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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 7 / 51 / 22 it is the complementary color CMYK 65 / 56 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 7 / 51 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 7 / 51 / 22: CMYK 0 / 9 / 55 / 20, CMYK 0 / 8 / 50 / 13, CMYK 0 / 7 / 45 / 7, CMYK 0 / 6 / 42 / 0 and CMYK 0 / 0 / 34 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 7 / 51 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 7 / 51 / 22: CMYK 0 / 7 / 51 / 22, CMYK 0 / 8 / 57 / 29, CMYK 0 / 10 / 64 / 35, CMYK 0 / 11 / 73 / 42 and CMYK 0 / 14 / 84 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

Complementary color

CMYK 65 / 56 / 0 / 38

HEX #38469E

RGB 56 70 158

HSL 231.76, 0.48%, 0.42%

LAB 33.33, 23.36, -49.71

 

CMYK 0 / 9 / 55 / 20

HEX #CCB95C

RGB 204 185 92

HSL 49.82, 0.52%, 0.58%

LAB 75.02, -5, 48.98

 

CMYK 0 / 8 / 50 / 13

HEX #DDCB6F

RGB 221 203 111

HSL 50.18, 0.62%, 0.65%

LAB 81.42, -5.68, 47.79

 

CMYK 0 / 7 / 45 / 7

HEX #EEDD82

RGB 238 221 130

HSL 50.56, 0.76%, 0.72%

LAB 87.73, -6.26, 46.58

 

CMYK 0 / 6 / 42 / 0

HEX #FFEF95

RGB 255 239 149

HSL 50.94, 1%, 0.79%

LAB 93.95, -6.76, 45.4

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

CMYK 0 / 8 / 57 / 29

HEX #B6A74E

RGB 182 167 78

HSL 51.35, 0.42%, 0.51%

LAB 68.12, -5.96, 47.18

 

CMYK 0 / 10 / 64 / 35

HEX #A5953B

RGB 165 149 59

HSL 50.94, 0.47%, 0.44%

LAB 61.49, -5.11, 48.24

 

CMYK 0 / 11 / 73 / 42

HEX #948328

RGB 148 131 40

HSL 50.56, 0.57%, 0.37%

LAB 54.74, -4.04, 48.97

 

CMYK 0 / 14 / 84 / 49

HEX #837115

RGB 131 113 21

HSL 50.18, 0.72%, 0.3%

LAB 47.87, -2.7, 48.92

 

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

CMYK 1 / 0 / 52 / 22

HEX #C5C760

RGB 197 199 96

HSL 61.17, 0.48%, 0.58%

LAB 78.21, -14.75, 50.65

 

CMYK 10 / 0 / 52 / 22

HEX #B4C760

RGB 180 199 96

HSL 71.07, 0.48%, 0.58%

LAB 76.92, -21.62, 48.82

 

CMYK 18 / 0 / 52 / 22

HEX #A3C760

RGB 163 199 96

HSL 80.97, 0.48%, 0.58%

LAB 75.75, -28.29, 47.15

 

CMYK 27 / 0 / 52 / 22

HEX #92C760

RGB 146 199 96

HSL 90.87, 0.48%, 0.58%

LAB 74.7, -34.66, 45.65

 

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

CMYK 0 / 7 / 51 / 2

HEX #FAE87A

RGB 250 232 122

HSL 51.56, 0.93%, 0.73%

LAB 91.43, -7.72, 55.14

 

CMYK 0 / 7 / 52 / 82

HEX #2E2B16

RGB 46 43 22

HSL 52.5, 0.35%, 0.13%

LAB 17.3, -2.47, 14.14

 

CMYK 0 / 7 / 52 / 62

HEX #615A2F

RGB 97 90 47

HSL 51.6, 0.35%, 0.28%

LAB 37.95, -3.81, 25.7

 

CMYK 0 / 7 / 51 / 42

HEX #948A48

RGB 148 138 72

HSL 52.11, 0.35%, 0.43%

LAB 57.02, -5.56, 36.38

 

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

CMYK 52 / 0 / 49 / 22

HEX #60C765

RGB 96 199 101

HSL 122.91, 0.48%, 0.58%

LAB 72.41, -49.99, 39.89

 

CMYK 29 / 52 / 0 / 22

HEX #8E60C7

RGB 142 96 199

HSL 266.8, 0.48%, 0.58%

LAB 49.79, 39.54, -47.01

 

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

CMYK 52 / 0 / 8 / 22

HEX #60C7B7

RGB 96 199 183

HSL 170.68, 0.48%, 0.58%

LAB 74.03, -33.85, -1.15

 

CMYK 8 / 52 / 0 / 22

HEX #B760C7

RGB 183 96 199

HSL 290.68, 0.48%, 0.58%

LAB 54.61, 50.64, -39.06

 

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

CMYK 52 / 0 / 49 / 22

HEX #60C765

RGB 96 199 101

HSL 122.91, 0.48%, 0.58%

LAB 72.41, -49.99, 39.89

 

CMYK 52 / 44 / 0 / 22

HEX #606FC7

RGB 96 111 199

HSL 231.26, 0.48%, 0.58%

LAB 49.47, 19.19, -47.75

 

CMYK 0 / 52 / 3 / 22

HEX #C760C2

RGB 199 96 194

HSL 302.91, 0.48%, 0.58%

LAB 56.49, 54.18, -33.11

 

CMYK 0 / 7 / 51 / 22

HEX #C7B961

RGB 199 185 97

HSL 51.76, 0.48%, 0.58%

LAB 74.64, -6.66, 46

 

CMYK 52 / 0 / 34 / 22

HEX #60C784

RGB 96 199 132

HSL 140.97, 0.48%, 0.58%

LAB 72.89, -44.96, 24.63

 

CMYK 52 / 44 / 0 / 22

HEX #606FC7

RGB 96 111 199

HSL 231.26, 0.48%, 0.58%

LAB 49.47, 19.19, -47.75

 

CMYK 0 / 52 / 18 / 22

HEX #C760A3

RGB 199 96 163

HSL 320.97, 0.48%, 0.58%

LAB 55.23, 49.12, -17.14

 

Description

Color code: CMYK 0 / 7 / 51 / 22 | qconv.com Color code: CMYK 0 / 7 / 51 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 185 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 185 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 51 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 51% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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