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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 58 / 40 / 22 it is the complementary color CMYK 67 / 0 / 20 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 58 / 40 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 58 / 40 / 22: CMYK 0 / 59 / 44 / 20, CMYK 0 / 54 / 40 / 13, CMYK 0 / 50 / 36 / 7, CMYK 0 / 46 / 33 / 0 and CMYK 0 / 39 / 25 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 58 / 40 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 58 / 40 / 22: CMYK 0 / 58 / 40 / 22, CMYK 0 / 64 / 45 / 29, CMYK 0 / 71 / 51 / 35, CMYK 0 / 80 / 58 / 42 and CMYK 0 / 91 / 67 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

Complementary color

CMYK 67 / 0 / 20 / 33

HEX #38AB88

RGB 56 171 136

HSL 161.74, 0.51%, 0.45%

LAB 63.13, -40.56, 8.75

 

CMYK 0 / 59 / 44 / 20

HEX #CC5472

RGB 204 84 114

HSL 345, 0.54%, 0.56%

LAB 52.28, 50.27, 7.52

 

CMYK 0 / 54 / 40 / 13

HEX #DD6685

RGB 221 102 133

HSL 344.37, 0.64%, 0.63%

LAB 58.57, 49.49, 5.66

 

CMYK 0 / 50 / 36 / 7

HEX #EE7898

RGB 238 120 152

HSL 343.73, 0.78%, 0.7%

LAB 64.86, 48.63, 4.09

 

CMYK 0 / 46 / 33 / 0

HEX #FF8AAB

RGB 255 138 171

HSL 343.08, 1%, 0.77%

LAB 71.13, 47.75, 2.73

 

CMYK 0 / 39 / 25 / 0

HEX #FF9CBE

RGB 255 156 190

HSL 339.39, 1%, 0.81%

LAB 75.3, 41.09, -1.71

 

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

CMYK 0 / 64 / 45 / 29

HEX #B64264

RGB 182 66 100

HSL 342.41, 0.47%, 0.49%

LAB 45.31, 49.75, 5.57

 

CMYK 0 / 71 / 51 / 35

HEX #A53051

RGB 165 48 81

HSL 343.08, 0.55%, 0.42%

LAB 39.08, 50.02, 8.18

 

CMYK 0 / 80 / 58 / 42

HEX #941E3E

RGB 148 30 62

HSL 343.73, 0.66%, 0.35%

LAB 33.08, 49.64, 11.57

 

CMYK 0 / 91 / 67 / 49

HEX #830C2B

RGB 131 12 43

HSL 344.37, 0.83%, 0.28%

LAB 27.47, 48.1, 16.07

 

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

CMYK 0 / 59 / 50 / 22

HEX #C65163

RGB 198 81 99

HSL 350.77, 0.51%, 0.55%

LAB 50.44, 48.21, 13.78

 

CMYK 0 / 58 / 59 / 22

HEX #C65351

RGB 198 83 81

HSL 1.03, 0.51%, 0.55%

LAB 50.44, 45.8, 24.48

 

CMYK 0 / 48 / 59 / 22

HEX #C66751

RGB 198 103 81

HSL 11.28, 0.51%, 0.55%

LAB 54.34, 35.8, 29.49

 

CMYK 0 / 38 / 59 / 22

HEX #C67A51

RGB 198 122 81

HSL 21.03, 0.51%, 0.55%

LAB 58.53, 25.63, 34.7

 

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

CMYK 0 / 58 / 40 / 2

HEX #FA6A95

RGB 250 106 149

HSL 342.08, 0.94%, 0.7%

LAB 64, 58.81, 4.78

 

CMYK 0 / 59 / 39 / 82

HEX #2E131C

RGB 46 19 28

HSL 340, 0.42%, 0.13%

LAB 10.03, 15.1, -0.04

 

CMYK 0 / 58 / 40 / 62

HEX #61293A

RGB 97 41 58

HSL 341.79, 0.41%, 0.27%

LAB 25.05, 27.37, 1.55

 

CMYK 0 / 58 / 40 / 42

HEX #943E59

RGB 148 62 89

HSL 341.16, 0.41%, 0.41%

LAB 38.66, 38.96, 2.12

 

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

CMYK 0 / 7 / 59 / 22

HEX #C6B951

RGB 198 185 81

HSL 53.33, 0.51%, 0.55%

LAB 74.38, -8.36, 53.24

 

CMYK 59 / 17 / 0 / 22

HEX #51A5C6

RGB 81 165 198

HSL 196.92, 0.51%, 0.55%

LAB 63.95, -15.75, -24.58

 

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

CMYK 40 / 0 / 59 / 22

HEX #76C651

RGB 118 198 81

HSL 101.03, 0.51%, 0.55%

LAB 72.78, -45.49, 50

 

CMYK 59 / 40 / 0 / 22

HEX #5176C6

RGB 81 118 198

HSL 221.03, 0.51%, 0.55%

LAB 50.43, 11.37, -45.7

 

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

CMYK 0 / 7 / 59 / 22

HEX #C6B951

RGB 198 185 81

HSL 53.33, 0.51%, 0.55%

LAB 74.38, -8.36, 53.24

 

CMYK 59 / 0 / 19 / 22

HEX #51C6A1

RGB 81 198 161

HSL 161.03, 0.51%, 0.55%

LAB 72.7, -41.82, 8.78

 

CMYK 59 / 52 / 0 / 22

HEX #515FC6

RGB 81 95 198

HSL 232.82, 0.51%, 0.55%

LAB 44.25, 25.72, -55.6

 

CMYK 0 / 58 / 40 / 22

HEX #C75477

RGB 199 84 119

HSL 341.74, 0.51%, 0.55%

LAB 51.63, 49.14, 3.49

 

CMYK 11 / 0 / 59 / 22

HEX #B1C651

RGB 177 198 81

HSL 70.77, 0.51%, 0.55%

LAB 76.27, -23.62, 54.88

 

CMYK 59 / 0 / 19 / 22

HEX #51C6A1

RGB 81 198 161

HSL 161.03, 0.51%, 0.55%

LAB 72.7, -41.82, 8.78

 

CMYK 48 / 59 / 0 / 22

HEX #6751C6

RGB 103 81 198

HSL 251.28, 0.51%, 0.55%

LAB 42.53, 38.67, -58.29

 

Description

Color code: CMYK 0 / 58 / 40 / 22 | qconv.com Color code: CMYK 0 / 58 / 40 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 84 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 84 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 40 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 40% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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