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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 9 / 20 / 56 it is the complementary color CMYK 13 / 7 / 0 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 9 / 20 / 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 9 / 20 / 56: CMYK 0 / 13 / 27 / 54, CMYK 0 / 10 / 22 / 47, CMYK 0 / 9 / 19 / 41, CMYK 0 / 7 / 15 / 34 and CMYK 0 / 6 / 13 / 27

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 9 / 20 / 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 9 / 20 / 56: CMYK 0 / 9 / 20 / 56, CMYK 0 / 12 / 25 / 63, CMYK 0 / 15 / 33 / 69, CMYK 0 / 21 / 46 / 76 and CMYK 0 / 32 / 68 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

Complementary color

CMYK 13 / 7 / 0 / 35

HEX #8F99A5

RGB 143 153 165

HSL 212.73, 0.11%, 0.6%

LAB 62.79, -1.05, -7.5

 

CMYK 0 / 13 / 27 / 54

HEX #756655

RGB 117 102 85

HSL 31.88, 0.16%, 0.4%

LAB 44.15, 3.08, 11.81

 

CMYK 0 / 10 / 22 / 47

HEX #867868

RGB 134 120 104

HSL 32, 0.13%, 0.47%

LAB 51.27, 2.64, 10.76

 

CMYK 0 / 9 / 19 / 41

HEX #978A7B

RGB 151 138 123

HSL 32.14, 0.12%, 0.54%

LAB 58.21, 2.28, 9.79

 

CMYK 0 / 7 / 15 / 34

HEX #A89C8E

RGB 168 156 142

HSL 32.31, 0.13%, 0.61%

LAB 65.01, 1.97, 8.91

 

CMYK 0 / 6 / 13 / 27

HEX #B9AEA1

RGB 185 174 161

HSL 32.5, 0.15%, 0.68%

LAB 71.66, 1.7, 8.07

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 0 / 12 / 25 / 63

HEX #5F5447

RGB 95 84 71

HSL 32.5, 0.14%, 0.33%

LAB 36.42, 2.17, 9.25

 

CMYK 0 / 15 / 33 / 69

HEX #4E4234

RGB 78 66 52

HSL 32.31, 0.2%, 0.25%

LAB 28.81, 2.68, 10.44

 

CMYK 0 / 21 / 46 / 76

HEX #3D3021

RGB 61 48 33

HSL 32.14, 0.3%, 0.18%

LAB 20.89, 3.39, 11.83

 

CMYK 0 / 32 / 68 / 83

HEX #2C1E0E

RGB 44 30 14

HSL 32, 0.52%, 0.11%

LAB 12.58, 4.47, 12.81

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 0 / 6 / 20 / 56

HEX #716A5A

RGB 113 106 90

HSL 41.74, 0.11%, 0.4%

LAB 45.02, -0.17, 9.98

 

CMYK 0 / 3 / 20 / 56

HEX #716E5A

RGB 113 110 90

HSL 52.17, 0.11%, 0.4%

LAB 46.18, -2.5, 11.59

 

CMYK 1 / 0 / 20 / 56

HEX #70715A

RGB 112 113 90

HSL 62.61, 0.11%, 0.4%

LAB 46.97, -4.65, 12.67

 

CMYK 4 / 0 / 20 / 56

HEX #6C715A

RGB 108 113 90

HSL 73.04, 0.11%, 0.4%

LAB 46.63, -6.3, 12.15

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 0 / 9 / 20 / 36

HEX #A39483

RGB 163 148 131

HSL 31.88, 0.15%, 0.58%

LAB 62.17, 2.69, 11

 

CMYK 0 / 9 / 20 / 16

HEX #D6C3AC

RGB 214 195 172

HSL 32.86, 0.34%, 0.76%

LAB 79.79, 3, 13.98

 

CMYK 0 / 10 / 20 / 96

HEX #0A0908

RGB 10 9 8

HSL 30, 0.11%, 0.04%

LAB 2.51, 0.12, 0.47

 

CMYK 0 / 8 / 20 / 76

HEX #3D3831

RGB 61 56 49

HSL 35, 0.11%, 0.22%

LAB 23.81, 0.76, 5.16

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 15 / 0 / 20 / 56

HEX #60715A

RGB 96 113 90

HSL 104.35, 0.11%, 0.4%

LAB 45.68, -11.1, 10.69

 

CMYK 18 / 20 / 0 / 56

HEX #5D5A71

RGB 93 90 113

HSL 247.83, 0.11%, 0.4%

LAB 39.3, 6.43, -12.62

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 20 / 0 / 10 / 56

HEX #5A7166

RGB 90 113 102

HSL 151.3, 0.11%, 0.4%

LAB 45.56, -10.93, 3.31

 

CMYK 10 / 20 / 0 / 56

HEX #665A71

RGB 102 90 113

HSL 271.3, 0.11%, 0.4%

LAB 40.13, 9.7, -11.28

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 15 / 0 / 20 / 56

HEX #60715A

RGB 96 113 90

HSL 104.35, 0.11%, 0.4%

LAB 45.68, -11.1, 10.69

 

CMYK 20 / 11 / 0 / 56

HEX #5A6571

RGB 90 101 113

HSL 211.3, 0.11%, 0.4%

LAB 42.27, -1.36, -8.16

 

CMYK 5 / 20 / 0 / 56

HEX #6B5A71

RGB 107 90 113

HSL 284.35, 0.11%, 0.4%

LAB 40.62, 11.56, -10.49

 

CMYK 0 / 9 / 20 / 56

HEX #70665A

RGB 112 102 90

HSL 32.73, 0.11%, 0.4%

LAB 43.78, 1.78, 8.22

 

CMYK 20 / 0 / 19 / 56

HEX #5A715B

RGB 90 113 91

HSL 122.61, 0.11%, 0.4%

LAB 45.27, -13.21, 9.47

 

CMYK 20 / 11 / 0 / 56

HEX #5A6571

RGB 90 101 113

HSL 211.3, 0.11%, 0.4%

LAB 42.27, -1.36, -8.16

 

CMYK 0 / 20 / 1 / 56

HEX #715A70

RGB 113 90 112

HSL 302.61, 0.11%, 0.4%

LAB 41.2, 13.6, -8.93

 

Description

Color code: CMYK 0 / 9 / 20 / 56 | qconv.com Color code: CMYK 0 / 9 / 20 / 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 102 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 102 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 20 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 20% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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