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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 46 / 38 / 48 it is the complementary color CMYK 33 / 0 / 5 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 46 / 38 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 46 / 38 / 48: CMYK 0 / 48 / 44 / 46, CMYK 0 / 42 / 38 / 39, CMYK 0 / 37 / 33 / 33, CMYK 0 / 33 / 29 / 26 and CMYK 0 / 30 / 26 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 46 / 38 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 46 / 38 / 48: CMYK 0 / 46 / 38 / 48, CMYK 0 / 53 / 46 / 55, CMYK 0 / 64 / 56 / 61, CMYK 0 / 78 / 70 / 68 and CMYK 0 / 100 / 91 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

Complementary color

CMYK 33 / 0 / 5 / 28

HEX #7AB7AD

RGB 122 183 173

HSL 170.16, 0.3%, 0.6%

LAB 70.19, -21.87, -1.18

 

CMYK 0 / 48 / 44 / 46

HEX #8A484D

RGB 138 72 77

HSL 355.45, 0.31%, 0.41%

LAB 38.85, 28.49, 9.72

 

CMYK 0 / 42 / 38 / 39

HEX #9B5A60

RGB 155 90 96

HSL 354.46, 0.27%, 0.48%

LAB 45.81, 27.41, 8.16

 

CMYK 0 / 37 / 33 / 33

HEX #AC6C73

RGB 172 108 115

HSL 353.44, 0.28%, 0.55%

LAB 52.66, 26.42, 6.85

 

CMYK 0 / 33 / 29 / 26

HEX #BD7E86

RGB 189 126 134

HSL 352.38, 0.32%, 0.62%

LAB 59.4, 25.54, 5.71

 

CMYK 0 / 30 / 26 / 19

HEX #CE9099

RGB 206 144 153

HSL 351.29, 0.39%, 0.69%

LAB 66.03, 24.74, 4.7

 

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

CMYK 0 / 53 / 46 / 55

HEX #74363F

RGB 116 54 63

HSL 351.29, 0.36%, 0.33%

LAB 31.14, 28.2, 7.33

 

CMYK 0 / 64 / 56 / 61

HEX #63242C

RGB 99 36 44

HSL 352.38, 0.47%, 0.26%

LAB 23.99, 29.25, 9.59

 

CMYK 0 / 78 / 70 / 68

HEX #521219

RGB 82 18 25

HSL 353.44, 0.64%, 0.2%

LAB 16.97, 29.91, 12.86

 

CMYK 0 / 100 / 91 / 75

HEX #410006

RGB 65 0 6

HSL 354.46, 1%, 0.13%

LAB 10.08, 30.34, 13.45

 

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

CMYK 0 / 46 / 46 / 48

HEX #844747

RGB 132 71 71

HSL 0, 0.3%, 0.4%

LAB 37.6, 25.95, 11.6

 

CMYK 0 / 39 / 46 / 48

HEX #845147

RGB 132 81 71

HSL 9.84, 0.3%, 0.4%

LAB 39.99, 20.15, 14.86

 

CMYK 0 / 31 / 46 / 48

HEX #845B47

RGB 132 91 71

HSL 19.67, 0.3%, 0.4%

LAB 42.53, 14.25, 18.27

 

CMYK 0 / 23 / 46 / 48

HEX #846647

RGB 132 102 71

HSL 30.49, 0.3%, 0.4%

LAB 45.45, 7.75, 22.11

 

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

CMYK 0 / 46 / 39 / 28

HEX #B86471

RGB 184 100 113

HSL 350.71, 0.37%, 0.56%

LAB 52.39, 35.11, 7.87

 

CMYK 0 / 46 / 38 / 8

HEX #EB7F91

RGB 235 127 145

HSL 350, 0.73%, 0.71%

LAB 65.66, 43.3, 9.15

 

CMYK 0 / 45 / 39 / 88

HEX #1F1113

RGB 31 17 19

HSL 351.43, 0.29%, 0.09%

LAB 6.68, 7.37, 1.33

 

CMYK 0 / 46 / 38 / 68

HEX #522C33

RGB 82 44 51

HSL 348.95, 0.3%, 0.25%

LAB 23.12, 18.47, 3.19

 

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

CMYK 2 / 0 / 46 / 48

HEX #828447

RGB 130 132 71

HSL 61.97, 0.3%, 0.4%

LAB 53.71, -10.22, 32.52

 

CMYK 46 / 20 / 0 / 48

HEX #476A84

RGB 71 106 132

HSL 205.57, 0.3%, 0.4%

LAB 43.23, -5.05, -18.3

 

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

CMYK 39 / 0 / 46 / 48

HEX #518447

RGB 81 132 71

HSL 110.16, 0.3%, 0.4%

LAB 50.34, -29.79, 27.59

 

CMYK 46 / 39 / 0 / 48

HEX #475184

RGB 71 81 132

HSL 230.16, 0.3%, 0.4%

LAB 35.77, 10.55, -29.91

 

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

CMYK 2 / 0 / 46 / 48

HEX #828447

RGB 130 132 71

HSL 61.97, 0.3%, 0.4%

LAB 53.71, -10.22, 32.52

 

CMYK 46 / 0 / 8 / 48

HEX #47847A

RGB 71 132 122

HSL 170.16, 0.3%, 0.4%

LAB 50.98, -22.37, -0.75

 

CMYK 45 / 46 / 0 / 48

HEX #494784

RGB 73 71 132

HSL 241.97, 0.3%, 0.4%

LAB 33.11, 17.6, -34.11

 

CMYK 0 / 46 / 38 / 48

HEX #854852

RGB 133 72 82

HSL 350.16, 0.3%, 0.4%

LAB 38.25, 27.11, 5.63

 

CMYK 15 / 0 / 46 / 48

HEX #708447

RGB 112 132 71

HSL 79.67, 0.3%, 0.4%

LAB 52.29, -17.87, 30.45

 

CMYK 46 / 0 / 8 / 48

HEX #47847A

RGB 71 132 122

HSL 170.16, 0.3%, 0.4%

LAB 50.98, -22.37, -0.75

 

CMYK 31 / 46 / 0 / 48

HEX #5B4784

RGB 91 71 132

HSL 259.67, 0.3%, 0.4%

LAB 34.8, 22.72, -31.33

 

Description

Color code: CMYK 0 / 46 / 38 / 48 | qconv.com Color code: CMYK 0 / 46 / 38 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 72 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 72 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 38 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 38% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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