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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 2 / 22 / 63 it is the complementary color CMYK 11 / 10 / 0 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 2 / 22 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 2 / 22 / 63: CMYK 0 / 7 / 30 / 61, CMYK 0 / 5 / 24 / 55, CMYK 0 / 4 / 20 / 48, CMYK 0 / 3 / 16 / 41 and CMYK 0 / 2 / 13 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 2 / 22 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 2 / 22 / 63: CMYK 0 / 2 / 21 / 63, CMYK 0 / 4 / 29 / 70, CMYK 0 / 7 / 40 / 76, CMYK 0 / 12 / 60 / 83 and CMYK 0 / 23 / 100 / 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 22 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

Complementary color

CMYK 11 / 10 / 0 / 29

HEX #A1A3B5

RGB 161 163 181

HSL 234, 0.12%, 0.67%

LAB 67.36, 2.92, -9.52

 

CMYK 0 / 7 / 30 / 61

HEX #635C45

RGB 99 92 69

HSL 46, 0.18%, 0.33%

LAB 39.13, -1.23, 14.28

 

CMYK 0 / 5 / 24 / 55

HEX #746E58

RGB 116 110 88

HSL 47.14, 0.14%, 0.4%

LAB 46.4, -1.58, 13.13

 

CMYK 0 / 4 / 20 / 48

HEX #85806B

RGB 133 128 107

HSL 48.46, 0.11%, 0.47%

LAB 53.48, -1.85, 12.09

 

CMYK 0 / 3 / 16 / 41

HEX #96927E

RGB 150 146 126

HSL 50, 0.1%, 0.54%

LAB 60.38, -2.08, 11.14

 

CMYK 0 / 2 / 13 / 35

HEX #A7A491

RGB 167 164 145

HSL 51.82, 0.11%, 0.61%

LAB 67.13, -2.28, 10.25

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 0 / 4 / 29 / 70

HEX #4D4A37

RGB 77 74 55

HSL 51.82, 0.17%, 0.26%

LAB 31.23, -2.33, 11.83

 

CMYK 0 / 7 / 40 / 76

HEX #3C3824

RGB 60 56 36

HSL 50, 0.25%, 0.19%

LAB 23.39, -1.94, 13.15

 

CMYK 0 / 12 / 60 / 83

HEX #2B2611

RGB 43 38 17

HSL 48.46, 0.43%, 0.12%

LAB 15.17, -1.32, 14.56

 

CMYK 0 / 23 / 100 / 90

HEX #1A1400

RGB 26 20 0

HSL 46.15, 1%, 0.05%

LAB 6.5, -0.33, 9.73

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 2 / 0 / 21 / 63

HEX #5C5E4A

RGB 92 94 74

HSL 66, 0.12%, 0.33%

LAB 39.2, -4.65, 11.23

 

CMYK 5 / 0 / 21 / 63

HEX #595E4A

RGB 89 94 74

HSL 75, 0.12%, 0.33%

LAB 38.94, -5.92, 10.83

 

CMYK 9 / 0 / 21 / 63

HEX #565E4A

RGB 86 94 74

HSL 84, 0.12%, 0.33%

LAB 38.69, -7.18, 10.44

 

CMYK 13 / 0 / 21 / 63

HEX #525E4A

RGB 82 94 74

HSL 96, 0.12%, 0.33%

LAB 38.36, -8.83, 9.94

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 0 / 2 / 21 / 43

HEX #918E72

RGB 145 142 114

HSL 54.19, 0.12%, 0.51%

LAB 58.58, -3.76, 15.35

 

CMYK 0 / 2 / 21 / 23

HEX #C4C09A

RGB 196 192 154

HSL 54.29, 0.26%, 0.69%

LAB 77.14, -4.84, 19.7

 

CMYK 0 / 2 / 21 / 3

HEX #F7F2C2

RGB 247 242 194

HSL 54.34, 0.77%, 0.86%

LAB 94.81, -5.85, 23.82

 

CMYK 0 / 2 / 21 / 83

HEX #2B2A22

RGB 43 42 34

HSL 53.33, 0.12%, 0.15%

LAB 16.92, -1.29, 5.4

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 21 / 0 / 19 / 63

HEX #4A5E4C

RGB 74 94 76

HSL 126, 0.12%, 0.33%

LAB 37.81, -11.63, 7.86

 

CMYK 11 / 21 / 0 / 63

HEX #544A5E

RGB 84 74 94

HSL 270, 0.12%, 0.33%

LAB 33.12, 8.56, -10.2

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 21 / 0 / 2 / 63

HEX #4A5E5C

RGB 74 94 92

HSL 174, 0.12%, 0.33%

LAB 38.26, -8.04, -1.37

 

CMYK 2 / 21 / 0 / 63

HEX #5C4A5E

RGB 92 74 94

HSL 294, 0.12%, 0.33%

LAB 33.94, 11.63, -8.87

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 21 / 0 / 19 / 63

HEX #4A5E4C

RGB 74 94 76

HSL 126, 0.12%, 0.33%

LAB 37.81, -11.63, 7.86

 

CMYK 21 / 19 / 0 / 63

HEX #4A4C5E

RGB 74 76 94

HSL 234, 0.12%, 0.33%

LAB 32.77, 3.55, -10.81

 

CMYK 0 / 21 / 2 / 63

HEX #5E4A5C

RGB 94 74 92

HSL 306, 0.12%, 0.33%

LAB 34.09, 11.98, -7.37

 

CMYK 0 / 2 / 21 / 63

HEX #5E5C4A

RGB 94 92 74

HSL 54, 0.12%, 0.33%

LAB 38.77, -2.61, 10.67

 

CMYK 21 / 0 / 13 / 63

HEX #4A5E52

RGB 74 94 82

HSL 144, 0.12%, 0.33%

LAB 37.97, -10.35, 4.39

 

CMYK 21 / 19 / 0 / 63

HEX #4A4C5E

RGB 74 76 94

HSL 234, 0.12%, 0.33%

LAB 32.77, 3.55, -10.81

 

CMYK 0 / 21 / 9 / 63

HEX #5E4A56

RGB 94 74 86

HSL 324, 0.12%, 0.33%

LAB 33.88, 10.73, -3.87

 

Description

Color code: CMYK 0 / 2 / 22 / 63 | qconv.com Color code: CMYK 0 / 2 / 22 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 94 red, 92 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
94 92 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 22 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 22% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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