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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 100 / 41 / 0 / 37 it is the complementary color CMYK 0 / 37 / 63 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 100 / 41 / 0 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 100 / 41 / 0 / 37: CMYK 97 / 39 / 0 / 39, CMYK 87 / 35 / 0 / 31, CMYK 80 / 32 / 0 / 24, CMYK 74 / 30 / 0 / 16 and CMYK 69 / 28 / 0 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 100 / 41 / 0 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 100 / 41 / 0 / 37: CMYK 100 / 41 / 0 / 37, CMYK 100 / 46 / 0 / 44, CMYK 100 / 52 / 0 / 52, CMYK 100 / 61 / 0 / 59 and CMYK 100 / 73 / 0 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

Complementary color

CMYK 0 / 37 / 63 / 0

HEX #FFA05E

RGB 255 160 94

HSL 24.6, 1%, 0.68%

LAB 74.32, 29.42, 48.55

 

CMYK 97 / 39 / 0 / 39

HEX #055F9C

RGB 5 95 156

HSL 204.24, 0.94%, 0.32%

LAB 38.93, 0.5, -39.59

 

CMYK 87 / 35 / 0 / 31

HEX #1671AF

RGB 22 113 175

HSL 204.31, 0.78%, 0.39%

LAB 45.74, -2.22, -39.98

 

CMYK 80 / 32 / 0 / 24

HEX #2783C2

RGB 39 131 194

HSL 204.39, 0.67%, 0.46%

LAB 52.46, -4.34, -40.29

 

CMYK 74 / 30 / 0 / 16

HEX #3895D5

RGB 56 149 213

HSL 204.46, 0.65%, 0.53%

LAB 59.1, -6, -40.54

 

CMYK 69 / 28 / 0 / 9

HEX #49A7E8

RGB 73 167 232

HSL 204.53, 0.78%, 0.6%

LAB 65.66, -7.3, -40.76

 

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

CMYK 100 / 46 / 0 / 44

HEX #004D8E

RGB 0 77 142

HSL 207.46, 1%, 0.28%

LAB 32.39, 6.21, -41.58

 

CMYK 100 / 52 / 0 / 52

HEX #003B7B

RGB 0 59 123

HSL 211.22, 1%, 0.24%

LAB 25.44, 10.46, -41

 

CMYK 100 / 61 / 0 / 59

HEX #002968

RGB 0 41 104

HSL 216.35, 1%, 0.2%

LAB 18.3, 15.13, -40.4

 

CMYK 100 / 73 / 0 / 67

HEX #001755

RGB 0 23 85

HSL 223.76, 1%, 0.17%

LAB 11.05, 20.17, -39.62

 

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

CMYK 100 / 57 / 0 / 36

HEX #0046A3

RGB 0 70 163

HSL 214.23, 1%, 0.32%

LAB 31.86, 19.9, -55.19

 

CMYK 100 / 74 / 0 / 36

HEX #002BA3

RGB 0 43 163

HSL 224.17, 1%, 0.32%

LAB 24.87, 38.07, -66.68

 

CMYK 100 / 90 / 0 / 36

HEX #0010A3

RGB 0 16 163

HSL 234.11, 1%, 0.32%

LAB 20.1, 51.91, -74.59

 

CMYK 94 / 100 / 0 / 36

HEX #0A00A3

RGB 10 0 163

HSL 243.68, 1%, 0.32%

LAB 18.84, 56.75, -76.7

 

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

CMYK 100 / 41 / 0 / 17

HEX #007DD4

RGB 0 125 212

HSL 204.62, 1%, 0.42%

LAB 51.18, 3.91, -52.6

 

CMYK 100 / 37 / 0 / 97

HEX #000508

RGB 0 5 8

HSL 202.5, 1%, 0.02%

LAB 1.14, -0.89, -1.6

 

CMYK 100 / 41 / 0 / 77

HEX #00233B

RGB 0 35 59

HSL 204.41, 1%, 0.12%

LAB 12.72, -1.51, -18.89

 

CMYK 100 / 41 / 0 / 57

HEX #00416E

RGB 0 65 110

HSL 204.55, 1%, 0.22%

LAB 26.47, 0.54, -31.1

 

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

CMYK 40 / 100 / 0 / 36

HEX #6100A3

RGB 97 0 163

HSL 275.71, 1%, 0.32%

LAB 27.26, 61.14, -62.48

 

CMYK 0 / 0 / 100 / 36

HEX #A3A300

RGB 163 163 0

HSL 60, 1%, 0.32%

LAB 64.95, -15.42, 67.6

 

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

CMYK 0 / 100 / 40 / 36

HEX #A30061

RGB 163 0 97

HSL 324.29, 1%, 0.32%

LAB 35.3, 62.03, -7.62

 

CMYK 40 / 0 / 100 / 36

HEX #61A300

RGB 97 163 0

HSL 84.29, 1%, 0.32%

LAB 60.55, -42.67, 62.34

 

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

CMYK 40 / 100 / 0 / 36

HEX #6100A3

RGB 97 0 163

HSL 275.71, 1%, 0.32%

LAB 27.26, 61.14, -62.48

 

CMYK 0 / 60 / 100 / 36

HEX #A34100

RGB 163 65 0

HSL 23.93, 1%, 0.32%

LAB 40.52, 38.06, 51.31

 

CMYK 60 / 0 / 100 / 36

HEX #41A300

RGB 65 163 0

HSL 96.07, 1%, 0.32%

LAB 59.27, -52.57, 60.79

 

CMYK 100 / 41 / 0 / 37

HEX #005FA1

RGB 0 95 161

HSL 204.6, 1%, 0.32%

LAB 39.17, 2.31, -42.2

 

CMYK 10 / 100 / 0 / 36

HEX #9200A3

RGB 146 0 163

HSL 293.74, 1%, 0.32%

LAB 35.51, 67.56, -48.67

 

CMYK 0 / 60 / 100 / 36

HEX #A34100

RGB 163 65 0

HSL 23.93, 1%, 0.32%

LAB 40.52, 38.06, 51.31

 

CMYK 90 / 0 / 100 / 36

HEX #10A300

RGB 16 163 0

HSL 114.11, 1%, 0.32%

LAB 58.33, -60.71, 59.64

 

Description

Color code: CMYK 100 / 41 / 0 / 37 | qconv.com Color code: CMYK 100 / 41 / 0 / 37 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 95 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 95 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 41 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 41% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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