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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 52 / 90 / 10 it is the complementary color CMYK 89 / 38 / 0 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 52 / 90 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 52 / 90 / 10: CMYK 0 / 53 / 92 / 8, CMYK 0 / 49 / 85 / 1, CMYK 0 / 43 / 78 / 0, CMYK 0 / 36 / 71 / 0 and CMYK 0 / 29 / 63 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 52 / 90 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 52 / 90 / 10: CMYK 0 / 52 / 90 / 10, CMYK 0 / 57 / 98 / 16, CMYK 0 / 62 / 100 / 23, CMYK 0 / 69 / 100 / 30 and CMYK 0 / 77 / 100 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

Complementary color

CMYK 89 / 38 / 0 / 9

HEX #1991E8

RGB 25 145 232

HSL 205.22, 0.82%, 0.5%

LAB 58.31, 0.47, -52.43

 

CMYK 0 / 53 / 92 / 8

HEX #EB6E12

RGB 235 110 18

HSL 25.44, 0.86%, 0.5%

LAB 60.66, 44.11, 65.48

 

CMYK 0 / 49 / 85 / 1

HEX #FC8025

RGB 252 128 37

HSL 25.4, 0.97%, 0.57%

LAB 66.72, 42.15, 65.64

 

CMYK 0 / 43 / 78 / 0

HEX #FF9238

RGB 255 146 56

HSL 27.14, 1%, 0.61%

LAB 70.94, 34.8, 62.41

 

CMYK 0 / 36 / 71 / 0

HEX #FFA44B

RGB 255 164 75

HSL 29.67, 1%, 0.65%

LAB 75.03, 26.28, 58.35

 

CMYK 0 / 29 / 63 / 0

HEX #FFB65E

RGB 255 182 94

HSL 32.8, 1%, 0.68%

LAB 79.34, 17.93, 54.32

 

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

CMYK 0 / 57 / 98 / 16

HEX #D55C04

RGB 213 92 4

HSL 25.26, 0.96%, 0.43%

LAB 53.82, 44.28, 62.24

 

CMYK 0 / 62 / 100 / 23

HEX #C44A00

RGB 196 74 0

HSL 22.65, 1%, 0.38%

LAB 47.79, 46.29, 58.28

 

CMYK 0 / 69 / 100 / 30

HEX #B33800

RGB 179 56 0

HSL 18.77, 1%, 0.35%

LAB 41.86, 48.01, 53.57

 

CMYK 0 / 77 / 100 / 36

HEX #A22600

RGB 162 38 0

HSL 14.07, 1%, 0.32%

LAB 36.11, 49.09, 48.99

 

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

CMYK 0 / 38 / 91 / 9

HEX #E89016

RGB 232 144 22

HSL 34.86, 0.83%, 0.5%

LAB 67.4, 25.54, 69.21

 

CMYK 0 / 23 / 91 / 9

HEX #E8B316

RGB 232 179 22

HSL 44.86, 0.83%, 0.5%

LAB 75.73, 7, 75.48

 

CMYK 0 / 8 / 91 / 9

HEX #E8D616

RGB 232 214 22

HSL 54.86, 0.83%, 0.5%

LAB 84.64, -11, 82.29

 

CMYK 8 / 0 / 91 / 9

HEX #D6E816

RGB 214 232 22

HSL 65.14, 0.83%, 0.5%

LAB 88, -27.29, 84.28

 

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

CMYK 0 / 54 / 88 / 90

HEX #1A0C03

RGB 26 12 3

HSL 23.48, 0.79%, 0.06%

LAB 4.42, 4.47, 5.47

 

CMYK 0 / 52 / 90 / 70

HEX #4D2508

RGB 77 37 8

HSL 25.22, 0.81%, 0.17%

LAB 19.71, 16.52, 25.49

 

CMYK 0 / 52 / 90 / 50

HEX #803D0D

RGB 128 61 13

HSL 25.04, 0.82%, 0.28%

LAB 33.89, 25.96, 39.67

 

CMYK 0 / 52 / 90 / 30

HEX #B35612

RGB 179 86 18

HSL 25.34, 0.82%, 0.39%

LAB 47.34, 34.09, 51.96

 

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

CMYK 56 / 0 / 91 / 9

HEX #67E816

RGB 103 232 22

HSL 96.86, 0.83%, 0.5%

LAB 82.19, -66.25, 77.17

 

CMYK 89 / 91 / 0 / 9

HEX #1A16E8

RGB 26 22 232

HSL 241.14, 0.83%, 0.5%

LAB 30.92, 69.6, -97.14

 

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

CMYK 91 / 0 / 53 / 9

HEX #16E86E

RGB 22 232 110

HSL 145.14, 0.83%, 0.5%

LAB 81.3, -71.54, 46.18

 

CMYK 53 / 91 / 0 / 9

HEX #6E16E8

RGB 110 22 232

HSL 265.14, 0.83%, 0.5%

LAB 37.33, 73.77, -86.32

 

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

CMYK 56 / 0 / 91 / 9

HEX #67E816

RGB 103 232 22

HSL 96.86, 0.83%, 0.5%

LAB 82.19, -66.25, 77.17

 

CMYK 91 / 38 / 0 / 9

HEX #1690E8

RGB 22 144 232

HSL 205.14, 0.83%, 0.5%

LAB 57.98, 0.91, -52.94

 

CMYK 35 / 91 / 0 / 9

HEX #9716E8

RGB 151 22 232

HSL 276.86, 0.83%, 0.5%

LAB 42.73, 78, -77.23

 

CMYK 0 / 52 / 90 / 10

HEX #E66E17

RGB 230 110 23

HSL 25.22, 0.82%, 0.5%

LAB 59.92, 42.26, 63.32

 

CMYK 83 / 0 / 91 / 9

HEX #28E816

RGB 40 232 22

HSL 114.86, 0.83%, 0.5%

LAB 80.86, -77.54, 75.52

 

CMYK 91 / 38 / 0 / 9

HEX #1690E8

RGB 22 144 232

HSL 205.14, 0.83%, 0.5%

LAB 57.98, 0.91, -52.94

 

CMYK 8 / 91 / 0 / 9

HEX #D616E8

RGB 214 22 232

HSL 294.86, 0.83%, 0.5%

LAB 52.62, 86.84, -60.72

 

Description

Color code: CMYK 0 / 52 / 90 / 10 | qconv.com Color code: CMYK 0 / 52 / 90 / 10 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 110 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 110 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 90 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 90% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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