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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 28 / 100 / 6 it is the complementary color CMYK 94 / 68 / 0 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 28 / 100 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 28 / 100 / 6: CMYK 0 / 29 / 100 / 4, CMYK 0 / 25 / 95 / 0, CMYK 0 / 18 / 87 / 0, CMYK 0 / 11 / 80 / 0 and CMYK 0 / 4 / 72 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 28 / 100 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 28 / 100 / 6: CMYK 0 / 28 / 100 / 6, CMYK 0 / 30 / 100 / 13, CMYK 0 / 33 / 100 / 19, CMYK 0 / 37 / 100 / 26 and CMYK 0 / 41 / 100 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

Complementary color

CMYK 94 / 68 / 0 / 0

HEX #0F52FF

RGB 15 82 255

HSL 223.25, 1%, 0.53%

LAB 43.3, 47.95, -89.59

 

CMYK 0 / 29 / 100 / 4

HEX #F5AD00

RGB 245 173 0

HSL 42.37, 1%, 0.48%

LAB 75.64, 15.52, 78.87

 

CMYK 0 / 25 / 95 / 0

HEX #FFBF0E

RGB 255 191 14

HSL 44.07, 1%, 0.53%

LAB 81.05, 10.5, 81.65

 

CMYK 0 / 18 / 87 / 0

HEX #FFD121

RGB 255 209 33

HSL 47.57, 1%, 0.56%

LAB 85.49, 1.51, 81.9

 

CMYK 0 / 11 / 80 / 0

HEX #FFE334

RGB 255 227 52

HSL 51.72, 1%, 0.6%

LAB 90.07, -7.1, 81.09

 

CMYK 0 / 4 / 72 / 0

HEX #FFF547

RGB 255 245 71

HSL 56.74, 1%, 0.64%

LAB 94.75, -15.26, 79.57

 

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

CMYK 0 / 30 / 100 / 13

HEX #DF9B00

RGB 223 155 0

HSL 41.7, 1%, 0.44%

LAB 68.85, 15.58, 73.12

 

CMYK 0 / 33 / 100 / 19

HEX #CE8900

RGB 206 137 0

HSL 39.9, 1%, 0.4%

LAB 62.52, 17.88, 67.95

 

CMYK 0 / 37 / 100 / 26

HEX #BD7700

RGB 189 119 0

HSL 37.78, 1%, 0.37%

LAB 56.1, 20.26, 62.71

 

CMYK 0 / 41 / 100 / 33

HEX #AC6500

RGB 172 101 0

HSL 35.23, 1%, 0.34%

LAB 49.59, 22.72, 57.42

 

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

CMYK 0 / 12 / 100 / 6

HEX #EFD300

RGB 239 211 0

HSL 52.97, 1%, 0.47%

LAB 84.45, -6.73, 84.7

 

CMYK 5 / 0 / 100 / 6

HEX #E3EF00

RGB 227 239 0

HSL 63.01, 1%, 0.47%

LAB 90.81, -25.49, 88.88

 

CMYK 22 / 0 / 100 / 6

HEX #BBEF00

RGB 187 239 0

HSL 73.05, 1%, 0.47%

LAB 88.11, -41.5, 85.66

 

CMYK 38 / 0 / 100 / 6

HEX #93EF00

RGB 147 239 0

HSL 83.1, 1%, 0.47%

LAB 85.97, -56.01, 83.09

 

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

CMYK 0 / 28 / 100 / 86

HEX #241A00

RGB 36 26 0

HSL 43.33, 1%, 0.07%

LAB 9.91, 1.33, 14.83

 

CMYK 0 / 28 / 100 / 66

HEX #573F00

RGB 87 63 0

HSL 43.45, 1%, 0.17%

LAB 28.33, 4.72, 37.74

 

CMYK 0 / 28 / 100 / 46

HEX #8A6300

RGB 138 99 0

HSL 43.04, 1%, 0.27%

LAB 44.7, 8.23, 52.08

 

CMYK 0 / 28 / 100 / 26

HEX #BD8800

RGB 189 136 0

HSL 43.17, 1%, 0.37%

LAB 60.27, 10.88, 65.48

 

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

CMYK 92 / 0 / 100 / 6

HEX #13EF00

RGB 19 239 0

HSL 115.23, 1%, 0.47%

LAB 82.85, -81.38, 79.29

 

CMYK 69 / 100 / 0 / 6

HEX #4B00EF

RGB 75 0 239

HSL 258.83, 1%, 0.47%

LAB 33.41, 76.7, -96.91

 

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

CMYK 100 / 0 / 28 / 6

HEX #00EFAB

RGB 0 239 171

HSL 162.93, 1%, 0.47%

LAB 84.32, -63.35, 19.7

 

CMYK 28 / 100 / 0 / 6

HEX #AB00EF

RGB 171 0 239

HSL 282.93, 1%, 0.47%

LAB 45.48, 84.17, -76.57

 

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

CMYK 92 / 0 / 100 / 6

HEX #13EF00

RGB 19 239 0

HSL 115.23, 1%, 0.47%

LAB 82.85, -81.38, 79.29

 

CMYK 100 / 72 / 0 / 6

HEX #0043EF

RGB 0 67 239

HSL 223.18, 1%, 0.47%

LAB 38.28, 50.95, -88.9

 

CMYK 8 / 100 / 0 / 6

HEX #DB00EF

RGB 219 0 239

HSL 294.98, 1%, 0.47%

LAB 53.27, 90.53, -63.57

 

CMYK 0 / 28 / 100 / 6

HEX #F0AD00

RGB 240 173 0

HSL 43.25, 1%, 0.47%

LAB 75.08, 13.37, 78.23

 

CMYK 100 / 0 / 79 / 6

HEX #00EF33

RGB 0 239 51

HSL 132.8, 1%, 0.47%

LAB 82.9, -80.4, 70.95

 

CMYK 100 / 72 / 0 / 6

HEX #0043EF

RGB 0 67 239

HSL 223.18, 1%, 0.47%

LAB 38.28, 50.95, -88.9

 

CMYK 0 / 100 / 22 / 6

HEX #EF00BB

RGB 239 0 187

HSL 313.05, 1%, 0.47%

LAB 53.96, 86.88, -32.54

 

Description

Color code: CMYK 0 / 28 / 100 / 6 | qconv.com Color code: CMYK 0 / 28 / 100 / 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 173 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 173 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 100 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 100% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

42% - ProperyProperly
Link: http://www.propertyproperly.com

36% - Start Now - Paleo Re...
Link: http://paleorescue.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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