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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 50 / 90 / 50 it is the complementary color CMYK 48 / 21 / 0 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 50 / 90 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 50 / 90 / 50: CMYK 0 / 52 / 94 / 48, CMYK 0 / 45 / 82 / 41, CMYK 0 / 40 / 72 / 35, CMYK 0 / 36 / 65 / 28 and CMYK 0 / 32 / 58 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 50 / 90 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 50 / 90 / 50: CMYK 0 / 50 / 90 / 50, CMYK 0 / 59 / 100 / 56, CMYK 0 / 70 / 100 / 63, CMYK 0 / 87 / 100 / 70 and CMYK 0 / 100 / 100 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

Complementary color

CMYK 48 / 21 / 0 / 5

HEX #7FBFF2

RGB 127 191 242

HSL 206.61, 0.82%, 0.72%

LAB 74.94, -6.93, -31.61

 

CMYK 0 / 52 / 94 / 48

HEX #854008

RGB 133 64 8

HSL 26.88, 0.89%, 0.28%

LAB 35.34, 26.35, 42.87

 

CMYK 0 / 45 / 82 / 41

HEX #96521B

RGB 150 82 27

HSL 26.83, 0.69%, 0.35%

LAB 42.15, 24.23, 42.4

 

CMYK 0 / 40 / 72 / 35

HEX #A7642E

RGB 167 100 46

HSL 26.78, 0.57%, 0.42%

LAB 48.92, 22.39, 40.97

 

CMYK 0 / 36 / 65 / 28

HEX #B87641

RGB 184 118 65

HSL 26.72, 0.48%, 0.49%

LAB 55.61, 20.82, 39.32

 

CMYK 0 / 32 / 58 / 21

HEX #C98854

RGB 201 136 84

HSL 26.67, 0.52%, 0.56%

LAB 62.22, 19.46, 37.7

 

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

CMYK 0 / 59 / 100 / 56

HEX #6F2E00

RGB 111 46 0

HSL 24.86, 1%, 0.22%

LAB 27.66, 26.56, 38.65

 

CMYK 0 / 70 / 100 / 63

HEX #5E1C00

RGB 94 28 0

HSL 17.87, 1%, 0.18%

LAB 20.87, 28.83, 30.91

 

CMYK 0 / 87 / 100 / 70

HEX #4D0A00

RGB 77 10 0

HSL 7.79, 1%, 0.15%

LAB 14.37, 30.02, 22.21

 

CMYK 0 / 100 / 100 / 76

HEX #3C0000

RGB 60 0 0

HSL 0, 1%, 0.12%

LAB 8.66, 28.53, 13.68

 

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

CMYK 0 / 36 / 91 / 49

HEX #81530C

RGB 129 83 12

HSL 36.41, 0.83%, 0.28%

LAB 39.38, 13.61, 44.49

 

CMYK 0 / 21 / 91 / 49

HEX #81660C

RGB 129 102 12

HSL 46.15, 0.83%, 0.28%

LAB 44.51, 2.41, 48.59

 

CMYK 0 / 5 / 91 / 49

HEX #817A0C

RGB 129 122 12

HSL 56.41, 0.83%, 0.28%

LAB 50.23, -8.95, 53.17

 

CMYK 9 / 0 / 91 / 49

HEX #76810C

RGB 118 129 12

HSL 65.64, 0.83%, 0.28%

LAB 51.36, -17.82, 53.68

 

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

CMYK 0 / 50 / 90 / 30

HEX #B35A12

RGB 179 90 18

HSL 26.83, 0.82%, 0.39%

LAB 48.18, 31.99, 52.6

 

CMYK 0 / 50 / 90 / 10

HEX #E67317

RGB 230 115 23

HSL 26.67, 0.82%, 0.5%

LAB 60.91, 39.78, 64.05

 

CMYK 0 / 50 / 88 / 90

HEX #1A0D03

RGB 26 13 3

HSL 26.09, 0.79%, 0.06%

LAB 4.64, 4.01, 5.8

 

CMYK 0 / 49 / 90 / 70

HEX #4D2708

RGB 77 39 8

HSL 26.96, 0.81%, 0.17%

LAB 20.23, 15.26, 26.07

 

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

CMYK 57 / 0 / 91 / 49

HEX #37810C

RGB 55 129 12

HSL 97.95, 0.83%, 0.28%

LAB 47.67, -42.48, 49.11

 

CMYK 88 / 91 / 0 / 49

HEX #100C81

RGB 16 12 129

HSL 242.05, 0.83%, 0.28%

LAB 15.27, 43.5, -61.5

 

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

CMYK 91 / 0 / 51 / 49

HEX #0C813F

RGB 12 129 63

HSL 146.15, 0.83%, 0.28%

LAB 47.15, -45.18, 27.46

 

CMYK 51 / 91 / 0 / 49

HEX #3F0C81

RGB 63 12 129

HSL 266.15, 0.83%, 0.28%

LAB 19.66, 46.97, -54.08

 

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

CMYK 57 / 0 / 91 / 49

HEX #37810C

RGB 55 129 12

HSL 97.95, 0.83%, 0.28%

LAB 47.67, -42.48, 49.11

 

CMYK 91 / 39 / 0 / 49

HEX #0C4F81

RGB 12 79 129

HSL 205.64, 0.83%, 0.28%

LAB 32.38, 0.14, -33.6

 

CMYK 33 / 91 / 0 / 49

HEX #570C81

RGB 87 12 129

HSL 278.46, 0.83%, 0.28%

LAB 23.25, 50.16, -48.05

 

CMYK 0 / 50 / 90 / 50

HEX #80400D

RGB 128 64 13

HSL 26.61, 0.82%, 0.28%

LAB 34.57, 24.26, 40.22

 

CMYK 84 / 0 / 91 / 49

HEX #14810C

RGB 20 129 12

HSL 115.9, 0.83%, 0.28%

LAB 46.81, -49.76, 48.03

 

CMYK 91 / 39 / 0 / 49

HEX #0C4F81

RGB 12 79 129

HSL 205.64, 0.83%, 0.28%

LAB 32.38, 0.14, -33.6

 

CMYK 5 / 91 / 0 / 49

HEX #7A0C81

RGB 122 12 129

HSL 296.41, 0.83%, 0.28%

LAB 29.38, 56.08, -37.84

 

Description

Color code: CMYK 0 / 50 / 90 / 50 | qconv.com Color code: CMYK 0 / 50 / 90 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 64 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 64 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 90 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 90% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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