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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 45 / 40 it is the complementary color CMYK 40 / 18 / 0 / 33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 45 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 25 / 45 / 40: CMYK 0 / 27 / 50 / 38, CMYK 0 / 24 / 44 / 31, CMYK 0 / 21 / 39 / 25, CMYK 0 / 19 / 35 / 18 and CMYK 0 / 17 / 31 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 45 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 25 / 45 / 40: CMYK 0 / 25 / 45 / 40, CMYK 0 / 29 / 52 / 47, CMYK 0 / 34 / 61 / 53, CMYK 0 / 40 / 74 / 60 and CMYK 0 / 49 / 91 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

Complementary color

CMYK 40 / 18 / 0 / 33

HEX #668CAB

RGB 102 140 171

HSL 206.96, 0.29%, 0.54%

LAB 56.61, -5, -20.51

 

CMYK 0 / 27 / 50 / 38

HEX #9E734F

RGB 158 115 79

HSL 27.34, 0.33%, 0.46%

LAB 51.94, 12.46, 26.51

 

CMYK 0 / 24 / 44 / 31

HEX #AF8562

RGB 175 133 98

HSL 27.27, 0.32%, 0.54%

LAB 58.76, 11.52, 25.07

 

CMYK 0 / 21 / 39 / 25

HEX #C09775

RGB 192 151 117

HSL 27.2, 0.37%, 0.61%

LAB 65.45, 10.72, 23.77

 

CMYK 0 / 19 / 35 / 18

HEX #D1A988

RGB 209 169 136

HSL 27.12, 0.44%, 0.68%

LAB 72.03, 10.03, 22.57

 

CMYK 0 / 17 / 31 / 11

HEX #E2BB9B

RGB 226 187 155

HSL 27.04, 0.55%, 0.75%

LAB 78.51, 9.43, 21.46

 

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

CMYK 0 / 29 / 52 / 47

HEX #886141

RGB 136 97 65

HSL 27.04, 0.35%, 0.39%

LAB 44.47, 11.83, 24.43

 

CMYK 0 / 34 / 61 / 53

HEX #774F2E

RGB 119 79 46

HSL 27.12, 0.44%, 0.32%

LAB 37.32, 13.08, 26.09

 

CMYK 0 / 40 / 74 / 60

HEX #663D1B

RGB 102 61 27

HSL 27.2, 0.58%, 0.25%

LAB 30.01, 14.65, 27.88

 

CMYK 0 / 49 / 91 / 67

HEX #552B08

RGB 85 43 8

HSL 27.27, 0.83%, 0.18%

LAB 22.57, 16.66, 28.99

 

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

CMYK 0 / 18 / 45 / 41

HEX #977C53

RGB 151 124 83

HSL 36.18, 0.29%, 0.46%

LAB 53.62, 4.71, 26.27

 

CMYK 0 / 11 / 45 / 41

HEX #978753

RGB 151 135 83

HSL 45.88, 0.29%, 0.46%

LAB 56.62, -1.48, 30.1

 

CMYK 0 / 3 / 45 / 41

HEX #979253

RGB 151 146 83

HSL 55.59, 0.29%, 0.46%

LAB 59.67, -7.52, 33.93

 

CMYK 5 / 0 / 45 / 41

HEX #909753

RGB 144 151 83

HSL 66.18, 0.29%, 0.46%

LAB 60.5, -13.16, 34.83

 

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

CMYK 0 / 25 / 45 / 20

HEX #CC9970

RGB 204 153 112

HSL 26.74, 0.47%, 0.62%

LAB 67.12, 13.96, 28.93

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 25 / 45 / 80

HEX #33261C

RGB 51 38 28

HSL 26.09, 0.29%, 0.15%

LAB 16.37, 4.4, 8.98

 

CMYK 0 / 25 / 45 / 60

HEX #664D38

RGB 102 77 56

HSL 27.39, 0.29%, 0.31%

LAB 34.84, 7.47, 16.51

 

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

CMYK 28 / 0 / 45 / 41

HEX #6C9753

RGB 108 151 83

HSL 97.94, 0.29%, 0.46%

LAB 57.99, -27.52, 31.14

 

CMYK 44 / 45 / 0 / 41

HEX #555397

RGB 85 83 151

HSL 241.76, 0.29%, 0.46%

LAB 38.47, 18.99, -37.13

 

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

CMYK 45 / 0 / 26 / 41

HEX #539770

RGB 83 151 112

HSL 145.59, 0.29%, 0.46%

LAB 57.21, -30.81, 13.97

 

CMYK 26 / 45 / 0 / 41

HEX #705397

RGB 112 83 151

HSL 265.59, 0.29%, 0.46%

LAB 41, 26.66, -32.95

 

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

CMYK 28 / 0 / 45 / 41

HEX #6C9753

RGB 108 151 83

HSL 97.94, 0.29%, 0.46%

LAB 57.99, -27.52, 31.14

 

CMYK 45 / 20 / 0 / 41

HEX #537997

RGB 83 121 151

HSL 206.47, 0.29%, 0.46%

LAB 49.19, -4.96, -20.38

 

CMYK 17 / 45 / 0 / 41

HEX #7E5397

RGB 126 83 151

HSL 277.94, 0.29%, 0.46%

LAB 42.55, 30.92, -30.42

 

CMYK 0 / 25 / 45 / 40

HEX #997354

RGB 153 115 84

HSL 26.96, 0.29%, 0.46%

LAB 51.47, 10.83, 22.93

 

CMYK 42 / 0 / 45 / 41

HEX #579753

RGB 87 151 83

HSL 116.47, 0.29%, 0.46%

LAB 56.86, -34.82, 29.49

 

CMYK 45 / 20 / 0 / 41

HEX #537997

RGB 83 121 151

HSL 206.47, 0.29%, 0.46%

LAB 49.19, -4.96, -20.38

 

CMYK 3 / 45 / 0 / 41

HEX #925397

RGB 146 83 151

HSL 295.59, 0.29%, 0.46%

LAB 44.99, 37.14, -26.42

 

Description

Color code: CMYK 0 / 25 / 45 / 40 | qconv.com Color code: CMYK 0 / 25 / 45 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 115 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 115 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 45 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 45% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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