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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 51 / 63 / 33 it is the complementary color CMYK 56 / 11 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 51 / 63 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 51 / 63 / 33: CMYK 0 / 52 / 67 / 31, CMYK 0 / 47 / 60 / 24, CMYK 0 / 43 / 54 / 18, CMYK 0 / 39 / 49 / 11 and CMYK 0 / 36 / 45 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 51 / 63 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 51 / 63 / 33: CMYK 0 / 51 / 63 / 33, CMYK 0 / 57 / 71 / 40, CMYK 0 / 65 / 82 / 46, CMYK 0 / 75 / 95 / 53 and CMYK 0 / 88 / 100 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

Complementary color

CMYK 56 / 11 / 0 / 25

HEX #54ABC0

RGB 84 171 192

HSL 191.67, 0.46%, 0.54%

LAB 65.61, -20.11, -18.71

 

CMYK 0 / 52 / 67 / 31

HEX #B0543A

RGB 176 84 58

HSL 13.22, 0.5%, 0.46%

LAB 46.81, 35.5, 32.54

 

CMYK 0 / 47 / 60 / 24

HEX #C1664D

RGB 193 102 77

HSL 12.93, 0.48%, 0.53%

LAB 53.36, 34.06, 30.36

 

CMYK 0 / 43 / 54 / 18

HEX #D27860

RGB 210 120 96

HSL 12.63, 0.56%, 0.6%

LAB 59.87, 32.74, 28.44

 

CMYK 0 / 39 / 49 / 11

HEX #E38A73

RGB 227 138 115

HSL 12.32, 0.67%, 0.67%

LAB 66.33, 31.53, 26.74

 

CMYK 0 / 36 / 45 / 4

HEX #F49C86

RGB 244 156 134

HSL 12, 0.83%, 0.74%

LAB 72.71, 30.44, 25.22

 

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

CMYK 0 / 57 / 71 / 40

HEX #9A422C

RGB 154 66 44

HSL 12, 0.56%, 0.39%

LAB 39.49, 35.32, 31.09

 

CMYK 0 / 65 / 82 / 46

HEX #893019

RGB 137 48 25

HSL 12.32, 0.69%, 0.32%

LAB 32.92, 36.77, 33.79

 

CMYK 0 / 75 / 95 / 53

HEX #781E06

RGB 120 30 6

HSL 12.63, 0.9%, 0.25%

LAB 26.55, 37.92, 35.9

 

CMYK 0 / 88 / 100 / 60

HEX #670C00

RGB 103 12 0

HSL 6.99, 1%, 0.2%

LAB 20.62, 38.15, 31.18

 

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

CMYK 0 / 41 / 63 / 33

HEX #AB653F

RGB 171 101 63

HSL 21.11, 0.46%, 0.46%

LAB 49.89, 24.6, 33.24

 

CMYK 0 / 30 / 63 / 33

HEX #AB773F

RGB 171 119 63

HSL 31.11, 0.46%, 0.46%

LAB 54.25, 14.49, 38.38

 

CMYK 0 / 20 / 63 / 33

HEX #AB893F

RGB 171 137 63

HSL 41.11, 0.46%, 0.46%

LAB 58.89, 4.41, 43.67

 

CMYK 0 / 9 / 63 / 33

HEX #AB9B3F

RGB 171 155 63

HSL 51.11, 0.46%, 0.46%

LAB 63.72, -5.43, 49

 

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

CMYK 0 / 51 / 63 / 13

HEX #DE6D52

RGB 222 109 82

HSL 11.57, 0.68%, 0.6%

LAB 59.04, 41.99, 35.53

 

CMYK 0 / 50 / 61 / 93

HEX #120907

RGB 18 9 7

HSL 10.91, 0.44%, 0.05%

LAB 3.06, 2.58, 1.76

 

CMYK 0 / 51 / 64 / 73

HEX #452219

RGB 69 34 25

HSL 12.27, 0.47%, 0.18%

LAB 17.83, 15.68, 13.45

 

CMYK 0 / 51 / 63 / 53

HEX #783B2C

RGB 120 59 44

HSL 11.84, 0.46%, 0.32%

LAB 32.49, 25.18, 21.38

 

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

CMYK 25 / 0 / 63 / 33

HEX #81AB3F

RGB 129 171 63

HSL 83.33, 0.46%, 0.46%

LAB 65.08, -31.23, 49.55

 

CMYK 63 / 50 / 0 / 33

HEX #3F56AB

RGB 63 86 171

HSL 227.22, 0.46%, 0.46%

LAB 38.99, 18.79, -48.33

 

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

CMYK 63 / 0 / 51 / 33

HEX #3FAB53

RGB 63 171 83

HSL 131.11, 0.46%, 0.46%

LAB 62.34, -49.64, 36.16

 

CMYK 51 / 63 / 0 / 33

HEX #533FAB

RGB 83 63 171

HSL 251.11, 0.46%, 0.46%

LAB 34.67, 37.18, -55.24

 

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

CMYK 25 / 0 / 63 / 33

HEX #81AB3F

RGB 129 171 63

HSL 83.33, 0.46%, 0.46%

LAB 65.08, -31.23, 49.55

 

CMYK 63 / 12 / 0 / 33

HEX #3F97AB

RGB 63 151 171

HSL 191.11, 0.46%, 0.46%

LAB 58.16, -19.96, -18.29

 

CMYK 39 / 63 / 0 / 33

HEX #683FAB

RGB 104 63 171

HSL 262.78, 0.46%, 0.46%

LAB 36.81, 41.57, -51.66

 

CMYK 0 / 51 / 63 / 33

HEX #AB543F

RGB 171 84 63

HSL 11.67, 0.46%, 0.46%

LAB 46.12, 33.85, 28.67

 

CMYK 43 / 0 / 63 / 33

HEX #61AB3F

RGB 97 171 63

HSL 101.11, 0.46%, 0.46%

LAB 63.36, -42.77, 47.18

 

CMYK 63 / 12 / 0 / 33

HEX #3F97AB

RGB 63 151 171

HSL 191.11, 0.46%, 0.46%

LAB 58.16, -19.96, -18.29

 

CMYK 20 / 63 / 0 / 33

HEX #893FAB

RGB 137 63 171

HSL 281.11, 0.46%, 0.46%

LAB 40.92, 49.28, -44.85

 

Description

Color code: CMYK 0 / 51 / 63 / 33 | qconv.com Color code: CMYK 0 / 51 / 63 / 33 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 84 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 84 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 63 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 63% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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