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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 28 / 64 it is the complementary color CMYK 14 / 13 / 0 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 28 / 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 2 / 28 / 64: CMYK 0 / 7 / 37 / 62, CMYK 0 / 5 / 30 / 55, CMYK 0 / 4 / 24 / 49, CMYK 0 / 3 / 20 / 42 and CMYK 0 / 2 / 17 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 28 / 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 2 / 28 / 64: CMYK 0 / 2 / 28 / 64, CMYK 0 / 4 / 37 / 71, CMYK 0 / 7 / 52 / 77, CMYK 0 / 12 / 78 / 84 and CMYK 0 / 25 / 100 / 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

Complementary color

CMYK 14 / 13 / 0 / 26

HEX #A3A5BD

RGB 163 165 189

HSL 235.38, 0.16%, 0.69%

LAB 68.29, 4.18, -12.55

 

CMYK 0 / 7 / 37 / 62

HEX #615A3D

RGB 97 90 61

HSL 48.33, 0.23%, 0.31%

LAB 38.18, -2.09, 17.8

 

CMYK 0 / 5 / 30 / 55

HEX #726C50

RGB 114 108 80

HSL 49.41, 0.18%, 0.38%

LAB 45.47, -2.49, 16.55

 

CMYK 0 / 4 / 24 / 49

HEX #837E63

RGB 131 126 99

HSL 50.63, 0.14%, 0.45%

LAB 52.56, -2.8, 15.41

 

CMYK 0 / 3 / 20 / 42

HEX #949076

RGB 148 144 118

HSL 52, 0.12%, 0.52%

LAB 59.48, -3.05, 14.37

 

CMYK 0 / 2 / 17 / 35

HEX #A5A289

RGB 165 162 137

HSL 53.57, 0.13%, 0.59%

LAB 66.25, -3.27, 13.41

 

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

CMYK 0 / 4 / 37 / 71

HEX #4B482F

RGB 75 72 47

HSL 53.57, 0.23%, 0.24%

LAB 30.24, -3.25, 15.48

 

CMYK 0 / 7 / 52 / 77

HEX #3A361C

RGB 58 54 28

HSL 52, 0.35%, 0.17%

LAB 22.38, -2.75, 16.93

 

CMYK 0 / 12 / 78 / 84

HEX #292409

RGB 41 36 9

HSL 50.63, 0.64%, 0.1%

LAB 14.13, -1.88, 17.03

 

CMYK 0 / 25 / 100 / 91

HEX #181200

RGB 24 18 0

HSL 45, 1%, 0.05%

LAB 5.66, -0.11, 8.48

 

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

CMYK 2 / 0 / 27 / 64

HEX #595B42

RGB 89 91 66

HSL 64.8, 0.16%, 0.31%

LAB 37.84, -5.5, 14.19

 

CMYK 7 / 0 / 27 / 64

HEX #555B42

RGB 85 91 66

HSL 74.4, 0.16%, 0.31%

LAB 37.49, -7.24, 13.66

 

CMYK 11 / 0 / 27 / 64

HEX #515B42

RGB 81 91 66

HSL 84, 0.16%, 0.31%

LAB 37.16, -8.95, 13.15

 

CMYK 16 / 0 / 27 / 64

HEX #4C5B42

RGB 76 91 66

HSL 96, 0.16%, 0.31%

LAB 36.77, -11.04, 12.55

 

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

CMYK 0 / 2 / 28 / 44

HEX #8F8C67

RGB 143 140 103

HSL 55.5, 0.16%, 0.48%

LAB 57.63, -5.11, 20.22

 

CMYK 0 / 2 / 28 / 24

HEX #C2BE8B

RGB 194 190 139

HSL 55.64, 0.31%, 0.65%

LAB 76.17, -6.65, 26.33

 

CMYK 0 / 2 / 28 / 4

HEX #F5F0B0

RGB 245 240 176

HSL 55.65, 0.78%, 0.83%

LAB 93.83, -7.98, 31.62

 

CMYK 0 / 2 / 29 / 84

HEX #29281D

RGB 41 40 29

HSL 55, 0.17%, 0.14%

LAB 15.89, -1.88, 7.43

 

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

CMYK 27 / 0 / 24 / 64

HEX #425B45

RGB 66 91 69

HSL 127.2, 0.16%, 0.31%

LAB 36.12, -14.45, 9.71

 

CMYK 13 / 27 / 0 / 64

HEX #4F425B

RGB 79 66 91

HSL 271.2, 0.16%, 0.31%

LAB 30.19, 11.09, -12.78

 

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

CMYK 27 / 0 / 2 / 64

HEX #425B59

RGB 66 91 89

HSL 175.2, 0.16%, 0.31%

LAB 36.67, -9.83, -1.9

 

CMYK 2 / 27 / 0 / 64

HEX #59425B

RGB 89 66 91

HSL 295.2, 0.16%, 0.31%

LAB 31.29, 14.89, -11

 

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

CMYK 27 / 0 / 24 / 64

HEX #425B45

RGB 66 91 69

HSL 127.2, 0.16%, 0.31%

LAB 36.12, -14.45, 9.71

 

CMYK 27 / 25 / 0 / 64

HEX #42445B

RGB 66 68 91

HSL 235.2, 0.16%, 0.31%

LAB 29.53, 5.04, -13.9

 

CMYK 0 / 27 / 3 / 64

HEX #5B4258

RGB 91 66 88

HSL 307.2, 0.16%, 0.31%

LAB 31.41, 15.01, -8.88

 

CMYK 0 / 2 / 28 / 64

HEX #5C5A42

RGB 92 90 66

HSL 55.38, 0.16%, 0.31%

LAB 37.81, -3.59, 14.19

 

CMYK 27 / 0 / 16 / 64

HEX #425B4C

RGB 66 91 76

HSL 144, 0.16%, 0.31%

LAB 36.29, -12.95, 5.63

 

CMYK 27 / 25 / 0 / 64

HEX #42445B

RGB 66 68 91

HSL 235.2, 0.16%, 0.31%

LAB 29.53, 5.04, -13.9

 

CMYK 0 / 27 / 11 / 64

HEX #5B4251

RGB 91 66 81

HSL 324, 0.16%, 0.31%

LAB 31.15, 13.57, -4.76

 

Description

Color code: CMYK 0 / 2 / 28 / 64 | qconv.com Color code: CMYK 0 / 2 / 28 / 64 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 92 red, 90 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
92 90 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 28 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 28% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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