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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 9 / 14 / 27 it is the complementary color CMYK 27 / 9 / 0 / 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 9 / 14 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 9 / 14 / 27: CMYK 0 / 12 / 19 / 25, CMYK 0 / 10 / 16 / 18, CMYK 0 / 9 / 14 / 12, CMYK 0 / 8 / 12 / 5 and CMYK 0 / 5 / 9 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 9 / 14 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 9 / 14 / 27: CMYK 0 / 9 / 14 / 27, CMYK 0 / 11 / 17 / 34, CMYK 0 / 13 / 20 / 40, CMYK 0 / 15 / 24 / 47 and CMYK 0 / 18 / 29 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

Complementary color

CMYK 27 / 9 / 0 / 63

HEX #45565F

RGB 69 86 95

HSL 200.77, 0.16%, 0.32%

LAB 35.49, -4.23, -7.38

 

CMYK 0 / 12 / 19 / 25

HEX #BFA99B

RGB 191 169 155

HSL 23.33, 0.22%, 0.68%

LAB 70.75, 5.69, 10.13

 

CMYK 0 / 10 / 16 / 18

HEX #D0BBAE

RGB 208 187 174

HSL 22.94, 0.27%, 0.75%

LAB 77.28, 5.33, 9.29

 

CMYK 0 / 9 / 14 / 12

HEX #E1CDC1

RGB 225 205 193

HSL 22.5, 0.35%, 0.82%

LAB 83.72, 5.01, 8.49

 

CMYK 0 / 8 / 12 / 5

HEX #F2DFD4

RGB 242 223 212

HSL 22, 0.54%, 0.89%

LAB 90.05, 4.71, 7.72

 

CMYK 0 / 5 / 9 / 0

HEX #FFF1E7

RGB 255 241 231

HSL 25, 1%, 0.95%

LAB 95.97, 3.06, 6.5

 

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

CMYK 0 / 11 / 17 / 34

HEX #A9978D

RGB 169 151 141

HSL 21.43, 0.14%, 0.61%

LAB 63.75, 4.95, 7.68

 

CMYK 0 / 13 / 20 / 40

HEX #98857A

RGB 152 133 122

HSL 22, 0.13%, 0.54%

LAB 56.93, 5.34, 8.57

 

CMYK 0 / 15 / 24 / 47

HEX #877367

RGB 135 115 103

HSL 22.5, 0.13%, 0.47%

LAB 49.97, 5.79, 9.53

 

CMYK 0 / 18 / 29 / 54

HEX #766154

RGB 118 97 84

HSL 22.94, 0.17%, 0.4%

LAB 42.83, 6.33, 10.59

 

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

CMYK 0 / 7 / 14 / 27

HEX #BAADA0

RGB 186 173 160

HSL 30, 0.16%, 0.68%

LAB 71.46, 2.44, 8.35

 

CMYK 0 / 5 / 14 / 27

HEX #BAB1A0

RGB 186 177 160

HSL 39.23, 0.16%, 0.68%

LAB 72.51, 0.29, 9.84

 

CMYK 0 / 2 / 14 / 27

HEX #BAB6A0

RGB 186 182 160

HSL 50.77, 0.16%, 0.68%

LAB 73.83, -2.38, 11.71

 

CMYK 0 / 0 / 14 / 27

HEX #BABAA0

RGB 186 186 160

HSL 60, 0.16%, 0.68%

LAB 74.88, -4.51, 13.2

 

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

CMYK 0 / 9 / 14 / 7

HEX #EDD7CC

RGB 237 215 204

HSL 20, 0.48%, 0.86%

LAB 87.47, 5.82, 8.17

 

CMYK 0 / 9 / 15 / 87

HEX #211E1C

RGB 33 30 28

HSL 24, 0.08%, 0.12%

LAB 11.52, 0.97, 1.88

 

CMYK 0 / 10 / 14 / 67

HEX #544C48

RGB 84 76 72

HSL 20, 0.08%, 0.31%

LAB 32.97, 2.54, 3.58

 

CMYK 0 / 9 / 14 / 47

HEX #877B74

RGB 135 123 116

HSL 22.11, 0.08%, 0.49%

LAB 52.48, 3.33, 5.48

 

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

CMYK 8 / 0 / 14 / 27

HEX #ACBAA0

RGB 172 186 160

HSL 92.31, 0.16%, 0.68%

LAB 73.82, -9.62, 11.55

 

CMYK 14 / 13 / 0 / 27

HEX #A0A2BA

RGB 160 162 186

HSL 235.38, 0.16%, 0.68%

LAB 67.17, 4.2, -12.59

 

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

CMYK 14 / 0 / 9 / 27

HEX #A0BAA9

RGB 160 186 169

HSL 140.77, 0.16%, 0.68%

LAB 73.19, -12.21, 5.64

 

CMYK 9 / 14 / 0 / 27

HEX #A9A0BA

RGB 169 160 186

HSL 260.77, 0.16%, 0.68%

LAB 67.37, 8.34, -12.22

 

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

CMYK 8 / 0 / 14 / 27

HEX #ACBAA0

RGB 172 186 160

HSL 92.31, 0.16%, 0.68%

LAB 73.82, -9.62, 11.55

 

CMYK 14 / 5 / 0 / 27

HEX #A0B1BA

RGB 160 177 186

HSL 200.77, 0.16%, 0.68%

LAB 71.19, -4.01, -6.59

 

CMYK 6 / 14 / 0 / 27

HEX #AEA0BA

RGB 174 160 186

HSL 272.31, 0.16%, 0.68%

LAB 67.79, 10.04, -11.55

 

CMYK 0 / 9 / 14 / 27

HEX #BAA9A0

RGB 186 169 160

HSL 20.77, 0.16%, 0.68%

LAB 70.42, 4.61, 6.86

 

CMYK 12 / 0 / 14 / 27

HEX #A4BAA0

RGB 164 186 160

HSL 110.77, 0.16%, 0.68%

LAB 73.25, -12.48, 10.66

 

CMYK 14 / 5 / 0 / 27

HEX #A0B1BA

RGB 160 177 186

HSL 200.77, 0.16%, 0.68%

LAB 71.19, -4.01, -6.59

 

CMYK 2 / 14 / 0 / 27

HEX #B6A0BA

RGB 182 160 186

HSL 290.77, 0.16%, 0.68%

LAB 68.48, 12.79, -10.43

 

Description

Color code: CMYK 0 / 9 / 14 / 27 | qconv.com Color code: CMYK 0 / 9 / 14 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 169 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 169 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 14 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 14% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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