35, -61.77

 

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

CMYK 100 / 83 / 0 / 24

HEX #0020C1

RGB 0 32 193

HSL 230.05, 1%, 0.38%

LAB 26.4, 54.4, -82.08

 

CMYK 100 / 100 / 0 / 24

HEX #0000C1

RGB 0 0 193

HSL 240, 1%, 0.38%

LAB 23.17, 64.22, -87.47

 

CMYK 83 / 100 / 0 / 24

HEX #2000C1

RGB 32 0 193

HSL 249.95, 1%, 0.38%

LAB 24.18, 64.56, -85.75

 

CMYK 67 / 100 / 0 / 24

HEX #4000C1

RGB 64 0 193

HSL 259.9, 1%, 0.38%

LAB 26.56, 65.54, -81.72

 

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

CMYK 100 / 67 / 0 / 3

HEX #0052F7

RGB 0 82 247

HSL 220.08, 1%, 0.48%

LAB 42.38, 44.77, -86.63

 

CMYK 100 / 67 / 0 / 83

HEX #000E2B

RGB 0 14 43

HSL 220.47, 1%, 0.08%

LAB 4.41, 5.28, -20.48

 

CMYK 100 / 67 / 0 / 63

HEX #001F5E

RGB 0 31 94

HSL 220.21, 1%, 0.18%

LAB 14.33, 18.15, -40.29

 

CMYK 100 / 67 / 0 / 43

HEX #003091

RGB 0 48 145

HSL 220.14, 1%, 0.28%

LAB 24.19, 27.7, -56.77

 

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

CMYK 13 / 100 / 0 / 24

HEX #A700C1

RGB 167 0 193

HSL 291.92, 1%, 0.38%

LAB 41.32, 75.67, -56.93

 

CMYK 26 / 0 / 100 / 24

HEX #8EC100

RGB 142 193 0

HSL 75.85, 1%, 0.38%

LAB 72.16, -38.7, 72.34

 

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

CMYK 0 / 100 / 67 / 24

HEX #C10040

RGB 193 0 64

HSL 340.1, 1%, 0.38%

LAB 40.75, 66.6, 22.15

 

CMYK 67 / 0 / 100 / 24

HEX #40C100

RGB 64 193 0

HSL 100.1, 1%, 0.38%

LAB 68.92, -62.87, 68.42

 

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

CMYK 13 / 100 / 0 / 24

HEX #A700C1

RGB 167 0 193

HSL 291.92, 1%, 0.38%

LAB 41.32, 75.67, -56.93

 

CMYK 0 / 33 / 100 / 24

HEX #C18100

RGB 193 129 0

HSL 40.1, 1%, 0.38%

LAB 59.01, 16.52, 64.86

 

CMYK 87 / 0 / 100 / 24

HEX #19C100

RGB 25 193 0

HSL 112.23, 1%, 0.38%

LAB 68.28, -68.51, 67.64

 

CMYK 100 / 67 / 0 / 23

HEX #0041C4

RGB 0 65 196

HSL 220.1, 1%, 0.38%

LAB 33.49, 36.49, -72.09

 

CMYK 0 / 100 / 17 / 24

HEX #C100A1

RGB 193 0 161

HSL 309.95, 1%, 0.38%

LAB 44.1, 75.3, -33.25

 

CMYK 0 / 33 / 100 / 24

HEX #C18100

RGB 193 129 0

HSL 40.1, 1%, 0.38%

LAB 59.01, 16.52, 64.86

 

CMYK 100 / 0 / 83 / 24

HEX #00C120

RGB 0 193 32

HSL 129.95, 1%, 0.38%

LAB 68.2, -68.89, 62.36

 

Description

Color code: CMYK 100 / 67 / 0 / 23 | qconv.com Color code: CMYK 100 / 67 / 0 / 23 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 65 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 65 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 67 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 67% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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