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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 9 / 84 it is the complementary color CMYK 2 / 1 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 9 / 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 5 / 9 / 84: CMYK 0 / 15 / 30 / 82, CMYK 0 / 10 / 19 / 75, CMYK 0 / 6 / 13 / 69, CMYK 0 / 4 / 8 / 62 and CMYK 0 / 3 / 5 / 55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 9 / 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 5 / 9 / 84: CMYK 0 / 5 / 10 / 84, CMYK 0 / 13 / 25 / 91, CMYK 0 / 57 / 100 / 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 9 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

Complementary color

CMYK 2 / 1 / 0 / 15

HEX #D6D8DA

RGB 214 216 218

HSL 210, 0.05%, 0.85%

LAB 86.24, -0.31, -1.23

 

CMYK 0 / 15 / 30 / 82

HEX #2E2720

RGB 46 39 32

HSL 30, 0.18%, 0.15%

LAB 16.19, 1.86, 5.83

 

CMYK 0 / 10 / 19 / 75

HEX #3F3933

RGB 63 57 51

HSL 30, 0.11%, 0.22%

LAB 24.39, 1.4, 4.69

 

CMYK 0 / 6 / 13 / 69

HEX #504B46

RGB 80 75 70

HSL 30, 0.07%, 0.29%

LAB 32.21, 1.07, 3.72

 

CMYK 0 / 4 / 8 / 62

HEX #615D59

RGB 97 93 89

HSL 30, 0.04%, 0.36%

LAB 39.73, 0.8, 2.86

 

CMYK 0 / 3 / 5 / 55

HEX #726F6C

RGB 114 111 108

HSL 30, 0.03%, 0.44%

LAB 47.01, 0.57, 2.07

SW® 9574

CMYK 0 / 5 / 10 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

CMYK 0 / 13 / 25 / 91

HEX #181512

RGB 24 21 18

HSL 30, 0.14%, 0.08%

LAB 6.99, 0.75, 2.3

 

CMYK 0 / 57 / 100 / 97

HEX #070300

RGB 7 3 0

HSL 25.71, 1%, 0.01%

LAB 1, 0.63, 1.5

 

CMYK 0 / 5 / 10 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

CMYK 0 / 5 / 10 / 84

HEX #282624

RGB 40 38 36

HSL 30, 0.05%, 0.15%

LAB 15.3, 0.46, 1.65

 

CMYK 0 / 2 / 10 / 84

HEX #282724

RGB 40 39 36

HSL 45, 0.05%, 0.15%

LAB 15.64, -0.24, 2.14

 

CMYK 0 / 0 / 10 / 84

HEX #282824

RGB 40 40 36

HSL 60, 0.05%, 0.15%

LAB 15.98, -0.93, 2.63

 

CMYK 2 / 0 / 10 / 84

HEX #272824

RGB 39 40 36

HSL 75, 0.05%, 0.15%

LAB 15.88, -1.4, 2.47

 

CMYK 0 / 5 / 10 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

CMYK 0 / 4 / 10 / 64

HEX #5C5853

RGB 92 88 83

HSL 33.33, 0.05%, 0.34%

LAB 37.62, 0.61, 3.47

 

CMYK 0 / 5 / 10 / 44

HEX #8F8881

RGB 143 136 129

HSL 30, 0.06%, 0.53%

LAB 57.11, 1.32, 4.68

 

CMYK 0 / 5 / 10 / 24

HEX #C2B9AF

RGB 194 185 175

HSL 31.58, 0.13%, 0.72%

LAB 75.61, 1.44, 6.2

 

CMYK 0 / 5 / 10 / 4

HEX #F5E9DD

RGB 245 233 221

HSL 30, 0.55%, 0.91%

LAB 92.98, 2.06, 7.27

 

CMYK 0 / 5 / 10 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

CMYK 7 / 0 / 10 / 84

HEX #252824

RGB 37 40 36

HSL 105, 0.05%, 0.15%

LAB 15.69, -2.32, 2.17

 

CMYK 10 / 10 / 0 / 84

HEX #242428

RGB 36 36 40

HSL 240, 0.05%, 0.15%

LAB 14.34, 1.02, -2.66

 

CMYK 0 / 5 / 10 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

CMYK 10 / 0 / 5 / 84

HEX #242826

RGB 36 40 38

HSL 150, 0.05%, 0.15%

LAB 15.66, -2.29, 0.7

 

CMYK 5 / 10 / 0 / 84

HEX #262428

RGB 38 36 40

HSL 270, 0.05%, 0.15%

LAB 14.55, 1.91, -2.33

 

CMYK 0 / 5 / 10 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

CMYK 7 / 0 / 10 / 84

HEX #252824

RGB 37 40 36

HSL 105, 0.05%, 0.15%

LAB 15.69, -2.32, 2.17

 

CMYK 10 / 5 / 0 / 84

HEX #242628

RGB 36 38 40

HSL 210, 0.05%, 0.15%

LAB 15.03, -0.39, -1.64

 

CMYK 2 / 10 / 0 / 84

HEX #272428

RGB 39 36 40

HSL 285, 0.05%, 0.15%

LAB 14.66, 2.36, -2.15

 

CMYK 0 / 5 / 10 / 84

HEX #292725

RGB 41 39 37

HSL 30, 0.05%, 0.15%

LAB 15.78, 0.46, 1.64

 

CMYK 10 / 0 / 10 / 84

HEX #242824

RGB 36 40 36

HSL 120, 0.05%, 0.15%

LAB 15.59, -2.78, 2.02

 

CMYK 10 / 5 / 0 / 84

HEX #242628

RGB 36 38 40

HSL 210, 0.05%, 0.15%

LAB 15.03, -0.39, -1.64

 

CMYK 0 / 10 / 0 / 84

HEX #282428

RGB 40 36 40

HSL 300, 0.05%, 0.15%

LAB 14.77, 2.81, -1.98

 

Description

Color code: CMYK 0 / 5 / 9 / 84 | qconv.com Color code: CMYK 0 / 5 / 9 / 84 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 39 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 39 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 9 yellow and 84 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 9% 84% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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