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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 7 / 11 / 64 it is the complementary color CMYK 6 / 2 / 0 / 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 7 / 11 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 7 / 11 / 64: CMYK 0 / 12 / 21 / 62, CMYK 0 / 10 / 16 / 55, CMYK 0 / 8 / 12 / 49, CMYK 0 / 6 / 9 / 42 and CMYK 0 / 5 / 7 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 7 / 11 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 7 / 11 / 64: CMYK 0 / 8 / 11 / 64, CMYK 0 / 11 / 16 / 71, CMYK 0 / 16 / 24 / 77, CMYK 0 / 24 / 39 / 84 and CMYK 0 / 46 / 75 / 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

Complementary color

CMYK 6 / 2 / 0 / 32

HEX #A3AAAD

RGB 163 170 173

HSL 198, 0.06%, 0.66%

LAB 69.15, -1.87, -2.41

 

CMYK 0 / 12 / 21 / 62

HEX #61554D

RGB 97 85 77

HSL 24, 0.11%, 0.34%

LAB 37.07, 3.45, 6.46

NCS® S7005-Y50R

CMYK 0 / 10 / 16 / 55

HEX #726760

RGB 114 103 96

HSL 23.33, 0.09%, 0.41%

LAB 44.41, 3.06, 5.52

 

CMYK 0 / 8 / 12 / 49

HEX #837973

RGB 131 121 115

HSL 22.5, 0.07%, 0.48%

LAB 51.54, 2.72, 4.66

 

CMYK 0 / 6 / 9 / 42

HEX #948B86

RGB 148 139 134

HSL 21.43, 0.06%, 0.55%

LAB 58.49, 2.44, 3.87

 

CMYK 0 / 5 / 7 / 35

HEX #A59D99

RGB 165 157 153

HSL 20, 0.06%, 0.62%

LAB 65.29, 2.18, 3.12

 

CMYK 0 / 8 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

CMYK 0 / 11 / 16 / 71

HEX #4B433F

RGB 75 67 63

HSL 20, 0.09%, 0.27%

LAB 29.08, 2.61, 3.66

 

CMYK 0 / 16 / 24 / 77

HEX #3A312C

RGB 58 49 44

HSL 21.43, 0.14%, 0.2%

LAB 21.12, 3.06, 4.68

 

CMYK 0 / 24 / 39 / 84

HEX #291F19

RGB 41 31 25

HSL 22.5, 0.24%, 0.13%

LAB 12.74, 3.71, 5.93

 

CMYK 0 / 46 / 75 / 91

HEX #180D06

RGB 24 13 6

HSL 23.33, 0.6%, 0.06%

LAB 4.47, 3.39, 4.3

 

CMYK 0 / 8 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

CMYK 0 / 5 / 11 / 64

HEX #5B5651

RGB 91 86 81

HSL 30, 0.06%, 0.34%

LAB 36.88, 1.03, 3.63

 

CMYK 0 / 3 / 11 / 64

HEX #5B5851

RGB 91 88 81

HSL 42, 0.06%, 0.34%

LAB 37.48, -0.19, 4.48

 

CMYK 0 / 2 / 11 / 64

HEX #5B5951

RGB 91 89 81

HSL 48, 0.06%, 0.34%

LAB 37.78, -0.8, 4.91

 

CMYK 0 / 0 / 11 / 64

HEX #5B5B51

RGB 91 91 81

HSL 60, 0.06%, 0.34%

LAB 38.38, -2.01, 5.77

 

CMYK 0 / 8 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

CMYK 0 / 8 / 11 / 44

HEX #8F847F

RGB 143 132 127

HSL 18.75, 0.07%, 0.53%

LAB 55.96, 3.24, 4.18

 

CMYK 0 / 8 / 11 / 24

HEX #C2B3AD

RGB 194 179 173

HSL 17.14, 0.15%, 0.72%

LAB 74.01, 4.32, 4.98

 

CMYK 0 / 8 / 11 / 4

HEX #F5E2DA

RGB 245 226 218

HSL 17.78, 0.57%, 0.91%

LAB 91.17, 5.17, 6.24

 

CMYK 0 / 7 / 10 / 84

HEX #292625

RGB 41 38 37

HSL 15, 0.05%, 0.15%

LAB 15.44, 1.16, 1.16

 

CMYK 0 / 8 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

CMYK 5 / 0 / 11 / 64

HEX #565B51

RGB 86 91 81

HSL 90, 0.06%, 0.34%

LAB 37.94, -4.07, 5.09

 

CMYK 11 / 10 / 0 / 64

HEX #51525B

RGB 81 82 91

HSL 234, 0.06%, 0.34%

LAB 35.08, 1.64, -5.38

 

CMYK 0 / 8 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

CMYK 11 / 0 / 8 / 64

HEX #515B54

RGB 81 91 84

HSL 138, 0.06%, 0.34%

LAB 37.61, -5.45, 2.7

 

CMYK 8 / 11 / 0 / 64

HEX #54515B

RGB 84 81 91

HSL 258, 0.06%, 0.34%

LAB 35.05, 3.42, -5.39

 

CMYK 0 / 8 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

CMYK 5 / 0 / 11 / 64

HEX #565B51

RGB 86 91 81

HSL 90, 0.06%, 0.34%

LAB 37.94, -4.07, 5.09

 

CMYK 11 / 3 / 0 / 64

HEX #51585B

RGB 81 88 91

HSL 198, 0.06%, 0.34%

LAB 36.9, -2.07, -2.69

 

CMYK 5 / 11 / 0 / 64

HEX #56515B

RGB 86 81 91

HSL 270, 0.06%, 0.34%

LAB 35.24, 4.2, -5.1

 

CMYK 0 / 8 / 11 / 64

HEX #5C5552

RGB 92 85 82

HSL 18, 0.06%, 0.34%

LAB 36.71, 2.26, 2.77

 

CMYK 9 / 0 / 11 / 64

HEX #535B51

RGB 83 91 81

HSL 108, 0.06%, 0.34%

LAB 37.69, -5.28, 4.7

 

CMYK 11 / 3 / 0 / 64

HEX #51585B

RGB 81 88 91

HSL 198, 0.06%, 0.34%

LAB 36.9, -2.07, -2.69

 

CMYK 2 / 11 / 0 / 64

HEX #59515B

RGB 89 81 91

HSL 288, 0.06%, 0.34%

LAB 35.53, 5.38, -4.64

 

Description

Color code: CMYK 0 / 7 / 11 / 64 | qconv.com Color code: CMYK 0 / 7 / 11 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 85 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 85 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 11 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 11% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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