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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 3 / 43 / 40 it is the complementary color CMYK 39 / 36 / 0 / 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 3 / 43 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 3 / 43 / 40: CMYK 0 / 6 / 48 / 38, CMYK 0 / 5 / 42 / 31, CMYK 0 / 4 / 38 / 25, CMYK 0 / 3 / 33 / 18 and CMYK 0 / 3 / 30 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 3 / 43 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 3 / 43 / 40: CMYK 0 / 3 / 43 / 40, CMYK 0 / 4 / 50 / 47, CMYK 0 / 6 / 59 / 53, CMYK 0 / 8 / 71 / 60 and CMYK 0 / 11 / 87 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

Complementary color

CMYK 39 / 36 / 0 / 34

HEX #666BA8

RGB 102 107 168

HSL 235.45, 0.28%, 0.53%

LAB 47.19, 13.71, -33.36

 

CMYK 0 / 6 / 48 / 38

HEX #9E9452

RGB 158 148 82

HSL 52.11, 0.32%, 0.47%

LAB 60.83, -5.72, 36.03

 

CMYK 0 / 5 / 42 / 31

HEX #AFA665

RGB 175 166 101

HSL 52.7, 0.32%, 0.54%

LAB 67.52, -6.24, 34.76

 

CMYK 0 / 4 / 38 / 25

HEX #C0B878

RGB 192 184 120

HSL 53.33, 0.36%, 0.61%

LAB 74.09, -6.67, 33.54

 

CMYK 0 / 3 / 33 / 18

HEX #D1CA8B

RGB 209 202 139

HSL 54, 0.43%, 0.68%

LAB 80.55, -7.03, 32.38

 

CMYK 0 / 3 / 30 / 11

HEX #E2DC9E

RGB 226 220 158

HSL 54.71, 0.54%, 0.75%

LAB 86.91, -7.33, 31.27

 

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

CMYK 0 / 4 / 50 / 47

HEX #888244

RGB 136 130 68

HSL 54.71, 0.33%, 0.4%

LAB 53.62, -6.81, 34.12

 

CMYK 0 / 6 / 59 / 53

HEX #777031

RGB 119 112 49

HSL 54, 0.42%, 0.33%

LAB 46.62, -6.13, 35.37

 

CMYK 0 / 8 / 71 / 60

HEX #665E1E

RGB 102 94 30

HSL 53.33, 0.55%, 0.26%

LAB 39.45, -5.23, 36.4

 

CMYK 0 / 11 / 87 / 67

HEX #554C0B

RGB 85 76 11

HSL 52.7, 0.77%, 0.19%

LAB 32.09, -3.96, 36.56

 

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

CMYK 4 / 0 / 44 / 40

HEX #939956

RGB 147 153 86

HSL 65.37, 0.28%, 0.47%

LAB 61.36, -12.64, 34.38

 

CMYK 11 / 0 / 44 / 40

HEX #889956

RGB 136 153 86

HSL 75.22, 0.28%, 0.47%

LAB 60.51, -17.18, 33.13

 

CMYK 18 / 0 / 44 / 40

HEX #7D9956

RGB 125 153 86

HSL 85.07, 0.28%, 0.47%

LAB 59.72, -21.6, 31.97

 

CMYK 25 / 0 / 44 / 40

HEX #729956

RGB 114 153 86

HSL 94.93, 0.28%, 0.47%

LAB 59, -25.85, 30.92

 

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

CMYK 0 / 3 / 43 / 20

HEX #CCC574

RGB 204 197 116

HSL 55.23, 0.46%, 0.63%

LAB 78.48, -9.01, 41.38

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 4 / 43 / 80

HEX #33311D

RGB 51 49 29

HSL 54.55, 0.28%, 0.16%

LAB 20, -2.89, 13.1

 

CMYK 0 / 3 / 43 / 60

HEX #66633A

RGB 102 99 58

HSL 55.91, 0.28%, 0.31%

LAB 41.3, -5.53, 23.69

 

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

CMYK 44 / 0 / 39 / 40

HEX #56995E

RGB 86 153 94

HSL 127.16, 0.28%, 0.47%

LAB 57.63, -34.27, 24.54

 

CMYK 22 / 44 / 0 / 40

HEX #785699

RGB 120 86 153

HSL 270.45, 0.28%, 0.47%

LAB 42.69, 27.78, -31.44

 

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

CMYK 44 / 0 / 4 / 40

HEX #569993

RGB 86 153 147

HSL 174.63, 0.28%, 0.47%

LAB 58.85, -22.8, -3.51

 

CMYK 4 / 44 / 0 / 40

HEX #935699

RGB 147 86 153

HSL 294.63, 0.28%, 0.47%

LAB 45.85, 36.2, -26.26

 

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

CMYK 44 / 0 / 39 / 40

HEX #56995E

RGB 86 153 94

HSL 127.16, 0.28%, 0.47%

LAB 57.63, -34.27, 24.54

 

CMYK 44 / 41 / 0 / 40

HEX #565B99

RGB 86 91 153

HSL 235.52, 0.28%, 0.47%

LAB 40.83, 14.8, -34.57

 

CMYK 0 / 44 / 5 / 40

HEX #995691

RGB 153 86 145

HSL 307.16, 0.28%, 0.47%

LAB 46.27, 36.58, -20.77

 

CMYK 0 / 3 / 43 / 40

HEX #999457

RGB 153 148 87

HSL 55.45, 0.28%, 0.47%

LAB 60.46, -7.32, 32.84

 

CMYK 44 / 0 / 25 / 40

HEX #569972

RGB 86 153 114

HSL 145.07, 0.28%, 0.47%

LAB 58.01, -30.49, 13.98

 

CMYK 44 / 41 / 0 / 40

HEX #565B99

RGB 86 91 153

HSL 235.52, 0.28%, 0.47%

LAB 40.83, 14.8, -34.57

 

CMYK 0 / 44 / 18 / 40

HEX #99567D

RGB 153 86 125

HSL 325.07, 0.28%, 0.47%

LAB 45.51, 33.09, -9.9

 

Description

Color code: CMYK 0 / 3 / 43 / 40 | qconv.com Color code: CMYK 0 / 3 / 43 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 148 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 148 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 43 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 43% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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