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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 66 / 57 / 23 it is the complementary color CMYK 69 / 0 / 9 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 66 / 57 / 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 66 / 57 / 23: CMYK 0 / 67 / 61 / 21, CMYK 0 / 61 / 55 / 15, CMYK 0 / 56 / 50 / 8, CMYK 0 / 52 / 46 / 1 and CMYK 0 / 45 / 39 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 66 / 57 / 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 66 / 57 / 23: CMYK 0 / 66 / 57 / 23, CMYK 0 / 73 / 64 / 30, CMYK 0 / 81 / 72 / 36, CMYK 0 / 91 / 81 / 43 and CMYK 0 / 100 / 94 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

Complementary color

CMYK 69 / 0 / 9 / 26

HEX #3BBCAB

RGB 59 188 171

HSL 172.09, 0.52%, 0.48%

LAB 69.35, -38.66, -1.58

 

CMYK 0 / 67 / 61 / 21

HEX #C9434F

RGB 201 67 79

HSL 354.63, 0.55%, 0.53%

LAB 48.26, 53.76, 22.93

 

CMYK 0 / 61 / 55 / 15

HEX #DA5562

RGB 218 85 98

HSL 354.14, 0.64%, 0.59%

LAB 54.33, 53.07, 20.2

 

CMYK 0 / 56 / 50 / 8

HEX #EB6775

RGB 235 103 117

HSL 353.64, 0.77%, 0.66%

LAB 60.47, 52.2, 17.91

 

CMYK 0 / 52 / 46 / 1

HEX #FC7988

RGB 252 121 136

HSL 353.13, 0.96%, 0.73%

LAB 66.63, 51.25, 15.96

 

CMYK 0 / 45 / 39 / 0

HEX #FF8B9B

RGB 255 139 155

HSL 351.72, 1%, 0.77%

LAB 70.93, 45.42, 11.38

 

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

CMYK 0 / 73 / 64 / 30

HEX #B33141

RGB 179 49 65

HSL 352.62, 0.57%, 0.45%

LAB 41.47, 52.82, 21.9

 

CMYK 0 / 81 / 72 / 36

HEX #A21F2E

RGB 162 31 46

HSL 353.13, 0.68%, 0.38%

LAB 35.71, 52.51, 25.82

 

CMYK 0 / 91 / 81 / 43

HEX #910D1B

RGB 145 13 27

HSL 353.64, 0.84%, 0.31%

LAB 30.37, 51.1, 30.59

 

CMYK 0 / 100 / 94 / 50

HEX #800008

RGB 128 0 8

HSL 356.25, 1%, 0.25%

LAB 25.58, 48.2, 34.85

 

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

CMYK 0 / 63 / 65 / 23

HEX #C44944

RGB 196 73 68

HSL 2.34, 0.52%, 0.52%

LAB 48.16, 48.83, 29.17

 

CMYK 0 / 52 / 65 / 23

HEX #C45E44

RGB 196 94 68

HSL 12.19, 0.52%, 0.52%

LAB 52.02, 38.77, 33.87

 

CMYK 0 / 41 / 65 / 23

HEX #C47344

RGB 196 115 68

HSL 22.03, 0.52%, 0.52%

LAB 56.5, 27.7, 39.18

 

CMYK 0 / 31 / 65 / 23

HEX #C48844

RGB 196 136 68

HSL 31.88, 0.52%, 0.52%

LAB 61.45, 16.21, 44.84

 

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

CMYK 0 / 66 / 57 / 3

HEX #F7546A

RGB 247 84 106

HSL 351.9, 0.91%, 0.65%

LAB 59.12, 63.38, 22.78

 

CMYK 0 / 65 / 58 / 83

HEX #2B0F12

RGB 43 15 18

HSL 353.57, 0.48%, 0.11%

LAB 8.12, 14.88, 4.29

 

CMYK 0 / 66 / 57 / 63

HEX #5E2028

RGB 94 32 40

HSL 352.26, 0.49%, 0.25%

LAB 22.18, 29, 9.71

 

CMYK 0 / 66 / 57 / 43

HEX #91323E

RGB 145 50 62

HSL 352.42, 0.49%, 0.38%

LAB 35.3, 40.96, 14.49

 

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

CMYK 5 / 0 / 65 / 23

HEX #BBC444

RGB 187 196 68

HSL 64.22, 0.52%, 0.52%

LAB 76.35, -19.43, 60.66

 

CMYK 65 / 31 / 0 / 23

HEX #4488C4

RGB 68 136 196

HSL 208.13, 0.52%, 0.52%

LAB 54.89, -2.56, -37.55

 

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

CMYK 57 / 0 / 65 / 23

HEX #55C444

RGB 85 196 68

HSL 112.03, 0.52%, 0.52%

LAB 70.75, -55.6, 53.02

 

CMYK 65 / 57 / 0 / 23

HEX #4455C4

RGB 68 85 196

HSL 232.03, 0.52%, 0.52%

LAB 40.75, 29.11, -60.13

 

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

CMYK 5 / 0 / 65 / 23

HEX #BBC444

RGB 187 196 68

HSL 64.22, 0.52%, 0.52%

LAB 76.35, -19.43, 60.66

 

CMYK 65 / 0 / 9 / 23

HEX #44C4B3

RGB 68 196 179

HSL 172.03, 0.52%, 0.52%

LAB 72.2, -38.77, -1.75

 

CMYK 61 / 65 / 0 / 23

HEX #4D44C4

RGB 77 68 196

HSL 244.22, 0.52%, 0.52%

LAB 37.29, 41.03, -65.74

 

CMYK 0 / 66 / 57 / 23

HEX #C44354

RGB 196 67 84

HSL 352.09, 0.52%, 0.52%

LAB 47.48, 52.49, 18.73

 

CMYK 24 / 0 / 65 / 23

HEX #95C444

RGB 149 196 68

HSL 82.03, 0.52%, 0.52%

LAB 73.73, -34.72, 57.11

 

CMYK 65 / 0 / 9 / 23

HEX #44C4B3

RGB 68 196 179

HSL 172.03, 0.52%, 0.52%

LAB 72.2, -38.77, -1.75

 

CMYK 41 / 65 / 0 / 23

HEX #7344C4

RGB 115 68 196

HSL 262.03, 0.52%, 0.52%

LAB 40.84, 47.87, -59.81

 

Description

Color code: CMYK 0 / 66 / 57 / 23 | qconv.com Color code: CMYK 0 / 66 / 57 / 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 67 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 67 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 57 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 57% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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