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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 100 / 0 / 13 / 22 it is the complementary color CMYK 0 / 78 / 68 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 100 / 0 / 13 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 100 / 0 / 13 / 22: CMYK 97 / 0 / 16 / 22, CMYK 90 / 0 / 14 / 15, CMYK 83 / 0 / 12 / 8, CMYK 78 / 0 / 11 / 1 and CMYK 71 / 0 / 4 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 100 / 0 / 13 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 100 / 0 / 13 / 22: CMYK 100 / 0 / 13 / 22, CMYK 100 / 0 / 15 / 29, CMYK 100 / 0 / 17 / 36, CMYK 100 / 0 / 20 / 43 and CMYK 100 / 0 / 24 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

Complementary color

CMYK 0 / 78 / 68 / 0

HEX #FF3852

RGB 255 56 82

HSL 352.16, 1%, 0.61%

LAB 56.78, 73.6, 34

 

CMYK 97 / 0 / 16 / 22

HEX #05C7A8

RGB 5 199 168

HSL 170.41, 0.95%, 0.4%

LAB 72.03, -48.53, 3.88

 

CMYK 90 / 0 / 14 / 15

HEX #16D9BB

RGB 22 217 187

HSL 170.77, 0.82%, 0.47%

LAB 78.1, -50.28, 2.46

 

CMYK 83 / 0 / 12 / 8

HEX #27EBCE

RGB 39 235 206

HSL 171.12, 0.83%, 0.54%

LAB 84.12, -51.68, 1.17

 

CMYK 78 / 0 / 11 / 1

HEX #38FDE1

RGB 56 253 225

HSL 171.47, 0.98%, 0.61%

LAB 90.1, -52.79, -0.02

 

CMYK 71 / 0 / 4 / 0

HEX #49FFF4

RGB 73 255 244

HSL 176.37, 1%, 0.64%

LAB 91.45, -46.88, -7.87

 

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

CMYK 100 / 0 / 15 / 29

HEX #00B59A

RGB 0 181 154

HSL 171.05, 1%, 0.35%

LAB 66.04, -44.99, 2.87

 

CMYK 100 / 0 / 17 / 36

HEX #00A387

RGB 0 163 135

HSL 169.69, 1%, 0.32%

LAB 59.84, -42.6, 4.5

 

CMYK 100 / 0 / 20 / 43

HEX #009174

RGB 0 145 116

HSL 168, 1%, 0.28%

LAB 53.51, -40.15, 6.19

 

CMYK 100 / 0 / 24 / 50

HEX #007F61

RGB 0 127 97

HSL 165.83, 1%, 0.25%

LAB 47.03, -37.64, 7.99

 

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

CMYK 100 / 3 / 0 / 22

HEX #00C0C6

RGB 0 192 198

HSL 181.82, 1%, 0.39%

LAB 70.72, -37.01, -14.42

 

CMYK 100 / 20 / 0 / 22

HEX #009FC6

RGB 0 159 198

HSL 191.82, 1%, 0.39%

LAB 60.67, -20.75, -29.76

 

CMYK 100 / 37 / 0 / 22

HEX #007DC6

RGB 0 125 198

HSL 202.12, 1%, 0.39%

LAB 50.39, -1.56, -45.9

 

CMYK 100 / 54 / 0 / 22

HEX #005CC6

RGB 0 92 198

HSL 212.12, 1%, 0.39%

LAB 40.79, 19.42, -61.33

 

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

CMYK 100 / 0 / 13 / 2

HEX #00FAD9

RGB 0 250 217

HSL 172.08, 1%, 0.49%

LAB 88.63, -56.41, 1.94

 

CMYK 100 / 0 / 13 / 82

HEX #002E28

RGB 0 46 40

HSL 172.17, 1%, 0.09%

LAB 16.04, -16.72, -0.38

 

CMYK 100 / 0 / 13 / 62

HEX #006154

RGB 0 97 84

HSL 171.96, 1%, 0.19%

LAB 36.35, -27.94, 0.47

 

CMYK 100 / 0 / 13 / 42

HEX #009481

RGB 0 148 129

HSL 172.3, 1%, 0.29%

LAB 54.83, -37.81, 0.65

 

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

CMYK 93 / 100 / 0 / 22

HEX #0D00C6

RGB 13 0 198

HSL 243.94, 1%, 0.39%

LAB 24.2, 65.55, -88.69

 

CMYK 0 / 54 / 100 / 22

HEX #C65C00

RGB 198 92 0

HSL 27.88, 1%, 0.39%

LAB 51.45, 38.42, 60.49

 

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

CMYK 13 / 100 / 0 / 22

HEX #AC00C6

RGB 172 0 198

HSL 292.12, 1%, 0.39%

LAB 42.53, 77.22, -57.85

 

CMYK 0 / 13 / 100 / 22

HEX #C6AC00

RGB 198 172 0

HSL 52.12, 1%, 0.39%

LAB 70.53, -4.51, 73.05

 

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

CMYK 93 / 100 / 0 / 22

HEX #0D00C6

RGB 13 0 198

HSL 243.94, 1%, 0.39%

LAB 24.2, 65.55, -88.69

 

CMYK 0 / 100 / 87 / 22

HEX #C6001A

RGB 198 0 26

HSL 352.12, 1%, 0.39%

LAB 41.34, 66.54, 45.47

 

CMYK 7 / 0 / 100 / 22

HEX #B9C600

RGB 185 198 0

HSL 63.94, 1%, 0.39%

LAB 76.5, -23.38, 76.89

 

CMYK 100 / 0 / 13 / 22

HEX #00C7AD

RGB 0 199 173

HSL 172.16, 1%, 0.39%

LAB 72.14, -47.34, 1.32

 

CMYK 64 / 100 / 0 / 22

HEX #4800C6

RGB 72 0 198

HSL 261.82, 1%, 0.39%

LAB 27.99, 67.1, -82.26

 

CMYK 0 / 100 / 87 / 22

HEX #C6001A

RGB 198 0 26

HSL 352.12, 1%, 0.39%

LAB 41.34, 66.54, 45.47

 

CMYK 37 / 0 / 100 / 22

HEX #7DC600

RGB 125 198 0

HSL 82.12, 1%, 0.39%

LAB 72.73, -47.19, 72.37

 

Description

Color code: CMYK 100 / 0 / 13 / 22 | qconv.com Color code: CMYK 100 / 0 / 13 / 22 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 199 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 199 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 13 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 13% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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