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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 6 / 9 / 67 it is the complementary color CMYK 4 / 1 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 6 / 9 / 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 6 / 9 / 67: CMYK 0 / 11 / 19 / 65, CMYK 0 / 8 / 14 / 58, CMYK 0 / 7 / 11 / 52, CMYK 0 / 5 / 8 / 45 and CMYK 0 / 4 / 6 / 38

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 6 / 9 / 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 6 / 9 / 67: CMYK 0 / 6 / 8 / 67, CMYK 0 / 9 / 13 / 74, CMYK 0 / 14 / 22 / 80, CMYK 0 / 24 / 39 / 87 and CMYK 0 / 56 / 94 / 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 9 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

Complementary color

CMYK 4 / 1 / 0 / 30

HEX #ABB0B2

RGB 171 176 178

HSL 197.14, 0.04%, 0.68%

LAB 71.5, -1.36, -1.64

 

CMYK 0 / 11 / 19 / 65

HEX #594F48

RGB 89 79 72

HSL 24.71, 0.11%, 0.32%

LAB 34.36, 2.82, 5.64

 

CMYK 0 / 8 / 14 / 58

HEX #6A615B

RGB 106 97 91

HSL 24, 0.08%, 0.39%

LAB 41.8, 2.45, 4.71

 

CMYK 0 / 7 / 11 / 52

HEX #7B736E

RGB 123 115 110

HSL 23.08, 0.06%, 0.46%

LAB 49.01, 2.14, 3.87

 

CMYK 0 / 5 / 8 / 45

HEX #8C8581

RGB 140 133 129

HSL 21.82, 0.05%, 0.53%

LAB 56.02, 1.88, 3.08

 

CMYK 0 / 4 / 6 / 38

HEX #9D9794

RGB 157 151 148

HSL 20, 0.04%, 0.6%

LAB 62.88, 1.64, 2.35

 

CMYK 0 / 6 / 8 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

CMYK 0 / 9 / 13 / 74

HEX #433D3A

RGB 67 61 58

HSL 20, 0.07%, 0.25%

LAB 26.26, 1.97, 2.78

 

CMYK 0 / 14 / 22 / 80

HEX #322B27

RGB 50 43 39

HSL 21.82, 0.12%, 0.17%

LAB 18.15, 2.38, 3.78

 

CMYK 0 / 24 / 39 / 87

HEX #211914

RGB 33 25 20

HSL 23.08, 0.25%, 0.1%

LAB 9.55, 2.99, 4.89

 

CMYK 0 / 56 / 94 / 94

HEX #100701

RGB 16 7 1

HSL 24, 0.88%, 0.03%

LAB 2.39, 1.8, 3.2

 

CMYK 0 / 6 / 8 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

CMYK 0 / 4 / 7 / 67

HEX #54514E

RGB 84 81 78

HSL 30, 0.04%, 0.32%

LAB 34.64, 0.61, 2.19

 

CMYK 0 / 2 / 7 / 67

HEX #54524E

RGB 84 82 78

HSL 40, 0.04%, 0.32%

LAB 34.94, -0.01, 2.63

 

CMYK 0 / 1 / 7 / 67

HEX #54534E

RGB 84 83 78

HSL 50, 0.04%, 0.32%

LAB 35.24, -0.63, 3.07

 

CMYK 0 / 0 / 7 / 67

HEX #54544E

RGB 84 84 78

HSL 60, 0.04%, 0.32%

LAB 35.55, -1.24, 3.5

 

CMYK 0 / 6 / 8 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

CMYK 0 / 6 / 8 / 47

HEX #877F7C

RGB 135 127 124

HSL 16.36, 0.04%, 0.51%

LAB 53.8, 2.47, 2.71

 

CMYK 0 / 6 / 8 / 27

HEX #BAAFAB

RGB 186 175 171

HSL 16, 0.1%, 0.7%

LAB 72.25, 3.22, 3.45

 

CMYK 0 / 6 / 8 / 7

HEX #EDDFD9

RGB 237 223 217

HSL 18, 0.36%, 0.89%

LAB 89.76, 3.77, 4.64

 

CMYK 0 / 6 / 9 / 87

HEX #211F1E

RGB 33 31 30

HSL 20, 0.05%, 0.12%

LAB 11.94, 0.71, 1.02

 

CMYK 0 / 6 / 8 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

CMYK 4 / 0 / 7 / 67

HEX #51544E

RGB 81 84 78

HSL 90, 0.04%, 0.32%

LAB 35.28, -2.48, 3.08

 

CMYK 7 / 6 / 0 / 67

HEX #4E4F54

RGB 78 79 84

HSL 230, 0.04%, 0.32%

LAB 33.67, 0.72, -3.08

 

CMYK 0 / 6 / 8 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

CMYK 7 / 0 / 5 / 67

HEX #4E5450

RGB 78 84 80

HSL 140, 0.04%, 0.32%

LAB 35.08, -3.27, 1.51

 

CMYK 5 / 7 / 0 / 67

HEX #504E54

RGB 80 78 84

HSL 260, 0.04%, 0.32%

LAB 33.55, 2.14, -3.24

 

CMYK 0 / 6 / 8 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

CMYK 4 / 0 / 7 / 67

HEX #51544E

RGB 81 84 78

HSL 90, 0.04%, 0.32%

LAB 35.28, -2.48, 3.08

 

CMYK 7 / 1 / 0 / 67

HEX #4E5354

RGB 78 83 84

HSL 190, 0.04%, 0.32%

LAB 34.9, -1.77, -1.28

 

CMYK 4 / 7 / 0 / 67

HEX #514E54

RGB 81 78 84

HSL 270, 0.04%, 0.32%

LAB 33.64, 2.54, -3.09

 

CMYK 0 / 6 / 8 / 67

HEX #544F4D

RGB 84 79 77

HSL 17.14, 0.04%, 0.32%

LAB 34.01, 1.65, 1.91

 

CMYK 6 / 0 / 7 / 67

HEX #4F544E

RGB 79 84 78

HSL 110, 0.04%, 0.32%

LAB 35.11, -3.3, 2.81

 

CMYK 7 / 1 / 0 / 67

HEX #4E5354

RGB 78 83 84

HSL 190, 0.04%, 0.32%

LAB 34.9, -1.77, -1.28

 

CMYK 1 / 7 / 0 / 67

HEX #534E54

RGB 83 78 84

HSL 290, 0.04%, 0.32%

LAB 33.83, 3.34, -2.79

 

Description

Color code: CMYK 0 / 6 / 9 / 67 | qconv.com Color code: CMYK 0 / 6 / 9 / 67 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 79 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 79 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 9 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 9% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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