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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 4 / 44 / 47 it is the complementary color CMYK 33 / 30 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 4 / 44 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 4 / 44 / 47: CMYK 0 / 7 / 49 / 45, CMYK 0 / 6 / 43 / 38, CMYK 0 / 5 / 37 / 32, CMYK 0 / 4 / 33 / 25 and CMYK 0 / 3 / 29 / 18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 4 / 44 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 4 / 44 / 47: CMYK 0 / 4 / 44 / 47, CMYK 0 / 5 / 52 / 54, CMYK 0 / 7 / 62 / 60, CMYK 0 / 10 / 77 / 67 and CMYK 0 / 13 / 100 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

Complementary color

CMYK 33 / 30 / 0 / 30

HEX #787DB3

RGB 120 125 179

HSL 234.92, 0.28%, 0.59%

LAB 53.94, 11.1, -29.11

 

CMYK 0 / 7 / 49 / 45

HEX #8C8247

RGB 140 130 71

HSL 51.3, 0.33%, 0.41%

LAB 54.02, -4.75, 33.11

 

CMYK 0 / 6 / 43 / 38

HEX #9D945A

RGB 157 148 90

HSL 51.94, 0.27%, 0.48%

LAB 60.86, -5.3, 31.81

 

CMYK 0 / 5 / 37 / 32

HEX #AEA66D

RGB 174 166 109

HSL 52.62, 0.29%, 0.55%

LAB 67.56, -5.74, 30.57

 

CMYK 0 / 4 / 33 / 25

HEX #BFB880

RGB 191 184 128

HSL 53.33, 0.33%, 0.63%

LAB 74.14, -6.11, 29.39

 

CMYK 0 / 3 / 29 / 18

HEX #D0CA93

RGB 208 202 147

HSL 54.1, 0.39%, 0.7%

LAB 80.6, -6.41, 28.27

 

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

CMYK 0 / 5 / 52 / 54

HEX #767039

RGB 118 112 57

HSL 54.1, 0.35%, 0.34%

LAB 46.63, -5.85, 31.15

 

CMYK 0 / 7 / 62 / 60

HEX #655E26

RGB 101 94 38

HSL 53.33, 0.45%, 0.27%

LAB 39.43, -5.12, 32.42

 

CMYK 0 / 10 / 77 / 67

HEX #544C13

RGB 84 76 19

HSL 52.62, 0.63%, 0.2%

LAB 32.04, -4.08, 33.31

 

CMYK 0 / 13 / 100 / 74

HEX #433A00

RGB 67 58 0

HSL 51.94, 1%, 0.13%

LAB 24.38, -2.68, 33.28

 

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

CMYK 3 / 0 / 44 / 48

HEX #81854B

RGB 129 133 75

HSL 64.14, 0.28%, 0.41%

LAB 53.97, -10.75, 30.69

 

CMYK 10 / 0 / 44 / 48

HEX #78854B

RGB 120 133 75

HSL 73.45, 0.28%, 0.41%

LAB 53.25, -14.57, 29.63

 

CMYK 17 / 0 / 44 / 48

HEX #6E854B

RGB 110 133 75

HSL 83.79, 0.28%, 0.41%

LAB 52.51, -18.71, 28.53

 

CMYK 25 / 0 / 44 / 48

HEX #64854B

RGB 100 133 75

HSL 94.14, 0.28%, 0.41%

LAB 51.83, -22.69, 27.53

 

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

CMYK 0 / 4 / 44 / 27

HEX #BAB369

RGB 186 179 105

HSL 54.81, 0.37%, 0.57%

LAB 72.03, -8.14, 38.56

 

CMYK 0 / 4 / 44 / 7

HEX #EDE485

RGB 237 228 133

HSL 54.81, 0.74%, 0.73%

LAB 89.48, -9.88, 47.28

 

CMYK 0 / 3 / 42 / 87

HEX #212013

RGB 33 32 19

HSL 55.71, 0.27%, 0.1%

LAB 11.98, -2.23, 8.92

 

CMYK 0 / 4 / 44 / 67

HEX #54512F

RGB 84 81 47

HSL 55.14, 0.28%, 0.26%

LAB 33.93, -4.53, 20.42

 

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

CMYK 44 / 0 / 39 / 48

HEX #4B8551

RGB 75 133 81

HSL 126.21, 0.28%, 0.41%

LAB 50.53, -30.65, 22.26

 

CMYK 22 / 44 / 0 / 48

HEX #684B85

RGB 104 75 133

HSL 270, 0.28%, 0.41%

LAB 37.24, 24.5, -28

 

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

CMYK 44 / 0 / 5 / 48

HEX #4B857F

RGB 75 133 127

HSL 173.79, 0.28%, 0.41%

LAB 51.61, -20.52, -2.71

 

CMYK 5 / 44 / 0 / 48

HEX #7F4B85

RGB 127 75 133

HSL 293.79, 0.28%, 0.41%

LAB 39.98, 31.9, -23.53

 

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

CMYK 44 / 0 / 39 / 48

HEX #4B8551

RGB 75 133 81

HSL 126.21, 0.28%, 0.41%

LAB 50.53, -30.65, 22.26

 

CMYK 44 / 39 / 0 / 48

HEX #4B5185

RGB 75 81 133

HSL 233.79, 0.28%, 0.41%

LAB 36.13, 11.97, -29.94

 

CMYK 0 / 44 / 5 / 48

HEX #854B7F

RGB 133 75 127

HSL 306.21, 0.28%, 0.41%

LAB 40.49, 32.68, -19

 

CMYK 0 / 4 / 44 / 47

HEX #87824C

RGB 135 130 76

HSL 54.92, 0.28%, 0.41%

LAB 53.64, -6.4, 29.84

 

CMYK 44 / 0 / 26 / 48

HEX #4B8562

RGB 75 133 98

HSL 143.79, 0.28%, 0.41%

LAB 50.87, -27.38, 13.06

 

CMYK 44 / 39 / 0 / 48

HEX #4B5185

RGB 75 81 133

HSL 233.79, 0.28%, 0.41%

LAB 36.13, 11.97, -29.94

 

CMYK 0 / 44 / 17 / 48

HEX #854B6E

RGB 133 75 110

HSL 323.79, 0.28%, 0.41%

LAB 39.82, 29.61, -9.54

 

Description

Color code: CMYK 0 / 4 / 44 / 47 | qconv.com Color code: CMYK 0 / 4 / 44 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 130 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 130 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 44 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 44% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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