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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 71 / 41 / 40 it is the complementary color CMYK 52 / 0 / 22 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 71 / 41 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 71 / 41 / 40: CMYK 0 / 72 / 46 / 38, CMYK 0 / 65 / 41 / 31, CMYK 0 / 58 / 36 / 25, CMYK 0 / 53 / 32 / 18 and CMYK 0 / 49 / 29 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 71 / 41 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 71 / 41 / 40: CMYK 0 / 71 / 41 / 40, CMYK 0 / 81 / 48 / 47, CMYK 0 / 93 / 56 / 53, CMYK 0 / 100 / 68 / 60 and CMYK 0 / 100 / 84 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

Complementary color

CMYK 52 / 0 / 22 / 17

HEX #66D3A5

RGB 102 211 165

HSL 154.68, 0.55%, 0.61%

LAB 77.36, -42.11, 13.34

 

CMYK 0 / 72 / 46 / 38

HEX #9E2C55

RGB 158 44 85

HSL 338.42, 0.56%, 0.4%

LAB 37.35, 49.77, 2.98

 

CMYK 0 / 65 / 41 / 31

HEX #AF3E68

RGB 175 62 104

HSL 337.7, 0.48%, 0.46%

LAB 43.59, 49.66, 0.47

 

CMYK 0 / 58 / 36 / 25

HEX #C0507B

RGB 192 80 123

HSL 336.96, 0.47%, 0.53%

LAB 49.95, 49.16, -1.48

 

CMYK 0 / 53 / 32 / 18

HEX #D1628E

RGB 209 98 142

HSL 336.22, 0.55%, 0.6%

LAB 56.33, 48.46, -3.07

 

CMYK 0 / 49 / 29 / 11

HEX #E274A1

RGB 226 116 161

HSL 335.45, 0.65%, 0.67%

LAB 62.7, 47.67, -4.4

 

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

CMYK 0 / 81 / 48 / 47

HEX #881A47

RGB 136 26 71

HSL 335.45, 0.68%, 0.32%

LAB 30.47, 48.15, 1.6

 

CMYK 0 / 93 / 56 / 53

HEX #770834

RGB 119 8 52

HSL 336.22, 0.87%, 0.25%

LAB 24.78, 46.2, 5.82

 

CMYK 0 / 100 / 68 / 60

HEX #660021

RGB 102 0 33

HSL 340.59, 1%, 0.2%

LAB 19.78, 42.1, 11.68

 

CMYK 0 / 100 / 84 / 67

HEX #55000E

RGB 85 0 14

HSL 350.12, 1%, 0.17%

LAB 15.29, 36.47, 17.89

 

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

CMYK 0 / 71 / 53 / 40

HEX #9A2C49

RGB 154 44 73

HSL 344.18, 0.56%, 0.39%

LAB 36.28, 47.43, 9.04

 

CMYK 0 / 71 / 64 / 40

HEX #9A2C37

RGB 154 44 55

HSL 354, 0.56%, 0.39%

LAB 35.88, 46.07, 20.02

 

CMYK 0 / 66 / 71 / 40

HEX #9A342C

RGB 154 52 44

HSL 4.36, 0.56%, 0.39%

LAB 36.94, 42.05, 28.14

 

CMYK 0 / 55 / 71 / 40

HEX #9A462C

RGB 154 70 44

HSL 14.18, 0.56%, 0.39%

LAB 40.3, 33.24, 32.01

 

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

CMYK 0 / 71 / 41 / 20

HEX #CC3B78

RGB 204 59 120

HSL 334.76, 0.59%, 0.52%

LAB 48.66, 61.17, -1.32

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 71 / 41 / 80

HEX #330F1E

RGB 51 15 30

HSL 335, 0.55%, 0.13%

LAB 10.1, 20.04, -1.34

 

CMYK 0 / 72 / 41 / 60

HEX #661D3C

RGB 102 29 60

HSL 334.52, 0.56%, 0.26%

LAB 23.77, 35.48, -1.58

 

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

CMYK 0 / 17 / 71 / 40

HEX #9A802C

RGB 154 128 44

HSL 45.82, 0.56%, 0.39%

LAB 54.54, 0.59, 47.29

 

CMYK 71 / 12 / 0 / 40

HEX #2C879A

RGB 44 135 154

HSL 190.36, 0.56%, 0.39%

LAB 52.06, -19.98, -17.88

 

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

CMYK 40 / 0 / 71 / 40

HEX #5C9A2C

RGB 92 154 44

HSL 93.82, 0.56%, 0.39%

LAB 57.63, -38.86, 48.97

 

CMYK 71 / 40 / 0 / 40

HEX #2C5C9A

RGB 44 92 154

HSL 213.82, 0.56%, 0.39%

LAB 38.76, 5.36, -38.6

 

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

CMYK 0 / 17 / 71 / 40

HEX #9A802C

RGB 154 128 44

HSL 45.82, 0.56%, 0.39%

LAB 54.54, 0.59, 47.29

 

CMYK 71 / 0 / 31 / 40

HEX #2C9A6A

RGB 44 154 106

HSL 153.82, 0.56%, 0.39%

LAB 56.77, -42.29, 16.52

 

CMYK 71 / 55 / 0 / 40

HEX #2C469A

RGB 44 70 154

HSL 225.82, 0.56%, 0.39%

LAB 32.37, 19.94, -48.88

 

CMYK 0 / 71 / 41 / 40

HEX #992C5A

RGB 153 44 90

HSL 334.68, 0.55%, 0.39%

LAB 36.58, 48.77, -1.45

 

CMYK 5 / 0 / 71 / 40

HEX #929A2C

RGB 146 154 44

HSL 64.36, 0.56%, 0.39%

LAB 61.14, -17.05, 53.64

 

CMYK 71 / 0 / 31 / 40

HEX #2C9A6A

RGB 44 154 106

HSL 153.82, 0.56%, 0.39%

LAB 56.77, -42.29, 16.52

 

CMYK 66 / 71 / 0 / 40

HEX #342C9A

RGB 52 44 154

HSL 244.36, 0.56%, 0.39%

LAB 26.35, 37.96, -58.68

 

Description

Color code: CMYK 0 / 71 / 41 / 40 | qconv.com Color code: CMYK 0 / 71 / 41 / 40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 44 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 44 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 41 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 41% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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