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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 34 / 60 / 9 it is the complementary color CMYK 86 / 37 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 34 / 60 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 34 / 60 / 9: CMYK 0 / 35 / 63 / 7, CMYK 0 / 33 / 58 / 0, CMYK 0 / 26 / 51 / 0, CMYK 0 / 19 / 43 / 0 and CMYK 0 / 12 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 34 / 60 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 34 / 60 / 9: CMYK 0 / 34 / 60 / 9, CMYK 0 / 37 / 66 / 16, CMYK 0 / 41 / 72 / 22, CMYK 0 / 45 / 80 / 29 and CMYK 0 / 51 / 90 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

Complementary color

CMYK 86 / 37 / 0 / 36

HEX #1766A2

RGB 23 102 162

HSL 205.9, 0.75%, 0.36%

LAB 41.68, -0.41, -38.78

 

CMYK 0 / 35 / 63 / 7

HEX #ED9958

RGB 237 153 88

HSL 26.17, 0.81%, 0.64%

LAB 70.52, 25.46, 46.55

 

CMYK 0 / 33 / 58 / 0

HEX #FEAB6B

RGB 254 171 107

HSL 26.12, 0.99%, 0.71%

LAB 76.84, 24.17, 44.98

 

CMYK 0 / 26 / 51 / 0

HEX #FFBD7E

RGB 255 189 126

HSL 29.3, 1%, 0.75%

LAB 81.38, 16.68, 40.98

 

CMYK 0 / 19 / 43 / 0

HEX #FFCF91

RGB 255 207 145

HSL 33.82, 1%, 0.78%

LAB 85.97, 9.11, 37.16

 

CMYK 0 / 12 / 36 / 0

HEX #FFE1A4

RGB 255 225 164

HSL 40.22, 1%, 0.82%

LAB 90.68, 1.92, 33.66

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 0 / 37 / 66 / 16

HEX #D7874A

RGB 215 135 74

HSL 25.96, 0.64%, 0.57%

LAB 63.56, 25.15, 44.86

 

CMYK 0 / 41 / 72 / 22

HEX #C67537

RGB 198 117 55

HSL 26.01, 0.57%, 0.5%

LAB 57.08, 26.71, 46.49

 

CMYK 0 / 45 / 80 / 29

HEX #B56324

RGB 181 99 36

HSL 26.07, 0.67%, 0.43%

LAB 50.54, 28.5, 47.93

 

CMYK 0 / 51 / 90 / 36

HEX #A45111

RGB 164 81 17

HSL 26.12, 0.81%, 0.35%

LAB 43.97, 30.51, 48.68

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 0 / 25 / 59 / 9

HEX #E8AE5E

RGB 232 174 94

HSL 34.78, 0.75%, 0.64%

LAB 74.97, 12.67, 48.65

 

CMYK 0 / 15 / 59 / 9

HEX #E8C55E

RGB 232 197 94

HSL 44.78, 0.75%, 0.64%

LAB 80.68, 0.6, 55.22

 

CMYK 0 / 5 / 59 / 9

HEX #E8DC5E

RGB 232 220 94

HSL 54.78, 0.75%, 0.64%

LAB 86.58, -11.11, 61.81

 

CMYK 5 / 0 / 59 / 9

HEX #DCE85E

RGB 220 232 94

HSL 65.22, 0.75%, 0.64%

LAB 88.8, -21.87, 63.97

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 0 / 36 / 61 / 89

HEX #1C120B

RGB 28 18 11

HSL 24.71, 0.44%, 0.08%

LAB 6.36, 3.56, 5.06

 

CMYK 0 / 34 / 59 / 69

HEX #4F3420

RGB 79 52 32

HSL 25.53, 0.42%, 0.22%

LAB 24.39, 9.58, 17.47

 

CMYK 0 / 34 / 60 / 49

HEX #825634

RGB 130 86 52

HSL 26.15, 0.43%, 0.36%

LAB 40.65, 14.43, 27.01

 

CMYK 0 / 34 / 60 / 29

HEX #B57749

RGB 181 119 73

HSL 25.56, 0.43%, 0.5%

LAB 55.58, 19.55, 34.95

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 37 / 0 / 59 / 9

HEX #93E85E

RGB 147 232 94

HSL 96.96, 0.75%, 0.64%

LAB 84.34, -48.94, 57.78

 

CMYK 59 / 59 / 0 / 9

HEX #605EE8

RGB 96 94 232

HSL 240.87, 0.75%, 0.64%

LAB 47.39, 40.11, -69.86

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 59 / 0 / 35 / 9

HEX #5EE897

RGB 94 232 151

HSL 144.78, 0.75%, 0.64%

LAB 83.09, -55.37, 28.5

 

CMYK 35 / 59 / 0 / 9

HEX #975EE8

RGB 151 94 232

HSL 264.78, 0.75%, 0.64%

LAB 52.3, 51, -61.68

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 37 / 0 / 59 / 9

HEX #93E85E

RGB 147 232 94

HSL 96.96, 0.75%, 0.64%

LAB 84.34, -48.94, 57.78

 

CMYK 59 / 25 / 0 / 9

HEX #5EAEE8

RGB 94 174 232

HSL 205.22, 0.75%, 0.64%

LAB 68.37, -7.63, -36.47

 

CMYK 23 / 59 / 0 / 9

HEX #B35EE8

RGB 179 94 232

HSL 276.96, 0.75%, 0.64%

LAB 55.5, 57.42, -56.37

 

CMYK 0 / 34 / 60 / 9

HEX #E8995D

RGB 232 153 93

HSL 25.9, 0.75%, 0.64%

LAB 69.99, 23.77, 43.24

 

CMYK 55 / 0 / 59 / 9

HEX #69E85E

RGB 105 232 94

HSL 115.22, 0.75%, 0.64%

LAB 82.66, -61.16, 55.42

 

CMYK 59 / 25 / 0 / 9

HEX #5EAEE8

RGB 94 174 232

HSL 205.22, 0.75%, 0.64%

LAB 68.37, -7.63, -36.47

 

CMYK 5 / 59 / 0 / 9

HEX #DC5EE8

RGB 220 94 232

HSL 294.78, 0.75%, 0.64%

LAB 60.82, 67.27, -47.58

 

Description

Color code: CMYK 0 / 34 / 60 / 9 | qconv.com Color code: CMYK 0 / 34 / 60 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 153 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 153 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 60 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 60% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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