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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 71 / 45 / 29 it is the complementary color CMYK 63 / 0 / 23 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 71 / 45 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 71 / 45 / 29: CMYK 0 / 72 / 49 / 27, CMYK 0 / 65 / 44 / 20, CMYK 0 / 60 / 40 / 14, CMYK 0 / 55 / 36 / 7 and CMYK 0 / 51 / 33 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 71 / 45 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 71 / 45 / 29: CMYK 0 / 71 / 45 / 29, CMYK 0 / 79 / 51 / 36, CMYK 0 / 88 / 58 / 42, CMYK 0 / 100 / 67 / 49 and CMYK 0 / 100 / 79 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

Complementary color

CMYK 63 / 0 / 23 / 21

HEX #4ACA9B

RGB 74 202 155

HSL 157.97, 0.55%, 0.54%

LAB 73.59, -46.24, 13.24

 

CMYK 0 / 72 / 49 / 27

HEX #BA355F

RGB 186 53 95

HSL 341.05, 0.56%, 0.47%

LAB 43.96, 55.76, 6.83

 

CMYK 0 / 65 / 44 / 20

HEX #CB4772

RGB 203 71 114

HSL 340.45, 0.56%, 0.54%

LAB 50, 55.65, 4.23

 

CMYK 0 / 60 / 40 / 14

HEX #DC5985

RGB 220 89 133

HSL 339.85, 0.65%, 0.61%

LAB 56.14, 55.18, 2.13

 

CMYK 0 / 55 / 36 / 7

HEX #ED6B98

RGB 237 107 152

HSL 339.23, 0.78%, 0.67%

LAB 62.33, 54.52, 0.39

 

CMYK 0 / 51 / 33 / 0

HEX #FE7DAB

RGB 254 125 171

HSL 338.6, 0.98%, 0.74%

LAB 68.52, 53.76, -1.09

 

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

CMYK 0 / 79 / 51 / 36

HEX #A42351

RGB 164 35 81

HSL 338.6, 0.65%, 0.39%

LAB 37.28, 54.24, 5.59

 

CMYK 0 / 88 / 58 / 42

HEX #93113E

RGB 147 17 62

HSL 339.23, 0.79%, 0.32%

LAB 31.7, 52.7, 9.63

 

CMYK 0 / 100 / 67 / 49

HEX #82002B

RGB 130 0 43

HSL 340.15, 1%, 0.25%

LAB 26.51, 49.97, 14.77

 

CMYK 0 / 100 / 79 / 56

HEX #710018

RGB 113 0 24

HSL 347.26, 1%, 0.22%

LAB 22.22, 44.59, 21.55

 

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

CMYK 0 / 71 / 56 / 29

HEX #B53450

RGB 181 52 80

HSL 346.98, 0.55%, 0.46%

LAB 42.55, 53.37, 14.07

 

CMYK 0 / 71 / 67 / 29

HEX #B5343B

RGB 181 52 59

HSL 356.74, 0.55%, 0.46%

LAB 42.15, 51.99, 26.51

 

CMYK 0 / 63 / 71 / 29

HEX #B54334

RGB 181 67 52

HSL 6.98, 0.55%, 0.46%

LAB 44.36, 45.36, 33.29

 

CMYK 0 / 51 / 71 / 29

HEX #B55934

RGB 181 89 52

HSL 17.21, 0.55%, 0.46%

LAB 48.53, 34.54, 38.02

 

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

CMYK 0 / 71 / 45 / 9

HEX #E84480

RGB 232 68 128

HSL 338.05, 0.78%, 0.59%

LAB 54.92, 66.64, 3.57

 

CMYK 0 / 71 / 46 / 89

HEX #1C080F

RGB 28 8 15

HSL 339, 0.56%, 0.07%

LAB 4.11, 8.99, -0.14

 

CMYK 0 / 71 / 44 / 69

HEX #4F172C

RGB 79 23 44

HSL 337.5, 0.55%, 0.2%

LAB 17.72, 28.35, 0.2

 

CMYK 0 / 71 / 45 / 49

HEX #822648

RGB 130 38 72

HSL 337.83, 0.55%, 0.33%

LAB 30.88, 42.11, 1.39

 

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

CMYK 0 / 13 / 71 / 29

HEX #B59E34

RGB 181 158 52

HSL 49.3, 0.55%, 0.46%

LAB 65.38, -3.28, 55.74

 

CMYK 71 / 15 / 0 / 29

HEX #3499B5

RGB 52 153 181

HSL 193.02, 0.55%, 0.46%

LAB 58.83, -19.58, -22.96

 

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

CMYK 44 / 0 / 71 / 29

HEX #66B534

RGB 102 181 52

HSL 96.74, 0.55%, 0.46%

LAB 66.61, -46.22, 55.22

 

CMYK 71 / 44 / 0 / 29

HEX #3466B5

RGB 52 102 181

HSL 216.74, 0.55%, 0.46%

LAB 43.61, 10.28, -46.83

 

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

CMYK 0 / 13 / 71 / 29

HEX #B59E34

RGB 181 158 52

HSL 49.3, 0.55%, 0.46%

LAB 65.38, -3.28, 55.74

 

CMYK 71 / 0 / 27 / 29

HEX #34B584

RGB 52 181 132

HSL 157.21, 0.55%, 0.46%

LAB 66.09, -46.37, 15.11

 

CMYK 71 / 58 / 0 / 29

HEX #344CB5

RGB 52 76 181

HSL 228.84, 0.55%, 0.46%

LAB 36.43, 27.18, -58.41

 

CMYK 0 / 71 / 45 / 29

HEX #B53564

RGB 181 53 100

HSL 337.97, 0.55%, 0.46%

LAB 43.2, 54.74, 2.51

 

CMYK 8 / 0 / 71 / 29

HEX #A6B534

RGB 166 181 52

HSL 66.98, 0.55%, 0.46%

LAB 70.46, -21.7, 60.33

 

CMYK 71 / 0 / 27 / 29

HEX #34B584

RGB 52 181 132

HSL 157.21, 0.55%, 0.46%

LAB 66.09, -46.37, 15.11

 

CMYK 63 / 71 / 0 / 29

HEX #4334B5

RGB 67 52 181

HSL 246.98, 0.55%, 0.46%

LAB 31.77, 44.09, -65.98

 

Description

Color code: CMYK 0 / 71 / 45 / 29 | qconv.com Color code: CMYK 0 / 71 / 45 / 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 53 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 53 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 45 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 45% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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