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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 5 / 19 / 55 it is the complementary color CMYK 14 / 10 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 5 / 19 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 5 / 19 / 55: CMYK 0 / 9 / 27 / 53, CMYK 0 / 7 / 22 / 46, CMYK 0 / 6 / 18 / 40, CMYK 0 / 5 / 15 / 33 and CMYK 0 / 4 / 13 / 26

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 5 / 19 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 5 / 19 / 55: CMYK 0 / 5 / 19 / 55, CMYK 0 / 7 / 24 / 62, CMYK 0 / 10 / 32 / 68, CMYK 0 / 14 / 44 / 75 and CMYK 0 / 21 / 64 / 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

Complementary color

CMYK 14 / 10 / 0 / 36

HEX #8C92A2

RGB 140 146 162

HSL 223.64, 0.11%, 0.59%

LAB 60.55, 1.19, -9.16

 

CMYK 0 / 9 / 27 / 53

HEX #786D58

RGB 120 109 88

HSL 39.38, 0.15%, 0.41%

LAB 46.49, 0.69, 13.31

 

CMYK 0 / 7 / 22 / 46

HEX #897F6B

RGB 137 127 107

HSL 40, 0.12%, 0.48%

LAB 53.56, 0.34, 12.26

 

CMYK 0 / 6 / 18 / 40

HEX #9A917E

RGB 154 145 126

HSL 40.71, 0.12%, 0.55%

LAB 60.45, 0.03, 11.29

 

CMYK 0 / 5 / 15 / 33

HEX #ABA391

RGB 171 163 145

HSL 41.54, 0.13%, 0.62%

LAB 67.2, -0.23, 10.39

 

CMYK 0 / 4 / 13 / 26

HEX #BCB5A4

RGB 188 181 164

HSL 42.5, 0.15%, 0.69%

LAB 73.82, -0.46, 9.54

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 0 / 7 / 24 / 62

HEX #625B4A

RGB 98 91 74

HSL 42.5, 0.14%, 0.34%

LAB 38.85, -0.28, 10.84

 

CMYK 0 / 10 / 32 / 68

HEX #514937

RGB 81 73 55

HSL 41.54, 0.19%, 0.27%

LAB 31.32, 0.12, 12.02

 

CMYK 0 / 14 / 44 / 75

HEX #403724

RGB 64 55 36

HSL 40.71, 0.28%, 0.2%

LAB 23.5, 0.68, 13.38

 

CMYK 0 / 21 / 64 / 82

HEX #2F2511

RGB 47 37 17

HSL 40, 0.47%, 0.13%

LAB 15.32, 1.54, 14.85

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 0 / 3 / 20 / 55

HEX #74715D

RGB 116 113 93

HSL 52.17, 0.11%, 0.41%

LAB 47.38, -2.5, 11.54

 

CMYK 2 / 0 / 20 / 55

HEX #72745D

RGB 114 116 93

HSL 65.22, 0.11%, 0.41%

LAB 48.08, -5.05, 12.48

 

CMYK 4 / 0 / 20 / 55

HEX #6F745D

RGB 111 116 93

HSL 73.04, 0.11%, 0.41%

LAB 47.83, -6.27, 12.09

 

CMYK 8 / 0 / 20 / 55

HEX #6B745D

RGB 107 116 93

HSL 83.48, 0.11%, 0.41%

LAB 47.5, -7.89, 11.59

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 0 / 5 / 19 / 35

HEX #A69D86

RGB 166 157 134

HSL 43.13, 0.15%, 0.59%

LAB 64.92, -0.63, 13.22

 

CMYK 0 / 5 / 19 / 15

HEX #D9CEAF

RGB 217 206 175

HSL 44.29, 0.36%, 0.77%

LAB 82.91, -1.2, 16.81

 

CMYK 0 / 8 / 15 / 95

HEX #0D0C0B

RGB 13 12 11

HSL 30, 0.08%, 0.05%

LAB 3.37, 0.15, 0.52

 

CMYK 0 / 5 / 19 / 75

HEX #403D34

RGB 64 61 52

HSL 45, 0.1%, 0.23%

LAB 25.79, -0.55, 6.02

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 19 / 0 / 20 / 55

HEX #5E745D

RGB 94 116 93

HSL 117.39, 0.11%, 0.41%

LAB 46.53, -12.97, 10.08

 

CMYK 14 / 20 / 0 / 55

HEX #645D74

RGB 100 93 116

HSL 258.26, 0.11%, 0.41%

LAB 40.89, 7.82, -11.98

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 20 / 0 / 6 / 55

HEX #5D746D

RGB 93 116 109

HSL 161.74, 0.11%, 0.41%

LAB 46.87, -10, 1.07

 

CMYK 6 / 20 / 0 / 55

HEX #6D5D74

RGB 109 93 116

HSL 281.74, 0.11%, 0.41%

LAB 41.75, 11.12, -10.6

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 19 / 0 / 20 / 55

HEX #5E745D

RGB 94 116 93

HSL 117.39, 0.11%, 0.41%

LAB 46.53, -12.97, 10.08

 

CMYK 20 / 15 / 0 / 55

HEX #5D6374

RGB 93 99 116

HSL 224.35, 0.11%, 0.41%

LAB 42.02, 1.65, -10.34

 

CMYK 2 / 20 / 0 / 55

HEX #725D74

RGB 114 93 116

HSL 294.78, 0.11%, 0.41%

LAB 42.26, 12.99, -9.79

 

CMYK 0 / 5 / 19 / 55

HEX #736D5D

RGB 115 109 93

HSL 43.64, 0.11%, 0.41%

LAB 46.14, -0.59, 9.78

 

CMYK 20 / 0 / 16 / 55

HEX #5D7462

RGB 93 116 98

HSL 133.04, 0.11%, 0.41%

LAB 46.58, -12.35, 7.18

 

CMYK 20 / 15 / 0 / 55

HEX #5D6374

RGB 93 99 116

HSL 224.35, 0.11%, 0.41%

LAB 42.02, 1.65, -10.34

 

CMYK 0 / 20 / 4 / 55

HEX #745D6F

RGB 116 93 111

HSL 313.04, 0.11%, 0.41%

LAB 42.29, 12.71, -6.66

 

Description

Color code: CMYK 0 / 5 / 19 / 55 | qconv.com Color code: CMYK 0 / 5 / 19 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 109 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 109 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 19 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 19% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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