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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 44 / 84 / 6 it is the complementary color CMYK 93 / 44 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 44 / 84 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 44 / 84 / 6: CMYK 0 / 45 / 87 / 4, CMYK 0 / 40 / 80 / 0, CMYK 0 / 33 / 72 / 0, CMYK 0 / 26 / 65 / 0 and CMYK 0 / 19 / 57 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 44 / 84 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 44 / 84 / 6: CMYK 0 / 44 / 84 / 6, CMYK 0 / 48 / 91 / 13, CMYK 0 / 52 / 100 / 19, CMYK 0 / 58 / 100 / 26 and CMYK 0 / 64 / 100 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

Complementary color

CMYK 93 / 44 / 0 / 15

HEX #0F79D9

RGB 15 121 217

HSL 208.51, 0.87%, 0.45%

LAB 50.44, 8.83, -56.61

 

CMYK 0 / 45 / 87 / 4

HEX #F58621

RGB 245 134 33

HSL 28.58, 0.91%, 0.55%

LAB 66.96, 36.29, 66.71

 

CMYK 0 / 40 / 80 / 0

HEX #FF9834

RGB 255 152 52

HSL 29.56, 1%, 0.6%

LAB 72.2, 31.58, 65.16

 

CMYK 0 / 33 / 72 / 0

HEX #FFAA47

RGB 255 170 71

HSL 32.28, 1%, 0.64%

LAB 76.35, 22.96, 61.48

 

CMYK 0 / 26 / 65 / 0

HEX #FFBC5A

RGB 255 188 90

HSL 35.64, 1%, 0.68%

LAB 80.72, 14.56, 57.72

 

CMYK 0 / 19 / 57 / 0

HEX #FFCE6D

RGB 255 206 109

HSL 39.86, 1%, 0.71%

LAB 85.25, 6.48, 54.06

 

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

CMYK 0 / 48 / 91 / 13

HEX #DF7413

RGB 223 116 19

HSL 28.53, 0.84%, 0.47%

LAB 60.09, 36.42, 64.02

 

CMYK 0 / 52 / 100 / 19

HEX #CE6200

RGB 206 98 0

HSL 28.54, 1%, 0.4%

LAB 53.88, 38.57, 62.54

 

CMYK 0 / 58 / 100 / 26

HEX #BD5000

RGB 189 80 0

HSL 25.4, 1%, 0.37%

LAB 47.7, 40.84, 57.6

 

CMYK 0 / 64 / 100 / 33

HEX #AC3E00

RGB 172 62 0

HSL 21.63, 1%, 0.34%

LAB 41.56, 42.9, 52.71

 

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

CMYK 0 / 31 / 83 / 6

HEX #F0A628

RGB 240 166 40

HSL 37.8, 0.87%, 0.55%

LAB 73.51, 17.67, 69.72

 

CMYK 0 / 17 / 83 / 6

HEX #F0C828

RGB 240 200 40

HSL 48, 0.87%, 0.55%

LAB 81.83, -0.11, 76.72

 

CMYK 0 / 3 / 83 / 6

HEX #F0E928

RGB 240 233 40

HSL 57.9, 0.87%, 0.55%

LAB 90.3, -16.65, 83.77

 

CMYK 11 / 0 / 83 / 6

HEX #D5F028

RGB 213 240 40

HSL 68.1, 0.87%, 0.55%

LAB 90.15, -31.04, 82.82

 

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

CMYK 0 / 44 / 83 / 86

HEX #241406

RGB 36 20 6

HSL 28, 0.71%, 0.08%

LAB 8.03, 6.39, 9.68

 

CMYK 0 / 44 / 84 / 66

HEX #57310E

RGB 87 49 14

HSL 28.77, 0.72%, 0.2%

LAB 24.5, 14.14, 28.4

 

CMYK 0 / 44 / 84 / 46

HEX #8A4D16

RGB 138 77 22

HSL 28.45, 0.73%, 0.31%

LAB 39.19, 21.57, 41.2

 

CMYK 0 / 44 / 84 / 26

HEX #BD6A1E

RGB 189 106 30

HSL 28.68, 0.73%, 0.43%

LAB 53.19, 27.89, 53.17

 

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

CMYK 56 / 0 / 83 / 6

HEX #6AF028

RGB 106 240 40

HSL 100.2, 0.87%, 0.55%

LAB 84.76, -67.63, 76.05

 

CMYK 78 / 83 / 0 / 6

HEX #3528F0

RGB 53 40 240

HSL 243.9, 0.87%, 0.55%

LAB 35.13, 66.49, -94.64

 

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

CMYK 83 / 0 / 45 / 6

HEX #28F085

RGB 40 240 133

HSL 147.9, 0.87%, 0.55%

LAB 84.21, -69.27, 38.81

 

CMYK 45 / 83 / 0 / 6

HEX #8528F0

RGB 133 40 240

HSL 267.9, 0.87%, 0.55%

LAB 42.45, 73.28, -82.3

 

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

CMYK 56 / 0 / 83 / 6

HEX #6AF028

RGB 106 240 40

HSL 100.2, 0.87%, 0.55%

LAB 84.76, -67.63, 76.05

 

CMYK 83 / 39 / 0 / 6

HEX #2892F0

RGB 40 146 240

HSL 208.2, 0.87%, 0.55%

LAB 59.25, 3.85, -55.34

 

CMYK 28 / 83 / 0 / 6

HEX #AD28F0

RGB 173 40 240

HSL 279.9, 0.87%, 0.55%

LAB 47.87, 78.66, -73.22

 

CMYK 0 / 44 / 84 / 6

HEX #F08626

RGB 240 134 38

HSL 28.51, 0.87%, 0.55%

LAB 66.3, 34.4, 64.28

 

CMYK 80 / 0 / 83 / 6

HEX #2FF028

RGB 47 240 40

HSL 117.9, 0.87%, 0.55%

LAB 83.48, -78.4, 74.43

 

CMYK 83 / 39 / 0 / 6

HEX #2892F0

RGB 40 146 240

HSL 208.2, 0.87%, 0.55%

LAB 59.25, 3.85, -55.34

 

CMYK 3 / 83 / 0 / 6

HEX #E928F0

RGB 233 40 240

HSL 297.9, 0.87%, 0.55%

LAB 57.2, 88.34, -57.69

 

Description

Color code: CMYK 0 / 44 / 84 / 6 | qconv.com Color code: CMYK 0 / 44 / 84 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 134 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 134 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 84 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 84% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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