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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 58 / 76 / 14 it is the complementary color CMYK 82 / 19 / 0 / 21. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 58 / 76 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 58 / 76 / 14: CMYK 0 / 59 / 79 / 12, CMYK 0 / 54 / 72 / 5, CMYK 0 / 50 / 66 / 0, CMYK 0 / 43 / 59 / 0 and CMYK 0 / 36 / 51 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 58 / 76 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 58 / 76 / 14: CMYK 0 / 58 / 76 / 14, CMYK 0 / 63 / 83 / 21, CMYK 0 / 70 / 92 / 27, CMYK 0 / 77 / 100 / 34 and CMYK 0 / 87 / 100 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

Complementary color

CMYK 82 / 19 / 0 / 21

HEX #24A3CA

RGB 36 163 202

HSL 194.1, 0.7%, 0.47%

LAB 62.37, -19.64, -29.34

 

CMYK 0 / 59 / 79 / 12

HEX #E05C30

RGB 224 92 48

HSL 15, 0.74%, 0.53%

LAB 55.8, 49.24, 49.76

 

CMYK 0 / 54 / 72 / 5

HEX #F16E43

RGB 241 110 67

HSL 14.83, 0.86%, 0.6%

LAB 61.88, 47.76, 47.5

 

CMYK 0 / 50 / 66 / 0

HEX #FF8056

RGB 255 128 86

HSL 14.91, 1%, 0.67%

LAB 67.55, 45.19, 44.7

 

CMYK 0 / 43 / 59 / 0

HEX #FF9269

RGB 255 146 105

HSL 16.4, 1%, 0.71%

LAB 71.44, 37.37, 39.43

 

CMYK 0 / 36 / 51 / 0

HEX #FFA47C

RGB 255 164 124

HSL 18.32, 1%, 0.74%

LAB 75.62, 29.57, 34.66

 

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

CMYK 0 / 63 / 83 / 21

HEX #CA4A22

RGB 202 74 34

HSL 14.29, 0.71%, 0.46%

LAB 48.97, 49.02, 48.57

 

CMYK 0 / 70 / 92 / 27

HEX #B9380F

RGB 185 56 15

HSL 14.47, 0.85%, 0.39%

LAB 43.03, 50.25, 50.25

 

CMYK 0 / 77 / 100 / 34

HEX #A82600

RGB 168 38 0

HSL 13.57, 1%, 0.33%

LAB 37.32, 51.01, 50.23

 

CMYK 0 / 87 / 100 / 41

HEX #971400

RGB 151 20 0

HSL 7.95, 1%, 0.3%

LAB 31.99, 50.86, 45.42

 

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

CMYK 0 / 46 / 77 / 14

HEX #DB7633

RGB 219 118 51

HSL 23.93, 0.7%, 0.53%

LAB 60.12, 34.63, 52.39

 

CMYK 0 / 33 / 77 / 14

HEX #DB9233

RGB 219 146 51

HSL 33.93, 0.7%, 0.53%

LAB 66.41, 19.76, 58.53

 

CMYK 0 / 21 / 77 / 14

HEX #DBAE33

RGB 219 174 51

HSL 43.93, 0.7%, 0.53%

LAB 73.27, 4.78, 65.02

 

CMYK 0 / 8 / 77 / 14

HEX #DBCA33

RGB 219 202 51

HSL 53.93, 0.7%, 0.53%

LAB 80.48, -9.75, 71.66

 

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

CMYK 0 / 60 / 73 / 94

HEX #0F0604

RGB 15 6 4

HSL 10.91, 0.58%, 0.04%

LAB 2.17, 2.27, 1.65

 

CMYK 0 / 58 / 76 / 74

HEX #421C10

RGB 66 28 16

HSL 14.4, 0.61%, 0.16%

LAB 15.62, 17.29, 16.41

 

CMYK 0 / 58 / 76 / 54

HEX #75311C

RGB 117 49 28

HSL 14.16, 0.61%, 0.28%

LAB 29.57, 28.43, 27.49

 

CMYK 0 / 58 / 76 / 34

HEX #A84729

RGB 168 71 41

HSL 14.17, 0.61%, 0.41%

LAB 42.75, 38.1, 37.02

 

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

CMYK 33 / 0 / 77 / 14

HEX #92DB33

RGB 146 219 51

HSL 86.07, 0.7%, 0.53%

LAB 80.19, -46.96, 69.56

 

CMYK 77 / 64 / 0 / 14

HEX #334FDB

RGB 51 79 219

HSL 230, 0.7%, 0.53%

LAB 40.26, 38.91, -74.22

 

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

CMYK 77 / 0 / 59 / 14

HEX #33DB5A

RGB 51 219 90

HSL 133.93, 0.7%, 0.53%

LAB 77.34, -67.52, 50.71

 

CMYK 59 / 77 / 0 / 14

HEX #5A33DB

RGB 90 51 219

HSL 253.93, 0.7%, 0.53%

LAB 37.22, 58.73, -79.14

 

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

CMYK 33 / 0 / 77 / 14

HEX #92DB33

RGB 146 219 51

HSL 86.07, 0.7%, 0.53%

LAB 80.19, -46.96, 69.56

 

CMYK 77 / 18 / 0 / 14

HEX #33B3DB

RGB 51 179 219

HSL 194.29, 0.7%, 0.53%

LAB 68.06, -20.89, -29.92

 

CMYK 44 / 77 / 0 / 14

HEX #7B33DB

RGB 123 51 219

HSL 265.71, 0.7%, 0.53%

LAB 40.72, 63.14, -73.24

 

CMYK 0 / 58 / 76 / 14

HEX #DB5C35

RGB 219 92 53

HSL 14.1, 0.7%, 0.53%

LAB 55.04, 47.61, 46.27

 

CMYK 57 / 0 / 77 / 14

HEX #5FDB33

RGB 95 219 51

HSL 104.29, 0.7%, 0.53%

LAB 78.07, -62.62, 66.81

 

CMYK 77 / 18 / 0 / 14

HEX #33B3DB

RGB 51 179 219

HSL 194.29, 0.7%, 0.53%

LAB 68.06, -20.89, -29.92

 

CMYK 21 / 77 / 0 / 14

HEX #AE33DB

RGB 174 51 219

HSL 283.93, 0.7%, 0.53%

LAB 47.6, 71.61, -61.75

 

Description

Color code: CMYK 0 / 58 / 76 / 14 | qconv.com Color code: CMYK 0 / 58 / 76 / 14 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 92 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 92 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 76 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 76% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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