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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 57 / 34 it is the complementary color CMYK 52 / 51 / 0 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 57 / 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 2 / 57 / 34: CMYK 0 / 5 / 61 / 32, CMYK 0 / 4 / 55 / 25, CMYK 0 / 3 / 49 / 19, CMYK 0 / 2 / 45 / 12 and CMYK 0 / 2 / 41 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 57 / 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 2 / 57 / 34: CMYK 0 / 2 / 57 / 34, CMYK 0 / 3 / 65 / 41, CMYK 0 / 4 / 75 / 47, CMYK 0 / 5 / 87 / 54 and CMYK 0 / 7 / 100 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

Complementary color

CMYK 52 / 51 / 0 / 28

HEX #575AB7

RGB 87 90 183

HSL 238.13, 0.4%, 0.53%

LAB 42.4, 25.14, -49.84

 

CMYK 0 / 5 / 61 / 32

HEX #ADA543

RGB 173 165 67

HSL 55.47, 0.44%, 0.47%

LAB 66.67, -9.59, 50.46

 

CMYK 0 / 4 / 55 / 25

HEX #BEB756

RGB 190 183 86

HSL 55.96, 0.44%, 0.54%

LAB 73.21, -10.31, 49.42

 

CMYK 0 / 3 / 49 / 19

HEX #CFC969

RGB 207 201 105

HSL 56.47, 0.52%, 0.61%

LAB 79.65, -10.89, 48.28

 

CMYK 0 / 2 / 45 / 12

HEX #E0DB7C

RGB 224 219 124

HSL 57, 0.62%, 0.68%

LAB 85.99, -11.38, 47.1

 

CMYK 0 / 2 / 41 / 5

HEX #F1ED8F

RGB 241 237 143

HSL 57.55, 0.78%, 0.75%

LAB 92.24, -11.79, 45.94

 

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

CMYK 0 / 3 / 65 / 41

HEX #979335

RGB 151 147 53

HSL 57.55, 0.48%, 0.4%

LAB 59.62, -10.63, 48.54

 

CMYK 0 / 4 / 75 / 47

HEX #868122

RGB 134 129 34

HSL 57, 0.6%, 0.33%

LAB 52.82, -9.67, 49.02

 

CMYK 0 / 5 / 87 / 54

HEX #756F0F

RGB 117 111 15

HSL 56.47, 0.77%, 0.26%

LAB 45.89, -8.44, 48.44

 

CMYK 0 / 7 / 100 / 61

HEX #645D00

RGB 100 93 0

HSL 55.8, 1%, 0.2%

LAB 38.79, -6.85, 45.99

 

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

CMYK 7 / 0 / 57 / 35

HEX #9BA747

RGB 155 167 71

HSL 67.5, 0.4%, 0.47%

LAB 65.8, -18.01, 47.24

 

CMYK 17 / 0 / 57 / 35

HEX #8BA747

RGB 139 167 71

HSL 77.5, 0.4%, 0.47%

LAB 64.63, -24.62, 45.6

 

CMYK 26 / 0 / 57 / 35

HEX #7BA747

RGB 123 167 71

HSL 87.5, 0.4%, 0.47%

LAB 63.59, -30.93, 44.14

 

CMYK 36 / 0 / 57 / 35

HEX #6BA747

RGB 107 167 71

HSL 97.5, 0.4%, 0.47%

LAB 62.69, -36.82, 42.87

 

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

CMYK 0 / 2 / 57 / 14

HEX #DBD75E

RGB 219 215 94

HSL 58.08, 0.63%, 0.61%

LAB 84.21, -13.94, 58.88

 

CMYK 0 / 0 / 60 / 94

HEX #0F0F06

RGB 15 15 6

HSL 60, 0.43%, 0.04%

LAB 4.12, -1.35, 3.68

 

CMYK 0 / 2 / 58 / 74

HEX #42411C

RGB 66 65 28

HSL 58.42, 0.4%, 0.18%

LAB 26.8, -5.68, 22.48

 

CMYK 0 / 2 / 57 / 54

HEX #757332

RGB 117 115 50

HSL 58.21, 0.4%, 0.33%

LAB 47.33, -8.65, 35.63

 

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

CMYK 57 / 0 / 48 / 35

HEX #47A757

RGB 71 167 87

HSL 130, 0.4%, 0.47%

LAB 61.36, -45.61, 32.96

 

CMYK 25 / 57 / 0 / 35

HEX #7E47A7

RGB 126 71 167

HSL 274.38, 0.4%, 0.47%

LAB 40.79, 41.47, -42.76

 

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

CMYK 57 / 0 / 2 / 35

HEX #47A7A4

RGB 71 167 164

HSL 178.13, 0.4%, 0.47%

LAB 63.06, -28.66, -6.95

 

CMYK 2 / 57 / 0 / 35

HEX #A447A7

RGB 164 71 167

HSL 298.13, 0.4%, 0.47%

LAB 45.89, 51.6, -34.34

 

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

CMYK 57 / 0 / 48 / 35

HEX #47A757

RGB 71 167 87

HSL 130, 0.4%, 0.47%

LAB 61.36, -45.61, 32.96

 

CMYK 57 / 55 / 0 / 35

HEX #474BA7

RGB 71 75 167

HSL 237.5, 0.4%, 0.47%

LAB 36.29, 26.05, -50.27

 

CMYK 0 / 57 / 10 / 35

HEX #A74797

RGB 167 71 151

HSL 310, 0.4%, 0.47%

LAB 45.57, 49.63, -25.28

 

CMYK 0 / 2 / 57 / 34

HEX #A8A548

RGB 168 165 72

HSL 58.13, 0.4%, 0.47%

LAB 66.29, -11.38, 47.62

 

CMYK 57 / 0 / 31 / 35

HEX #47A774

RGB 71 167 116

HSL 148.13, 0.4%, 0.47%

LAB 61.86, -40.35, 18.09

 

CMYK 57 / 55 / 0 / 35

HEX #474BA7

RGB 71 75 167

HSL 237.5, 0.4%, 0.47%

LAB 36.29, 26.05, -50.27

 

CMYK 0 / 57 / 26 / 35

HEX #A7477B

RGB 167 71 123

HSL 327.5, 0.4%, 0.47%

LAB 44.45, 45.34, -10.07

 

Description

Color code: CMYK 0 / 2 / 57 / 34 | qconv.com Color code: CMYK 0 / 2 / 57 / 34 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 165 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 165 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 57 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 57% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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