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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 15 / 40 it is the complementary color CMYK 18 / 9 / 0 / 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 15 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 8 / 15 / 40: CMYK 0 / 11 / 21 / 38, CMYK 0 / 9 / 18 / 31, CMYK 0 / 8 / 15 / 25, CMYK 0 / 7 / 13 / 18 and CMYK 0 / 6 / 11 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 15 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 8 / 15 / 40: CMYK 0 / 8 / 15 / 40, CMYK 0 / 10 / 18 / 47, CMYK 0 / 12 / 23 / 53, CMYK 0 / 15 / 28 / 60 and CMYK 0 / 19 / 36 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

Complementary color

CMYK 18 / 9 / 0 / 51

HEX #66727D

RGB 102 114 125

HSL 208.7, 0.1%, 0.45%

LAB 47.42, -1.96, -7.58

 

CMYK 0 / 11 / 21 / 38

HEX #9E8D7D

RGB 158 141 125

HSL 29.09, 0.15%, 0.55%

LAB 59.71, 3.68, 10.86

 

CMYK 0 / 9 / 18 / 31

HEX #AF9F90

RGB 175 159 144

HSL 29.03, 0.16%, 0.63%

LAB 66.46, 3.32, 9.94

 

CMYK 0 / 8 / 15 / 25

HEX #C0B1A3

RGB 192 177 163

HSL 28.97, 0.19%, 0.7%

LAB 73.09, 3.01, 9.09

 

CMYK 0 / 7 / 13 / 18

HEX #D1C3B6

RGB 209 195 182

HSL 28.89, 0.23%, 0.77%

LAB 79.59, 2.72, 8.29

 

CMYK 0 / 6 / 11 / 11

HEX #E2D5C9

RGB 226 213 201

HSL 28.8, 0.3%, 0.84%

LAB 85.99, 2.47, 7.52

 

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

CMYK 0 / 10 / 18 / 47

HEX #887B6F

RGB 136 123 111

HSL 28.8, 0.1%, 0.48%

LAB 52.45, 2.87, 8.36

 

CMYK 0 / 12 / 23 / 53

HEX #77695C

RGB 119 105 92

HSL 28.89, 0.13%, 0.41%

LAB 45.36, 3.26, 9.33

 

CMYK 0 / 15 / 28 / 60

HEX #665749

RGB 102 87 73

HSL 28.97, 0.17%, 0.34%

LAB 38.06, 3.73, 10.41

 

CMYK 0 / 19 / 36 / 67

HEX #554536

RGB 85 69 54

HSL 29.03, 0.22%, 0.27%

LAB 30.53, 4.33, 11.64

 

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

CMYK 0 / 5 / 15 / 41

HEX #978F80

RGB 151 143 128

HSL 39.13, 0.1%, 0.55%

LAB 59.69, 0.31, 9.04

 

CMYK 0 / 3 / 15 / 41

HEX #979380

RGB 151 147 128

HSL 49.57, 0.1%, 0.55%

LAB 60.79, -1.92, 10.59

 

CMYK 0 / 1 / 15 / 41

HEX #979680

RGB 151 150 128

HSL 57.39, 0.1%, 0.55%

LAB 61.61, -3.57, 11.75

 

CMYK 2 / 0 / 15 / 41

HEX #949780

RGB 148 151 128

HSL 67.83, 0.1%, 0.55%

LAB 61.64, -5.28, 11.76

 

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

CMYK 0 / 8 / 15 / 20

HEX #CCBCAD

RGB 204 188 173

HSL 29.03, 0.23%, 0.74%

LAB 77.17, 3.16, 9.62

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 8 / 16 / 80

HEX #332F2B

RGB 51 47 43

HSL 30, 0.09%, 0.18%

LAB 19.68, 0.93, 3.21

 

CMYK 0 / 8 / 15 / 60

HEX #665E57

RGB 102 94 87

HSL 28, 0.08%, 0.37%

LAB 40.44, 1.87, 5.16

 

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

CMYK 10 / 0 / 15 / 41

HEX #889780

RGB 136 151 128

HSL 99.13, 0.1%, 0.55%

LAB 60.72, -9.82, 10.32

 

CMYK 14 / 15 / 0 / 41

HEX #828097

RGB 130 128 151

HSL 245.22, 0.1%, 0.55%

LAB 54.47, 5.61, -12.05

 

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

CMYK 15 / 0 / 8 / 41

HEX #80978B

RGB 128 151 139

HSL 148.7, 0.1%, 0.55%

LAB 60.41, -10.61, 3.6

 

CMYK 8 / 15 / 0 / 41

HEX #8B8097

RGB 139 128 151

HSL 268.7, 0.1%, 0.55%

LAB 55.24, 8.76, -10.82

 

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

CMYK 10 / 0 / 15 / 41

HEX #889780

RGB 136 151 128

HSL 99.13, 0.1%, 0.55%

LAB 60.72, -9.82, 10.32

 

CMYK 15 / 7 / 0 / 41

HEX #808D97

RGB 128 141 151

HSL 206.09, 0.1%, 0.55%

LAB 57.92, -2.52, -6.91

 

CMYK 5 / 15 / 0 / 41

HEX #908097

RGB 144 128 151

HSL 281.74, 0.1%, 0.55%

LAB 55.69, 10.54, -10.1

 

CMYK 0 / 8 / 15 / 40

HEX #998D82

RGB 153 141 130

HSL 28.7, 0.1%, 0.55%

LAB 59.37, 2.54, 7.47

 

CMYK 15 / 0 / 15 / 41

HEX #819780

RGB 129 151 128

HSL 117.39, 0.1%, 0.55%

LAB 60.21, -12.4, 9.54

 

CMYK 15 / 7 / 0 / 41

HEX #808D97

RGB 128 141 151

HSL 206.09, 0.1%, 0.55%

LAB 57.92, -2.52, -6.91

 

CMYK 1 / 15 / 0 / 41

HEX #968097

RGB 150 128 151

HSL 297.39, 0.1%, 0.55%

LAB 56.24, 12.69, -9.21

 

Description

Color code: CMYK 0 / 8 / 15 / 40 | qconv.com Color code: CMYK 0 / 8 / 15 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 141 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 141 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 15 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 15% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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