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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 31 / 16 / 53 it is the complementary color CMYK 22 / 0 / 10 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 31 / 16 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 31 / 16 / 53: CMYK 0 / 34 / 23 / 51, CMYK 0 / 29 / 19 / 44, CMYK 0 / 25 / 16 / 38, CMYK 0 / 22 / 13 / 31 and CMYK 0 / 20 / 11 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 31 / 16 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 31 / 16 / 53: CMYK 0 / 31 / 16 / 53, CMYK 0 / 37 / 20 / 60, CMYK 0 / 45 / 27 / 66, CMYK 0 / 58 / 36 / 73 and CMYK 0 / 79 / 52 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

Complementary color

CMYK 22 / 0 / 10 / 33

HEX #87AC9A

RGB 135 172 154

HSL 150.81, 0.18%, 0.6%

LAB 67.27, -16.32, 5.14

 

CMYK 0 / 34 / 23 / 51

HEX #7D5360

RGB 125 83 96

HSL 341.43, 0.2%, 0.41%

LAB 40.23, 19.54, -0.37

 

CMYK 0 / 29 / 19 / 44

HEX #8E6573

RGB 142 101 115

HSL 339.51, 0.17%, 0.48%

LAB 47.36, 18.75, -1.27

 

CMYK 0 / 25 / 16 / 38

HEX #9F7786

RGB 159 119 134

HSL 337.5, 0.17%, 0.55%

LAB 54.33, 18.06, -2.07

 

CMYK 0 / 22 / 13 / 31

HEX #B08999

RGB 176 137 153

HSL 335.38, 0.2%, 0.61%

LAB 61.15, 17.45, -2.8

 

CMYK 0 / 20 / 11 / 24

HEX #C19BAC

RGB 193 155 172

HSL 333.16, 0.23%, 0.68%

LAB 67.84, 16.89, -3.47

 

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

CMYK 0 / 37 / 20 / 60

HEX #674152

RGB 103 65 82

HSL 333.16, 0.23%, 0.33%

LAB 32.42, 19.24, -3.35

 

CMYK 0 / 45 / 27 / 66

HEX #562F3F

RGB 86 47 63

HSL 335.38, 0.29%, 0.26%

LAB 24.86, 20.18, -2.31

 

CMYK 0 / 58 / 36 / 73

HEX #451D2C

RGB 69 29 44

HSL 337.5, 0.41%, 0.19%

LAB 17.11, 21.18, -0.91

 

CMYK 0 / 79 / 52 / 80

HEX #340B19

RGB 52 11 25

HSL 339.51, 0.65%, 0.12%

LAB 9.32, 21.92, 1.35

 

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

CMYK 0 / 31 / 21 / 53

HEX #78535F

RGB 120 83 95

HSL 340.54, 0.18%, 0.4%

LAB 39.59, 17.37, -0.76

 

CMYK 0 / 31 / 26 / 53

HEX #785359

RGB 120 83 89

HSL 350.27, 0.18%, 0.4%

LAB 39.41, 16.38, 2.71

 

CMYK 0 / 31 / 31 / 53

HEX #785353

RGB 120 83 83

HSL 0, 0.18%, 0.4%

LAB 39.25, 15.45, 6.19

 

CMYK 0 / 26 / 31 / 53

HEX #785953

RGB 120 89 83

HSL 9.73, 0.18%, 0.4%

LAB 40.84, 11.83, 8.44

 

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

CMYK 0 / 31 / 16 / 33

HEX #AB7690

RGB 171 118 144

HSL 330.57, 0.24%, 0.57%

LAB 55.71, 24.79, -5.7

 

CMYK 0 / 31 / 16 / 13

HEX #DE9ABB

RGB 222 154 187

HSL 330.88, 0.51%, 0.74%

LAB 71.03, 30.25, -6.78

 

CMYK 0 / 33 / 17 / 93

HEX #120C0F

RGB 18 12 15

HSL 330, 0.2%, 0.06%

LAB 3.85, 2.55, -0.65

 

CMYK 0 / 30 / 16 / 73

HEX #45303A

RGB 69 48 58

HSL 331.43, 0.18%, 0.23%

LAB 22.6, 11.43, -2.54

 

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

CMYK 0 / 9 / 31 / 53

HEX #786D53

RGB 120 109 83

HSL 42.16, 0.18%, 0.4%

LAB 46.39, -0.05, 16.12

 

CMYK 31 / 3 / 0 / 53

HEX #537478

RGB 83 116 120

HSL 186.49, 0.18%, 0.4%

LAB 46.56, -10.71, -6.02

 

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

CMYK 15 / 0 / 31 / 53

HEX #667853

RGB 102 120 83

HSL 89.19, 0.18%, 0.4%

LAB 48.11, -13.82, 18.19

 

CMYK 31 / 15 / 0 / 53

HEX #536678

RGB 83 102 120

HSL 209.19, 0.18%, 0.4%

LAB 42.3, -2.52, -12.41

 

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

CMYK 0 / 9 / 31 / 53

HEX #786D53

RGB 120 109 83

HSL 42.16, 0.18%, 0.4%

LAB 46.39, -0.05, 16.12

 

CMYK 31 / 0 / 15 / 53

HEX #537866

RGB 83 120 102

HSL 150.81, 0.18%, 0.4%

LAB 47.28, -17.25, 5.72

 

CMYK 31 / 22 / 0 / 53

HEX #535E78

RGB 83 94 120

HSL 222.16, 0.18%, 0.4%

LAB 39.92, 2.35, -16.04

 

CMYK 0 / 31 / 16 / 53

HEX #785365

RGB 120 83 101

HSL 330.81, 0.18%, 0.4%

LAB 39.78, 18.42, -4.2

 

CMYK 0 / 0 / 31 / 53

HEX #787853

RGB 120 120 83

HSL 60, 0.18%, 0.4%

LAB 49.56, -6.36, 20.38

 

CMYK 31 / 0 / 15 / 53

HEX #537866

RGB 83 120 102

HSL 150.81, 0.18%, 0.4%

LAB 47.28, -17.25, 5.72

 

CMYK 31 / 31 / 0 / 53

HEX #535378

RGB 83 83 120

HSL 240, 0.18%, 0.4%

LAB 36.71, 9.25, -20.98

 

Description

Color code: CMYK 0 / 31 / 16 / 53 | qconv.com Color code: CMYK 0 / 31 / 16 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 83 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 83 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 16 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 16% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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