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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 50 / 50 it is the complementary color CMYK 34 / 30 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 50 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 5 / 50 / 50: CMYK 0 / 9 / 56 / 48, CMYK 0 / 7 / 48 / 41, CMYK 0 / 6 / 42 / 35, CMYK 0 / 5 / 37 / 28 and CMYK 0 / 4 / 33 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 50 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 5 / 50 / 50: CMYK 0 / 5 / 50 / 50, CMYK 0 / 7 / 59 / 56, CMYK 0 / 10 / 72 / 63, CMYK 0 / 13 / 91 / 70 and CMYK 0 / 18 / 100 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

Complementary color

CMYK 34 / 30 / 0 / 25

HEX #7F86BF

RGB 127 134 191

HSL 233.44, 0.33%, 0.62%

LAB 57.39, 11.05, -30.57

 

CMYK 0 / 9 / 56 / 48

HEX #85793B

RGB 133 121 59

HSL 50.27, 0.39%, 0.38%

LAB 50.66, -3.97, 35.24

 

CMYK 0 / 7 / 48 / 41

HEX #968B4E

RGB 150 139 78

HSL 50.83, 0.32%, 0.45%

LAB 57.56, -4.65, 33.94

 

CMYK 0 / 6 / 42 / 35

HEX #A79D61

RGB 167 157 97

HSL 51.43, 0.28%, 0.52%

LAB 64.32, -5.19, 32.66

 

CMYK 0 / 5 / 37 / 28

HEX #B8AF74

RGB 184 175 116

HSL 52.06, 0.32%, 0.59%

LAB 70.95, -5.63, 31.43

 

CMYK 0 / 4 / 33 / 21

HEX #C9C187

RGB 201 193 135

HSL 52.73, 0.38%, 0.66%

LAB 77.46, -5.99, 30.27

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 0 / 7 / 59 / 56

HEX #6F672D

RGB 111 103 45

HSL 52.73, 0.42%, 0.31%

LAB 43.17, -5.04, 33.29

 

CMYK 0 / 10 / 72 / 63

HEX #5E551A

RGB 94 85 26

HSL 52.06, 0.57%, 0.24%

LAB 35.89, -4.08, 34.33

 

CMYK 0 / 13 / 91 / 70

HEX #4D4307

RGB 77 67 7

HSL 51.43, 0.83%, 0.16%

LAB 28.4, -2.71, 34.47

 

CMYK 0 / 18 / 100 / 76

HEX #3C3100

RGB 60 49 0

HSL 49, 1%, 0.12%

LAB 20.66, -0.69, 29.14

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 2 / 0 / 50 / 50

HEX #7D8040

RGB 125 128 64

HSL 62.81, 0.33%, 0.38%

LAB 52.03, -10.95, 34.08

 

CMYK 10 / 0 / 50 / 50

HEX #738040

RGB 115 128 64

HSL 72.19, 0.33%, 0.38%

LAB 51.21, -15.29, 32.9

 

CMYK 19 / 0 / 50 / 50

HEX #688040

RGB 104 128 64

HSL 82.5, 0.33%, 0.38%

LAB 50.4, -19.92, 31.72

 

CMYK 27 / 0 / 50 / 50

HEX #5D8040

RGB 93 128 64

HSL 92.81, 0.33%, 0.38%

LAB 49.66, -24.36, 30.65

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 0 / 6 / 50 / 30

HEX #B3A95A

RGB 179 169 90

HSL 53.26, 0.37%, 0.53%

LAB 68.53, -7.27, 41.73

 

CMYK 0 / 6 / 50 / 10

HEX #E6D973

RGB 230 217 115

HSL 53.22, 0.7%, 0.68%

LAB 85.85, -8.8, 51.37

 

CMYK 0 / 4 / 50 / 90

HEX #1A190D

RGB 26 25 13

HSL 55.38, 0.33%, 0.08%

LAB 8.52, -2.04, 7.27

 

CMYK 0 / 5 / 49 / 70

HEX #4D4927

RGB 77 73 39

HSL 53.68, 0.33%, 0.23%

LAB 30.61, -3.97, 20.88

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 50 / 0 / 45 / 50

HEX #408046

RGB 64 128 70

HSL 125.63, 0.33%, 0.38%

LAB 48.22, -33.61, 25.27

 

CMYK 26 / 50 / 0 / 50

HEX #5F4080

RGB 95 64 128

HSL 269.06, 0.33%, 0.38%

LAB 33.26, 27.19, -31.26

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 50 / 0 / 5 / 50

HEX #408079

RGB 64 128 121

HSL 173.44, 0.33%, 0.38%

LAB 49.39, -22.35, -2.54

 

CMYK 5 / 50 / 0 / 50

HEX #794080

RGB 121 64 128

HSL 293.44, 0.33%, 0.38%

LAB 36.54, 35.16, -25.88

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 50 / 0 / 45 / 50

HEX #408046

RGB 64 128 70

HSL 125.63, 0.33%, 0.38%

LAB 48.22, -33.61, 25.27

 

CMYK 50 / 44 / 0 / 50

HEX #404880

RGB 64 72 128

HSL 232.5, 0.33%, 0.38%

LAB 32.44, 13.27, -32.74

 

CMYK 0 / 50 / 4 / 50

HEX #80407B

RGB 128 64 123

HSL 304.69, 0.33%, 0.38%

LAB 37.27, 36.37, -21.56

 

CMYK 0 / 5 / 50 / 50

HEX #807940

RGB 128 121 64

HSL 53.44, 0.33%, 0.38%

LAB 50.26, -5.74, 32

 

CMYK 50 / 0 / 30 / 50

HEX #408059

RGB 64 128 89

HSL 143.44, 0.33%, 0.38%

LAB 48.57, -30.06, 15

 

CMYK 50 / 44 / 0 / 50

HEX #404880

RGB 64 72 128

HSL 232.5, 0.33%, 0.38%

LAB 32.44, 13.27, -32.74

 

CMYK 0 / 50 / 19 / 50

HEX #804068

RGB 128 64 104

HSL 322.5, 0.33%, 0.38%

LAB 36.47, 32.98, -10.92

 

Description

Color code: CMYK 0 / 5 / 50 / 50 | qconv.com Color code: CMYK 0 / 5 / 50 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 121 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 121 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 50 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 50% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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