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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 43 / 50 / 53 it is the complementary color CMYK 31 / 4 / 0 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 43 / 50 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 43 / 50 / 53: CMYK 0 / 46 / 56 / 51, CMYK 0 / 39 / 48 / 44, CMYK 0 / 35 / 42 / 38, CMYK 0 / 31 / 36 / 31 and CMYK 0 / 27 / 32 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 43 / 50 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 43 / 50 / 53: CMYK 0 / 43 / 50 / 53, CMYK 0 / 51 / 60 / 60, CMYK 0 / 63 / 74 / 66, CMYK 0 / 80 / 96 / 73 and CMYK 0 / 100 / 100 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

Complementary color

CMYK 31 / 4 / 0 / 24

HEX #87BBC3

RGB 135 187 195

HSL 188, 0.33%, 0.65%

LAB 72.65, -15.02, -9.53

 

CMYK 0 / 46 / 56 / 51

HEX #7D4437

RGB 125 68 55

HSL 11.14, 0.39%, 0.35%

LAB 35.54, 23.09, 18.62

 

CMYK 0 / 39 / 48 / 44

HEX #8E564A

RGB 142 86 74

HSL 10.59, 0.31%, 0.42%

LAB 42.61, 21.81, 16.8

 

CMYK 0 / 35 / 42 / 38

HEX #9F685D

RGB 159 104 93

HSL 10, 0.26%, 0.49%

LAB 49.57, 20.71, 15.27

 

CMYK 0 / 31 / 36 / 31

HEX #B07A70

RGB 176 122 112

HSL 9.38, 0.29%, 0.56%

LAB 56.41, 19.76, 13.95

 

CMYK 0 / 27 / 32 / 24

HEX #C18C83

RGB 193 140 131

HSL 8.71, 0.33%, 0.64%

LAB 63.12, 18.93, 12.77

 

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

CMYK 0 / 51 / 60 / 60

HEX #673229

RGB 103 50 41

HSL 8.71, 0.43%, 0.28%

LAB 27.64, 22.81, 16.57

 

CMYK 0 / 63 / 74 / 66

HEX #562016

RGB 86 32 22

HSL 9.38, 0.59%, 0.21%

LAB 20.32, 24.32, 19.2

 

CMYK 0 / 80 / 96 / 73

HEX #450E03

RGB 69 14 3

HSL 10, 0.92%, 0.14%

LAB 13.14, 25.57, 19.03

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

CMYK 0 / 35 / 50 / 54

HEX #764D3B

RGB 118 77 59

HSL 18.31, 0.33%, 0.35%

LAB 36.88, 15.08, 17.74

 

CMYK 0 / 26 / 50 / 54

HEX #76573B

RGB 118 87 59

HSL 28.47, 0.33%, 0.35%

LAB 39.55, 9.05, 21.22

 

CMYK 0 / 18 / 50 / 54

HEX #76613B

RGB 118 97 59

HSL 38.64, 0.33%, 0.35%

LAB 42.33, 3.07, 24.76

 

CMYK 0 / 10 / 50 / 54

HEX #766A3B

RGB 118 106 59

HSL 47.8, 0.33%, 0.35%

LAB 44.91, -2.2, 27.97

 

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

CMYK 0 / 43 / 50 / 33

HEX #AB6156

RGB 171 97 86

HSL 7.76, 0.34%, 0.5%

LAB 49.35, 28.76, 19.36

 

CMYK 0 / 43 / 50 / 13

HEX #DE7E6F

RGB 222 126 111

HSL 8.11, 0.63%, 0.65%

LAB 63.01, 35.55, 24.45

 

CMYK 0 / 44 / 50 / 93

HEX #120A09

RGB 18 10 9

HSL 6.67, 0.33%, 0.05%

LAB 3.3, 2.46, 1.29

 

CMYK 0 / 43 / 49 / 73

HEX #452723

RGB 69 39 35

HSL 7.06, 0.33%, 0.2%

LAB 19.38, 13.57, 8.64

 

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

CMYK 16 / 0 / 50 / 54

HEX #63763B

RGB 99 118 59

HSL 79.32, 0.33%, 0.35%

LAB 46.88, -17.34, 30.01

 

CMYK 50 / 36 / 0 / 54

HEX #3B4B76

RGB 59 75 118

HSL 223.73, 0.33%, 0.35%

LAB 32.41, 6.63, -26.58

 

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

CMYK 50 / 0 / 43 / 54

HEX #3B7643

RGB 59 118 67

HSL 128.14, 0.33%, 0.35%

LAB 44.65, -31.06, 22.3

 

CMYK 43 / 50 / 0 / 54

HEX #433B76

RGB 67 59 118

HSL 248.14, 0.33%, 0.35%

LAB 28.46, 19.43, -32.81

 

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

CMYK 16 / 0 / 50 / 54

HEX #63763B

RGB 99 118 59

HSL 79.32, 0.33%, 0.35%

LAB 46.88, -17.34, 30.01

 

CMYK 50 / 7 / 0 / 54

HEX #3B6E76

RGB 59 110 118

HSL 188.14, 0.33%, 0.35%

LAB 43.34, -14.75, -9.76

 

CMYK 33 / 50 / 0 / 54

HEX #4F3B76

RGB 79 59 118

HSL 260.34, 0.33%, 0.35%

LAB 29.66, 22.85, -30.82

 

CMYK 0 / 43 / 50 / 53

HEX #78443C

RGB 120 68 60

HSL 8, 0.33%, 0.35%

LAB 34.91, 21.45, 14.54

 

CMYK 31 / 0 / 50 / 54

HEX #51763B

RGB 81 118 59

HSL 97.63, 0.33%, 0.35%

LAB 45.66, -24.66, 28.25

 

CMYK 50 / 7 / 0 / 54

HEX #3B6E76

RGB 59 110 118

HSL 188.14, 0.33%, 0.35%

LAB 43.34, -14.75, -9.76

 

CMYK 18 / 50 / 0 / 54

HEX #613B76

RGB 97 59 118

HSL 278.64, 0.33%, 0.35%

LAB 31.76, 28.33, -27.37

 

Description

Color code: CMYK 0 / 43 / 50 / 53 | qconv.com Color code: CMYK 0 / 43 / 50 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 68 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 68 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 50 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 50% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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