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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 38 / 57 / 31 it is the complementary color CMYK 56 / 18 / 0 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 38 / 57 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 38 / 57 / 31: CMYK 0 / 40 / 61 / 29, CMYK 0 / 36 / 55 / 22, CMYK 0 / 33 / 49 / 16, CMYK 0 / 30 / 45 / 9 and CMYK 0 / 27 / 41 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 38 / 57 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 38 / 57 / 31: CMYK 0 / 38 / 57 / 31, CMYK 0 / 43 / 64 / 38, CMYK 0 / 49 / 73 / 44, CMYK 0 / 56 / 85 / 51 and CMYK 0 / 66 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

Complementary color

CMYK 56 / 18 / 0 / 30

HEX #4F92B3

RGB 79 146 179

HSL 199.8, 0.4%, 0.51%

LAB 57.54, -11.65, -23.75

 

CMYK 0 / 40 / 61 / 29

HEX #B56D47

RGB 181 109 71

HSL 20.73, 0.44%, 0.49%

LAB 53.19, 24.95, 33.13

 

CMYK 0 / 36 / 55 / 22

HEX #C67F5A

RGB 198 127 90

HSL 20.56, 0.49%, 0.56%

LAB 59.82, 23.63, 31.39

 

CMYK 0 / 33 / 49 / 16

HEX #D7916D

RGB 215 145 109

HSL 20.38, 0.57%, 0.64%

LAB 66.37, 22.48, 29.82

 

CMYK 0 / 30 / 45 / 9

HEX #E8A380

RGB 232 163 128

HSL 20.19, 0.69%, 0.71%

LAB 72.83, 21.46, 28.38

 

CMYK 0 / 27 / 41 / 2

HEX #F9B593

RGB 249 181 147

HSL 20, 0.89%, 0.78%

LAB 79.21, 20.56, 27.06

 

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

CMYK 0 / 43 / 64 / 38

HEX #9F5B39

RGB 159 91 57

HSL 20, 0.47%, 0.42%

LAB 45.84, 24.67, 31.34

 

CMYK 0 / 49 / 73 / 44

HEX #8E4926

RGB 142 73 38

HSL 20.19, 0.58%, 0.35%

LAB 38.99, 26.3, 33.37

 

CMYK 0 / 56 / 85 / 51

HEX #7D3713

RGB 125 55 19

HSL 20.38, 0.74%, 0.28%

LAB 32.12, 28.16, 35.34

 

CMYK 0 / 66 / 100 / 58

HEX #6C2500

RGB 108 37 0

HSL 20.56, 1%, 0.21%

LAB 25.29, 30.04, 36.32

 

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

CMYK 0 / 29 / 57 / 32

HEX #AE7B4A

RGB 174 123 74

HSL 29.4, 0.4%, 0.49%

LAB 55.74, 14.39, 34.41

 

CMYK 0 / 20 / 57 / 32

HEX #AE8B4A

RGB 174 139 74

HSL 39, 0.4%, 0.49%

LAB 59.85, 5.45, 39.35

 

CMYK 0 / 10 / 57 / 32

HEX #AE9C4A

RGB 174 156 74

HSL 49.2, 0.4%, 0.49%

LAB 64.38, -3.85, 44.63

 

CMYK 0 / 1 / 57 / 32

HEX #AEAD4A

RGB 174 173 74

HSL 59.4, 0.4%, 0.49%

LAB 69.03, -12.83, 49.9

 

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

CMYK 0 / 38 / 57 / 11

HEX #E38D62

RGB 227 141 98

HSL 20, 0.7%, 0.64%

LAB 66.72, 28.5, 36.5

 

CMYK 0 / 39 / 57 / 91

HEX #170E0A

RGB 23 14 10

HSL 18.46, 0.39%, 0.06%

LAB 4.68, 2.98, 2.96

 

CMYK 0 / 38 / 57 / 71

HEX #4A2E20

RGB 74 46 32

HSL 20, 0.4%, 0.21%

LAB 22, 11.04, 14.27

 

CMYK 0 / 38 / 57 / 51

HEX #7D4D36

RGB 125 77 54

HSL 19.44, 0.4%, 0.35%

LAB 37.72, 17.7, 22.04

 

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

CMYK 29 / 0 / 57 / 32

HEX #7BAE4A

RGB 123 174 74

HSL 90.6, 0.4%, 0.49%

LAB 65.73, -33.91, 45.2

 

CMYK 57 / 52 / 0 / 32

HEX #4A53AE

RGB 74 83 174

HSL 234.6, 0.4%, 0.49%

LAB 39.07, 23.88, -49.94

 

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

CMYK 57 / 0 / 39 / 32

HEX #4AAE6A

RGB 74 174 106

HSL 139.2, 0.4%, 0.49%

LAB 63.97, -44.56, 26.36

 

CMYK 39 / 57 / 0 / 32

HEX #6A4AAE

RGB 106 74 174

HSL 259.2, 0.4%, 0.49%

LAB 39.61, 36.57, -48.93

 

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

CMYK 29 / 0 / 57 / 32

HEX #7BAE4A

RGB 123 174 74

HSL 90.6, 0.4%, 0.49%

LAB 65.73, -33.91, 45.2

 

CMYK 57 / 18 / 0 / 32

HEX #4A8FAE

RGB 74 143 174

HSL 198.6, 0.4%, 0.49%

LAB 56.24, -12.59, -22.9

 

CMYK 28 / 57 / 0 / 32

HEX #7E4AAE

RGB 126 74 174

HSL 271.2, 0.4%, 0.49%

LAB 41.83, 41.51, -45.25

 

CMYK 0 / 38 / 57 / 31

HEX #B06D4C

RGB 176 109 76

HSL 19.8, 0.4%, 0.49%

LAB 52.61, 23.25, 29.49

 

CMYK 47 / 0 / 57 / 32

HEX #5DAE4A

RGB 93 174 74

HSL 108.6, 0.4%, 0.49%

LAB 64.24, -44.12, 43.08

 

CMYK 57 / 18 / 0 / 32

HEX #4A8FAE

RGB 74 143 174

HSL 198.6, 0.4%, 0.49%

LAB 56.24, -12.59, -22.9

 

CMYK 10 / 57 / 0 / 32

HEX #9C4AAE

RGB 156 74 174

HSL 289.2, 0.4%, 0.49%

LAB 45.66, 49.35, -38.91

 

Description

Color code: CMYK 0 / 38 / 57 / 31 | qconv.com Color code: CMYK 0 / 38 / 57 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 109 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 109 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 57 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 57% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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