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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 26 / 42 / 29 it is the complementary color CMYK 51 / 19 / 0 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 26 / 42 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 26 / 42 / 29: CMYK 0 / 28 / 46 / 27, CMYK 0 / 25 / 41 / 20, CMYK 0 / 23 / 37 / 14, CMYK 0 / 21 / 34 / 7 and CMYK 0 / 19 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 26 / 42 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 26 / 42 / 29: CMYK 0 / 26 / 42 / 29, CMYK 0 / 29 / 48 / 36, CMYK 0 / 33 / 54 / 42, CMYK 0 / 38 / 63 / 49 and CMYK 0 / 45 / 74 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

Complementary color

CMYK 51 / 19 / 0 / 41

HEX #4A7996

RGB 74 121 150

HSL 202.89, 0.34%, 0.44%

LAB 48.68, -7.58, -20.63

 

CMYK 0 / 28 / 46 / 27

HEX #BA8664

RGB 186 134 100

HSL 23.72, 0.38%, 0.56%

LAB 60.26, 15.76, 26.15

 

CMYK 0 / 25 / 41 / 20

HEX #CB9877

RGB 203 152 119

HSL 23.57, 0.45%, 0.63%

LAB 66.89, 14.86, 24.79

 

CMYK 0 / 23 / 37 / 14

HEX #DCAA8A

RGB 220 170 138

HSL 23.41, 0.54%, 0.7%

LAB 73.42, 14.08, 23.55

 

CMYK 0 / 21 / 34 / 7

HEX #EDBC9D

RGB 237 188 157

HSL 23.25, 0.69%, 0.77%

LAB 79.84, 13.39, 22.4

 

CMYK 0 / 19 / 31 / 0

HEX #FECEB0

RGB 254 206 176

HSL 23.08, 0.98%, 0.84%

LAB 86.18, 12.77, 21.32

 

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

CMYK 0 / 29 / 48 / 36

HEX #A47456

RGB 164 116 86

HSL 23.08, 0.31%, 0.49%

LAB 53.01, 15.18, 24.05

 

CMYK 0 / 33 / 54 / 42

HEX #936243

RGB 147 98 67

HSL 23.25, 0.37%, 0.42%

LAB 46.1, 16.3, 25.62

 

CMYK 0 / 38 / 63 / 49

HEX #825030

RGB 130 80 48

HSL 23.41, 0.46%, 0.35%

LAB 39.06, 17.65, 27.38

 

CMYK 0 / 45 / 74 / 56

HEX #713E1D

RGB 113 62 29

HSL 23.57, 0.59%, 0.28%

LAB 31.91, 19.3, 29.3

 

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

CMYK 0 / 19 / 42 / 29

HEX #B49168

RGB 180 145 104

HSL 32.37, 0.34%, 0.56%

LAB 62.47, 7.59, 26.73

 

CMYK 0 / 12 / 42 / 29

HEX #B49E68

RGB 180 158 104

HSL 42.63, 0.34%, 0.56%

LAB 65.87, 0.47, 31.16

 

CMYK 0 / 6 / 42 / 29

HEX #B4AA68

RGB 180 170 104

HSL 52.11, 0.34%, 0.56%

LAB 69.08, -5.97, 35.26

 

CMYK 1 / 0 / 42 / 29

HEX #B2B468

RGB 178 180 104

HSL 61.58, 0.34%, 0.56%

LAB 71.63, -12.03, 38.43

 

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

CMYK 0 / 26 / 42 / 9

HEX #E8AC87

RGB 232 172 135

HSL 22.89, 0.68%, 0.72%

LAB 75.08, 17.4, 27.62

 

CMYK 0 / 25 / 43 / 89

HEX #1C1510

RGB 28 21 16

HSL 25, 0.27%, 0.09%

LAB 7.41, 2.48, 4.14

 

CMYK 0 / 27 / 42 / 69

HEX #4F3A2E

RGB 79 58 46

HSL 21.82, 0.26%, 0.25%

LAB 26.41, 7.4, 11.06

 

CMYK 0 / 26 / 42 / 49

HEX #82604B

RGB 130 96 75

HSL 22.91, 0.27%, 0.4%

LAB 43.68, 10.89, 17.38

 

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

CMYK 24 / 0 / 42 / 29

HEX #89B468

RGB 137 180 104

HSL 93.95, 0.34%, 0.56%

LAB 68.72, -28.05, 34.15

 

CMYK 42 / 41 / 0 / 29

HEX #686BB4

RGB 104 107 180

HSL 237.63, 0.34%, 0.56%

LAB 47.95, 17.76, -39.16

 

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

CMYK 42 / 0 / 27 / 29

HEX #68B484

RGB 104 180 132

HSL 142.11, 0.34%, 0.56%

LAB 67.47, -34.38, 17.27

 

CMYK 27 / 42 / 0 / 29

HEX #8468B4

RGB 132 104 180

HSL 262.11, 0.34%, 0.56%

LAB 49.62, 27.4, -36.36

 

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

CMYK 24 / 0 / 42 / 29

HEX #89B468

RGB 137 180 104

HSL 93.95, 0.34%, 0.56%

LAB 68.72, -28.05, 34.15

 

CMYK 42 / 16 / 0 / 29

HEX #6898B4

RGB 104 152 180

HSL 202.11, 0.34%, 0.56%

LAB 60.51, -8.68, -19.65

 

CMYK 18 / 42 / 0 / 29

HEX #9368B4

RGB 147 104 180

HSL 273.95, 0.34%, 0.56%

LAB 51.15, 31.86, -33.85

 

CMYK 0 / 26 / 42 / 29

HEX #B58669

RGB 181 134 105

HSL 22.89, 0.34%, 0.56%

LAB 59.79, 14.23, 22.64

 

CMYK 37 / 0 / 42 / 29

HEX #72B468

RGB 114 180 104

HSL 112.11, 0.34%, 0.56%

LAB 67.44, -36.09, 32.25

 

CMYK 42 / 16 / 0 / 29

HEX #6898B4

RGB 104 152 180

HSL 202.11, 0.34%, 0.56%

LAB 60.51, -8.68, -19.65

 

CMYK 6 / 42 / 0 / 29

HEX #AA68B4

RGB 170 104 180

HSL 292.11, 0.34%, 0.56%

LAB 53.75, 38.89, -29.6

 

Description

Color code: CMYK 0 / 26 / 42 / 29 | qconv.com Color code: CMYK 0 / 26 / 42 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 134 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 134 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 42 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 42% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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