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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 35 / 65 it is the complementary color CMYK 16 / 14 / 0 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 35 / 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 5 / 35 / 65: CMYK 0 / 10 / 44 / 63, CMYK 0 / 7 / 35 / 56, CMYK 0 / 5 / 29 / 50, CMYK 0 / 4 / 24 / 43 and CMYK 0 / 3 / 20 / 36

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 35 / 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 5 / 35 / 65: CMYK 0 / 4 / 35 / 65, CMYK 0 / 7 / 46 / 72, CMYK 0 / 11 / 64 / 78, CMYK 0 / 18 / 97 / 85 and CMYK 0 / 38 / 100 / 92

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

Complementary color

CMYK 16 / 14 / 0 / 23

HEX #A6AAC5

RGB 166 170 197

HSL 232.26, 0.21%, 0.71%

LAB 70.1, 4.14, -14.24

 

CMYK 0 / 10 / 44 / 63

HEX #5E5535

RGB 94 85 53

HSL 46.83, 0.28%, 0.29%

LAB 36.24, -1.52, 20

 

CMYK 0 / 7 / 35 / 56

HEX #6F6748

RGB 111 103 72

HSL 47.69, 0.21%, 0.36%

LAB 43.58, -2.02, 18.66

 

CMYK 0 / 5 / 29 / 50

HEX #80795B

RGB 128 121 91

HSL 48.65, 0.17%, 0.43%

LAB 50.71, -2.4, 17.45

 

CMYK 0 / 4 / 24 / 43

HEX #918B6E

RGB 145 139 110

HSL 49.71, 0.14%, 0.5%

LAB 57.67, -2.71, 16.35

 

CMYK 0 / 3 / 20 / 36

HEX #A29D81

RGB 162 157 129

HSL 50.91, 0.15%, 0.57%

LAB 64.47, -2.97, 15.33

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 0 / 7 / 46 / 72

HEX #484327

RGB 72 67 39

HSL 50.91, 0.3%, 0.22%

LAB 28.22, -2.67, 17.75

 

CMYK 0 / 11 / 64 / 78

HEX #373114

RGB 55 49 20

HSL 49.71, 0.47%, 0.15%

LAB 20.28, -1.95, 19.25

 

CMYK 0 / 18 / 97 / 85

HEX #261F01

RGB 38 31 1

HSL 48.65, 0.95%, 0.08%

LAB 11.92, -0.93, 17.27

 

CMYK 0 / 38 / 100 / 92

HEX #150D00

RGB 21 13 0

HSL 37.14, 1%, 0.04%

LAB 4.04, 1.15, 6.07

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 1 / 0 / 35 / 65

HEX #58593A

RGB 88 89 58

HSL 61.94, 0.21%, 0.29%

LAB 36.98, -5.98, 17.85

 

CMYK 7 / 0 / 35 / 65

HEX #53593A

RGB 83 89 58

HSL 71.61, 0.21%, 0.29%

LAB 36.54, -8.21, 17.19

 

CMYK 12 / 0 / 35 / 65

HEX #4E593A

RGB 78 89 58

HSL 81.29, 0.21%, 0.29%

LAB 36.12, -10.4, 16.56

 

CMYK 19 / 0 / 35 / 65

HEX #48593A

RGB 72 89 58

HSL 92.9, 0.21%, 0.29%

LAB 35.65, -12.96, 15.86

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 0 / 4 / 35 / 45

HEX #8C865B

RGB 140 134 91

HSL 52.65, 0.21%, 0.45%

LAB 55.46, -4.66, 24

 

CMYK 0 / 5 / 35 / 25

HEX #BFB67C

RGB 191 182 124

HSL 51.94, 0.34%, 0.62%

LAB 73.54, -5.55, 30.71

 

CMYK 0 / 5 / 35 / 5

HEX #F2E79E

RGB 242 231 158

HSL 52.14, 0.76%, 0.78%

LAB 91.01, -6.78, 36.92

 

CMYK 0 / 5 / 34 / 85

HEX #262419

RGB 38 36 25

HSL 50.77, 0.21%, 0.12%

LAB 14.08, -1.37, 7.71

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 35 / 0 / 33 / 65

HEX #3A593C

RGB 58 89 60

HSL 123.87, 0.21%, 0.29%

LAB 34.74, -18.17, 13.26

 

CMYK 19 / 35 / 0 / 65

HEX #483A59

RGB 72 58 89

HSL 267.1, 0.21%, 0.29%

LAB 27.09, 13.24, -16.32

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 35 / 0 / 4 / 65

HEX #3A5955

RGB 58 89 85

HSL 172.26, 0.21%, 0.29%

LAB 35.4, -12.4, -1.33

 

CMYK 4 / 35 / 0 / 65

HEX #553A59

RGB 85 58 89

HSL 292.26, 0.21%, 0.29%

LAB 28.59, 18.02, -13.88

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 35 / 0 / 33 / 65

HEX #3A593C

RGB 58 89 60

HSL 123.87, 0.21%, 0.29%

LAB 34.74, -18.17, 13.26

 

CMYK 35 / 30 / 0 / 65

HEX #3A3E59

RGB 58 62 89

HSL 232.26, 0.21%, 0.29%

LAB 26.92, 5.66, -16.68

 

CMYK 0 / 35 / 2 / 65

HEX #593A57

RGB 89 58 87

HSL 303.87, 0.21%, 0.29%

LAB 29, 19.08, -11.91

 

CMYK 0 / 4 / 35 / 65

HEX #59553A

RGB 89 85 58

HSL 52.26, 0.21%, 0.29%

LAB 35.84, -3.14, 16.37

 

CMYK 35 / 0 / 22 / 65

HEX #3A5945

RGB 58 89 69

HSL 141.29, 0.21%, 0.29%

LAB 34.95, -16.29, 8

 

CMYK 35 / 30 / 0 / 65

HEX #3A3E59

RGB 58 62 89

HSL 232.26, 0.21%, 0.29%

LAB 26.92, 5.66, -16.68

 

CMYK 0 / 35 / 12 / 65

HEX #593A4E

RGB 89 58 78

HSL 321.29, 0.21%, 0.29%

LAB 28.64, 17.24, -6.58

 

Description

Color code: CMYK 0 / 5 / 35 / 65 | qconv.com Color code: CMYK 0 / 5 / 35 / 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 89 red, 85 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
89 85 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 35 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 35% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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