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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 48 / 27 it is the complementary color CMYK 56 / 53 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 48 / 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 48 / 27: CMYK 0 / 5 / 52 / 25, CMYK 0 / 4 / 47 / 18, CMYK 0 / 4 / 42 / 12, CMYK 0 / 3 / 38 / 5 and CMYK 0 / 1 / 34 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 48 / 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 48 / 27: CMYK 0 / 3 / 48 / 27, CMYK 0 / 4 / 54 / 34, CMYK 0 / 5 / 61 / 40, CMYK 0 / 6 / 70 / 47 and CMYK 0 / 8 / 82 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

Complementary color

CMYK 56 / 53 / 0 / 38

HEX #454A9E

RGB 69 74 158

HSL 236.63, 0.39%, 0.45%

LAB 35.26, 23.24, -46.54

 

CMYK 0 / 5 / 52 / 25

HEX #BFB55C

RGB 191 181 92

HSL 53.94, 0.44%, 0.55%

LAB 72.82, -8.35, 46.12

 

CMYK 0 / 4 / 47 / 18

HEX #D0C76F

RGB 208 199 111

HSL 54.43, 0.51%, 0.63%

LAB 79.27, -8.91, 44.92

 

CMYK 0 / 4 / 42 / 12

HEX #E1D982

RGB 225 217 130

HSL 54.95, 0.61%, 0.7%

LAB 85.63, -9.39, 43.73

 

CMYK 0 / 3 / 38 / 5

HEX #F2EB95

RGB 242 235 149

HSL 55.48, 0.78%, 0.77%

LAB 91.89, -9.79, 42.56

 

CMYK 0 / 1 / 34 / 0

HEX #FFFDA8

RGB 255 253 168

HSL 58.62, 1%, 0.83%

LAB 97.77, -11.63, 40.97

 

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

CMYK 0 / 4 / 54 / 34

HEX #A9A34E

RGB 169 163 78

HSL 56.04, 0.37%, 0.48%

LAB 65.89, -9.41, 44.31

 

CMYK 0 / 5 / 61 / 40

HEX #98913B

RGB 152 145 59

HSL 55.48, 0.44%, 0.41%

LAB 59.2, -8.7, 45.4

 

CMYK 0 / 6 / 70 / 47

HEX #877F28

RGB 135 127 40

HSL 54.95, 0.54%, 0.34%

LAB 52.38, -7.8, 46.21

 

CMYK 0 / 8 / 82 / 54

HEX #766D15

RGB 118 109 21

HSL 54.43, 0.7%, 0.27%

LAB 45.42, -6.62, 46.27

 

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

CMYK 5 / 0 / 49 / 27

HEX #B0B95F

RGB 176 185 95

HSL 66, 0.39%, 0.55%

LAB 72.73, -16.33, 44.25

 

CMYK 13 / 0 / 49 / 27

HEX #A1B95F

RGB 161 185 95

HSL 76, 0.39%, 0.55%

LAB 71.62, -22.36, 42.65

 

CMYK 21 / 0 / 49 / 27

HEX #92B95F

RGB 146 185 95

HSL 86, 0.39%, 0.55%

LAB 70.62, -28.19, 41.2

 

CMYK 29 / 0 / 49 / 27

HEX #83B95F

RGB 131 185 95

HSL 96, 0.39%, 0.55%

LAB 69.72, -33.74, 39.89

 

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

CMYK 0 / 3 / 48 / 7

HEX #EDE77C

RGB 237 231 124

HSL 56.81, 0.76%, 0.71%

LAB 90.14, -12.21, 52.4

 

CMYK 0 / 3 / 48 / 87

HEX #212011

RGB 33 32 17

HSL 56.25, 0.32%, 0.1%

LAB 11.94, -2.56, 10.08

 

CMYK 0 / 2 / 48 / 67

HEX #54522C

RGB 84 82 44

HSL 57, 0.31%, 0.25%

LAB 34.19, -5.49, 22.52

 

CMYK 0 / 3 / 48 / 47

HEX #878346

RGB 135 131 70

HSL 56.31, 0.32%, 0.4%

LAB 53.84, -7.6, 33.31

 

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

CMYK 49 / 0 / 42 / 27

HEX #5FB96B

RGB 95 185 107

HSL 128, 0.39%, 0.55%

LAB 68.16, -43.6, 31.46

 

CMYK 23 / 49 / 0 / 27

HEX #8F5FB9

RGB 143 95 185

HSL 272, 0.39%, 0.55%

LAB 48.92, 36.99, -40.3

 

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

CMYK 49 / 0 / 3 / 27

HEX #5FB9B3

RGB 95 185 179

HSL 176, 0.39%, 0.55%

LAB 69.74, -28.38, -5.28

 

CMYK 3 / 49 / 0 / 27

HEX #B35FB9

RGB 179 95 185

HSL 296, 0.39%, 0.55%

LAB 53.24, 47.32, -33.19

 

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

CMYK 49 / 0 / 42 / 27

HEX #5FB96B

RGB 95 185 107

HSL 128, 0.39%, 0.55%

LAB 68.16, -43.6, 31.46

 

CMYK 49 / 45 / 0 / 27

HEX #5F65B9

RGB 95 101 185

HSL 236, 0.39%, 0.55%

LAB 45.97, 20.73, -45.26

 

CMYK 0 / 49 / 6 / 27

HEX #B95FAD

RGB 185 95 173

HSL 308, 0.39%, 0.55%

LAB 53.51, 46.93, -25.77

 

CMYK 0 / 3 / 48 / 27

HEX #BAB561

RGB 186 181 97

HSL 56.63, 0.39%, 0.55%

LAB 72.46, -9.97, 43.13

 

CMYK 49 / 0 / 28 / 27

HEX #5FB986

RGB 95 185 134

HSL 146, 0.39%, 0.55%

LAB 68.64, -38.73, 17.76

 

CMYK 49 / 45 / 0 / 27

HEX #5F65B9

RGB 95 101 185

HSL 236, 0.39%, 0.55%

LAB 45.97, 20.73, -45.26

 

CMYK 0 / 49 / 21 / 27

HEX #B95F92

RGB 185 95 146

HSL 326, 0.39%, 0.55%

LAB 52.48, 42.55, -11.52

 

Description

Color code: CMYK 0 / 3 / 48 / 27 | qconv.com Color code: CMYK 0 / 3 / 48 / 27 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 181 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 181 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 48 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 48% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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