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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 46 / 21 / 54 it is the complementary color CMYK 28 / 0 / 16 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 46 / 21 / 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 46 / 21 / 54: CMYK 0 / 48 / 28 / 52, CMYK 0 / 42 / 23 / 45, CMYK 0 / 37 / 19 / 39, CMYK 0 / 32 / 16 / 32 and CMYK 0 / 29 / 14 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 46 / 21 / 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 46 / 21 / 54: CMYK 0 / 46 / 21 / 54, CMYK 0 / 55 / 26 / 61, CMYK 0 / 67 / 34 / 67, CMYK 0 / 86 / 45 / 74 and CMYK 0 / 100 / 65 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

Complementary color

CMYK 28 / 0 / 16 / 25

HEX #8AC0A2

RGB 138 192 162

HSL 146.67, 0.3%, 0.65%

LAB 73.36, -23.89, 9.51

 

CMYK 0 / 48 / 28 / 52

HEX #7A3F58

RGB 122 63 88

HSL 334.58, 0.32%, 0.36%

LAB 34.8, 28.81, -3.38

 

CMYK 0 / 42 / 23 / 45

HEX #8B516B

RGB 139 81 107

HSL 333.1, 0.26%, 0.43%

LAB 41.9, 27.9, -4.5

 

CMYK 0 / 37 / 19 / 39

HEX #9C637E

RGB 156 99 126

HSL 331.58, 0.22%, 0.5%

LAB 48.88, 27.05, -5.42

 

CMYK 0 / 32 / 16 / 32

HEX #AD7591

RGB 173 117 145

HSL 330, 0.25%, 0.57%

LAB 55.74, 26.25, -6.23

 

CMYK 0 / 29 / 14 / 25

HEX #BE87A4

RGB 190 135 164

HSL 328.36, 0.3%, 0.64%

LAB 62.47, 25.53, -6.95

 

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

CMYK 0 / 55 / 26 / 61

HEX #642D4A

RGB 100 45 74

HSL 328.36, 0.38%, 0.28%

LAB 26.96, 28.6, -6.3

 

CMYK 0 / 67 / 34 / 67

HEX #531B37

RGB 83 27 55

HSL 330, 0.51%, 0.22%

LAB 19.63, 29.26, -4.65

 

CMYK 0 / 86 / 45 / 74

HEX #420924

RGB 66 9 36

HSL 331.58, 0.76%, 0.15%

LAB 12.49, 29.07, -1.97

 

CMYK 0 / 100 / 65 / 81

HEX #310011

RGB 49 0 17

HSL 339.18, 1%, 0.1%

LAB 6.26, 25.65, 2.33

 

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

CMYK 0 / 47 / 28 / 55

HEX #743E53

RGB 116 62 83

HSL 336.67, 0.3%, 0.35%

LAB 33.53, 26.33, -2.16

 

CMYK 0 / 47 / 36 / 55

HEX #743E4A

RGB 116 62 74

HSL 346.67, 0.3%, 0.35%

LAB 33.25, 25.02, 3.22

 

CMYK 0 / 47 / 43 / 55

HEX #743E42

RGB 116 62 66

HSL 355.56, 0.3%, 0.35%

LAB 33.03, 23.98, 8.05

 

CMYK 0 / 42 / 47 / 55

HEX #74433E

RGB 116 67 62

HSL 5.56, 0.3%, 0.35%

LAB 34.14, 20.55, 12.14

 

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

CMYK 0 / 46 / 20 / 34

HEX #A85A86

RGB 168 90 134

HSL 326.15, 0.31%, 0.51%

LAB 48.71, 37.59, -10.3

 

CMYK 0 / 46 / 21 / 14

HEX #DB76AE

RGB 219 118 174

HSL 326.73, 0.58%, 0.66%

LAB 62.57, 46.16, -12.13

 

CMYK 0 / 47 / 20 / 94

HEX #0F080C

RGB 15 8 12

HSL 325.71, 0.3%, 0.05%

LAB 2.73, 2.6, -0.84

 

CMYK 0 / 45 / 21 / 74

HEX #422434

RGB 66 36 52

HSL 328, 0.29%, 0.2%

LAB 18.66, 16.9, -4.31

 

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

CMYK 0 / 17 / 47 / 55

HEX #74603E

RGB 116 96 62

HSL 37.78, 0.3%, 0.35%

LAB 41.89, 3.09, 22.41

 

CMYK 47 / 2 / 0 / 55

HEX #3E7274

RGB 62 114 116

HSL 182.22, 0.3%, 0.35%

LAB 44.69, -16.78, -6.53

 

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

CMYK 21 / 0 / 47 / 55

HEX #5C743E

RGB 92 116 62

HSL 86.67, 0.3%, 0.35%

LAB 45.79, -18.83, 26.92

 

CMYK 47 / 21 / 0 / 55

HEX #3E5C74

RGB 62 92 116

HSL 206.67, 0.3%, 0.35%

LAB 37.73, -4, -17.06

 

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

CMYK 0 / 17 / 47 / 55

HEX #74603E

RGB 116 96 62

HSL 37.78, 0.3%, 0.35%

LAB 41.89, 3.09, 22.41

 

CMYK 47 / 0 / 27 / 55

HEX #3E7455

RGB 62 116 85

HSL 145.56, 0.3%, 0.35%

LAB 44.48, -25.65, 11.66

 

CMYK 47 / 29 / 0 / 55

HEX #3E5274

RGB 62 82 116

HSL 217.78, 0.3%, 0.35%

LAB 34.64, 2.26, -21.84

 

CMYK 0 / 46 / 21 / 54

HEX #753F5D

RGB 117 63 93

HSL 326.67, 0.3%, 0.35%

LAB 34.25, 27.74, -7.47

 

CMYK 0 / 3 / 47 / 55

HEX #74703E

RGB 116 112 62

HSL 55.56, 0.3%, 0.35%

LAB 46.51, -6.23, 28.24

 

CMYK 47 / 0 / 27 / 55

HEX #3E7455

RGB 62 116 85

HSL 145.56, 0.3%, 0.35%

LAB 44.48, -25.65, 11.66

 

CMYK 47 / 43 / 0 / 55

HEX #3E4274

RGB 62 66 116

HSL 235.56, 0.3%, 0.35%

LAB 29.87, 12.75, -29.33

 

Description

Color code: CMYK 0 / 46 / 21 / 54 | qconv.com Color code: CMYK 0 / 46 / 21 / 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 63 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 63 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 21 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 21% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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