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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 57 / 31 it is the complementary color CMYK 56 / 48 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 57 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 8 / 57 / 31: CMYK 0 / 10 / 61 / 29, CMYK 0 / 9 / 55 / 22, CMYK 0 / 8 / 49 / 16, CMYK 0 / 7 / 45 / 9 and CMYK 0 / 6 / 41 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 57 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 8 / 57 / 31: CMYK 0 / 8 / 57 / 31, CMYK 0 / 9 / 64 / 38, CMYK 0 / 11 / 73 / 44, CMYK 0 / 14 / 85 / 51 and CMYK 0 / 17 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

Complementary color

CMYK 56 / 48 / 0 / 30

HEX #4F5DB3

RGB 79 93 179

HSL 231.6, 0.4%, 0.51%

LAB 42.38, 20.22, -47.55

 

CMYK 0 / 10 / 61 / 29

HEX #B5A247

RGB 181 162 71

HSL 49.64, 0.44%, 0.49%

LAB 66.61, -4.26, 48.76

 

CMYK 0 / 9 / 55 / 22

HEX #C6B45A

RGB 198 180 90

HSL 50, 0.49%, 0.56%

LAB 73.15, -5.06, 47.62

 

CMYK 0 / 8 / 49 / 16

HEX #D7C66D

RGB 215 198 109

HSL 50.38, 0.57%, 0.64%

LAB 79.58, -5.74, 46.41

 

CMYK 0 / 7 / 45 / 9

HEX #E8D880

RGB 232 216 128

HSL 50.77, 0.69%, 0.71%

LAB 85.92, -6.3, 45.21

 

CMYK 0 / 6 / 41 / 2

HEX #F9EA93

RGB 249 234 147

HSL 51.18, 0.89%, 0.78%

LAB 92.17, -6.79, 44.02

 

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

CMYK 0 / 9 / 64 / 38

HEX #9F9039

RGB 159 144 57

HSL 51.18, 0.47%, 0.42%

LAB 59.54, -5.19, 46.88

 

CMYK 0 / 11 / 73 / 44

HEX #8E7E26

RGB 142 126 38

HSL 50.77, 0.58%, 0.35%

LAB 52.74, -4.13, 47.62

 

CMYK 0 / 14 / 85 / 51

HEX #7D6C13

RGB 125 108 19

HSL 50.38, 0.74%, 0.28%

LAB 45.81, -2.78, 47.53

 

CMYK 0 / 17 / 100 / 58

HEX #6C5A00

RGB 108 90 0

HSL 50, 1%, 0.21%

LAB 38.73, -1.11, 46.32

 

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

CMYK 1 / 0 / 57 / 32

HEX #ADAE4A

RGB 173 174 74

HSL 60.6, 0.4%, 0.49%

LAB 69.22, -13.77, 50.09

 

CMYK 10 / 0 / 57 / 32

HEX #9CAE4A

RGB 156 174 74

HSL 70.8, 0.4%, 0.49%

LAB 67.9, -20.89, 48.24

 

CMYK 20 / 0 / 57 / 32

HEX #8BAE4A

RGB 139 174 74

HSL 81, 0.4%, 0.49%

LAB 66.71, -27.77, 46.58

 

CMYK 29 / 0 / 57 / 32

HEX #7BAE4A

RGB 123 174 74

HSL 90.6, 0.4%, 0.49%

LAB 65.73, -33.91, 45.2

 

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

CMYK 0 / 8 / 57 / 11

HEX #E3D162

RGB 227 209 98

HSL 51.63, 0.7%, 0.64%

LAB 83.34, -7.34, 56.3

 

CMYK 0 / 9 / 57 / 91

HEX #17150A

RGB 23 21 10

HSL 50.77, 0.39%, 0.06%

LAB 6.69, -1.12, 5.89

 

CMYK 0 / 8 / 57 / 71

HEX #4A4420

RGB 74 68 32

HSL 51.43, 0.4%, 0.21%

LAB 28.63, -3.14, 22.52

 

CMYK 0 / 8 / 57 / 51

HEX #7D7336

RGB 125 115 54

HSL 51.55, 0.4%, 0.35%

LAB 48.12, -4.65, 34.67

 

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

CMYK 57 / 0 / 55 / 32

HEX #4AAE4F

RGB 74 174 79

HSL 123, 0.4%, 0.49%

LAB 63.58, -48.79, 39.73

 

CMYK 32 / 57 / 0 / 32

HEX #774AAE

RGB 119 74 174

HSL 267, 0.4%, 0.49%

LAB 41.02, 39.74, -46.59

 

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

CMYK 57 / 0 / 9 / 32

HEX #4AAE9F

RGB 74 174 159

HSL 171, 0.4%, 0.49%

LAB 65.15, -32.78, -1.07

 

CMYK 9 / 57 / 0 / 32

HEX #9F4AAE

RGB 159 74 174

HSL 291, 0.4%, 0.49%

LAB 46.08, 50.15, -38.23

 

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

CMYK 57 / 0 / 55 / 32

HEX #4AAE4F

RGB 74 174 79

HSL 123, 0.4%, 0.49%

LAB 63.58, -48.79, 39.73

 

CMYK 57 / 49 / 0 / 32

HEX #4A59AE

RGB 74 89 174

HSL 231, 0.4%, 0.49%

LAB 40.67, 20.04, -47.37

 

CMYK 0 / 57 / 3 / 32

HEX #AE4AA9

RGB 174 74 169

HSL 303, 0.4%, 0.49%

LAB 47.96, 53.27, -32.18

 

CMYK 0 / 8 / 57 / 31

HEX #B0A24C

RGB 176 162 76

HSL 51.6, 0.4%, 0.49%

LAB 66.21, -6.04, 45.81

 

CMYK 57 / 0 / 37 / 32

HEX #4AAE6D

RGB 74 174 109

HSL 141, 0.4%, 0.49%

LAB 64.02, -44.01, 24.83

 

CMYK 57 / 49 / 0 / 32

HEX #4A59AE

RGB 74 89 174

HSL 231, 0.4%, 0.49%

LAB 40.67, 20.04, -47.37

 

CMYK 0 / 57 / 20 / 32

HEX #AE4A8B

RGB 174 74 139

HSL 321, 0.4%, 0.49%

LAB 46.66, 48.41, -16.32

 

Description

Color code: CMYK 0 / 8 / 57 / 31 | qconv.com Color code: CMYK 0 / 8 / 57 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 162 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 162 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 57 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 57% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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