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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 67 / 64 / 35 it is the complementary color CMYK 56 / 0 / 3 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 67 / 64 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 67 / 64 / 35: CMYK 0 / 68 / 68 / 33, CMYK 0 / 61 / 61 / 26, CMYK 0 / 56 / 55 / 20, CMYK 0 / 51 / 50 / 13 and CMYK 0 / 47 / 45 / 6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 67 / 64 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 67 / 64 / 35: CMYK 0 / 67 / 64 / 35, CMYK 0 / 75 / 72 / 42, CMYK 0 / 86 / 83 / 48, CMYK 0 / 99 / 97 / 55 and CMYK 0 / 100 / 100 / 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

Complementary color

CMYK 56 / 0 / 3 / 22

HEX #59C8C3

RGB 89 200 195

HSL 177.3, 0.5%, 0.57%

LAB 74.43, -32.68, -7.1

 

CMYK 0 / 68 / 68 / 33

HEX #AB3737

RGB 171 55 55

HSL 0, 0.51%, 0.44%

LAB 40.68, 47.27, 26.72

 

CMYK 0 / 61 / 61 / 26

HEX #BC494A

RGB 188 73 74

HSL 359.48, 0.46%, 0.51%

LAB 46.91, 46.43, 23.75

 

CMYK 0 / 56 / 55 / 20

HEX #CD5B5D

RGB 205 91 93

HSL 358.95, 0.53%, 0.58%

LAB 53.22, 45.4, 21.3

 

CMYK 0 / 51 / 50 / 13

HEX #DE6D70

RGB 222 109 112

HSL 358.41, 0.63%, 0.65%

LAB 59.56, 44.32, 19.24

 

CMYK 0 / 47 / 45 / 6

HEX #EF7F83

RGB 239 127 131

HSL 357.86, 0.78%, 0.72%

LAB 65.88, 43.25, 17.46

 

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

CMYK 0 / 75 / 72 / 42

HEX #952529

RGB 149 37 41

HSL 357.86, 0.6%, 0.36%

LAB 33.72, 46.3, 25.93

 

CMYK 0 / 86 / 83 / 48

HEX #841316

RGB 132 19 22

HSL 358.41, 0.75%, 0.3%

LAB 27.92, 45.87, 30.19

 

CMYK 0 / 99 / 97 / 55

HEX #730103

RGB 115 1 3

HSL 358.95, 0.98%, 0.23%

LAB 22.56, 44.35, 32.87

 

CMYK 0 / 100 / 100 / 62

HEX #620000

RGB 98 0 0

HSL 0, 1%, 0.19%

LAB 18.35, 39.75, 28.27

 

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

CMYK 0 / 59 / 67 / 36

HEX #A44336

RGB 164 67 54

HSL 7.09, 0.5%, 0.43%

LAB 41.49, 39.24, 28.02

 

CMYK 0 / 48 / 67 / 36

HEX #A45536

RGB 164 85 54

HSL 16.91, 0.5%, 0.43%

LAB 45.16, 29.88, 32.4

 

CMYK 0 / 37 / 67 / 36

HEX #A46836

RGB 164 104 54

HSL 27.27, 0.5%, 0.43%

LAB 49.57, 19.29, 37.48

 

CMYK 0 / 26 / 67 / 36

HEX #A47A36

RGB 164 122 54

HSL 37.09, 0.5%, 0.43%

LAB 54.11, 9.09, 42.54

 

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

CMYK 0 / 67 / 64 / 15

HEX #D9484E

RGB 217 72 78

HSL 357.52, 0.66%, 0.57%

LAB 51.77, 56.86, 28.59

 

CMYK 0 / 69 / 62 / 95

HEX #0D0405

RGB 13 4 5

HSL 353.33, 0.53%, 0.03%

LAB 1.66, 2.56, 0.47

 

CMYK 0 / 67 / 64 / 75

HEX #401517

RGB 64 21 23

HSL 357.21, 0.51%, 0.17%

LAB 13.76, 21.17, 9.38

 

CMYK 0 / 67 / 63 / 55

HEX #73262A

RGB 115 38 42

HSL 356.88, 0.5%, 0.3%

LAB 27.29, 34.16, 15.87

 

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

CMYK 10 / 0 / 67 / 36

HEX #94A436

RGB 148 164 54

HSL 68.73, 0.5%, 0.43%

LAB 64.25, -20.7, 52.88

 

CMYK 67 / 37 / 0 / 36

HEX #3668A4

RGB 54 104 164

HSL 212.73, 0.5%, 0.43%

LAB 43.31, 3.11, -37.32

 

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

CMYK 63 / 0 / 67 / 36

HEX #3CA436

RGB 60 164 54

HSL 116.73, 0.5%, 0.43%

LAB 59.69, -51.29, 46.66

 

CMYK 67 / 63 / 0 / 36

HEX #363CA4

RGB 54 60 164

HSL 236.73, 0.5%, 0.43%

LAB 31.11, 31.72, -56.95

 

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

CMYK 10 / 0 / 67 / 36

HEX #94A436

RGB 148 164 54

HSL 68.73, 0.5%, 0.43%

LAB 64.25, -20.7, 52.88

 

CMYK 67 / 0 / 4 / 36

HEX #36A49E

RGB 54 164 158

HSL 176.73, 0.5%, 0.43%

LAB 61.48, -31.87, -5.97

 

CMYK 57 / 67 / 0 / 36

HEX #4736A4

RGB 71 54 164

HSL 249.27, 0.5%, 0.43%

LAB 31.02, 38.16, -57.04

 

CMYK 0 / 67 / 64 / 35

HEX #A6373C

RGB 166 55 60

HSL 357.3, 0.5%, 0.43%

LAB 39.86, 45.87, 22.44

 

CMYK 30 / 0 / 67 / 36

HEX #73A436

RGB 115 164 54

HSL 86.73, 0.5%, 0.43%

LAB 62.05, -34.1, 49.9

 

CMYK 67 / 0 / 4 / 36

HEX #36A49E

RGB 54 164 158

HSL 176.73, 0.5%, 0.43%

LAB 61.48, -31.87, -5.97

 

CMYK 37 / 67 / 0 / 36

HEX #6836A4

RGB 104 54 164

HSL 267.27, 0.5%, 0.43%

LAB 34.52, 44.58, -51.18

 

Description

Color code: CMYK 0 / 67 / 64 / 35 | qconv.com Color code: CMYK 0 / 67 / 64 / 35 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 166 red, 55 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
166 55 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 64 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 64% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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