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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 25 / 14 / 44 it is the complementary color CMYK 24 / 0 / 11 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 25 / 14 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 25 / 14 / 44: CMYK 0 / 28 / 20 / 42, CMYK 0 / 24 / 17 / 35, CMYK 0 / 21 / 14 / 29, CMYK 0 / 19 / 12 / 22 and CMYK 0 / 17 / 10 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 25 / 14 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 25 / 14 / 44: CMYK 0 / 25 / 14 / 44, CMYK 0 / 29 / 17 / 51, CMYK 0 / 35 / 22 / 57, CMYK 0 / 42 / 28 / 64 and CMYK 0 / 53 / 37 / 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

Complementary color

CMYK 24 / 0 / 11 / 42

HEX #709484

RGB 112 148 132

HSL 153.33, 0.14%, 0.51%

LAB 58.31, -15.96, 4.4

 

CMYK 0 / 28 / 20 / 42

HEX #946B76

RGB 148 107 118

HSL 343.9, 0.16%, 0.5%

LAB 49.64, 18.09, 0.35

 

CMYK 0 / 24 / 17 / 35

HEX #A57D89

RGB 165 125 137

HSL 342, 0.18%, 0.57%

LAB 56.56, 17.41, -0.47

 

CMYK 0 / 21 / 14 / 29

HEX #B68F9C

RGB 182 143 156

HSL 340, 0.21%, 0.64%

LAB 63.33, 16.81, -1.23

 

CMYK 0 / 19 / 12 / 22

HEX #C7A1AF

RGB 199 161 175

HSL 337.89, 0.25%, 0.71%

LAB 69.98, 16.27, -1.93

 

CMYK 0 / 17 / 10 / 15

HEX #D8B3C2

RGB 216 179 194

HSL 335.68, 0.32%, 0.77%

LAB 76.52, 15.78, -2.59

 

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

CMYK 0 / 29 / 17 / 51

HEX #7E5968

RGB 126 89 104

HSL 335.68, 0.17%, 0.42%

LAB 42.12, 17.71, -2.51

 

CMYK 0 / 35 / 22 / 57

HEX #6D4755

RGB 109 71 85

HSL 337.89, 0.21%, 0.35%

LAB 34.83, 18.51, -1.63

 

CMYK 0 / 42 / 28 / 64

HEX #5C3542

RGB 92 53 66

HSL 340, 0.27%, 0.28%

LAB 27.34, 19.43, -0.57

 

CMYK 0 / 53 / 37 / 71

HEX #4B232F

RGB 75 35 47

HSL 342, 0.36%, 0.22%

LAB 19.65, 20.47, 0.81

 

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

CMYK 0 / 25 / 18 / 44

HEX #8E6B75

RGB 142 107 117

HSL 342.86, 0.14%, 0.49%

LAB 48.95, 15.58, -0.14

 

CMYK 0 / 25 / 22 / 44

HEX #8E6B6F

RGB 142 107 111

HSL 353.14, 0.14%, 0.49%

LAB 48.78, 14.58, 3.19

 

CMYK 0 / 23 / 25 / 44

HEX #8E6D6B

RGB 142 109 107

HSL 3.43, 0.14%, 0.49%

LAB 49.19, 12.78, 6.16

 

CMYK 0 / 19 / 25 / 44

HEX #8E736B

RGB 142 115 107

HSL 13.71, 0.14%, 0.49%

LAB 50.77, 9.28, 8.41

 

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

CMYK 0 / 25 / 14 / 24

HEX #C291A7

RGB 194 145 167

HSL 333.06, 0.29%, 0.66%

LAB 65.37, 21.94, -4.31

 

CMYK 0 / 25 / 14 / 4

HEX #F5B7D3

RGB 245 183 211

HSL 332.9, 0.76%, 0.84%

LAB 80.73, 26.6, -5.28

 

CMYK 0 / 24 / 15 / 84

HEX #291F23

RGB 41 31 35

HSL 336, 0.14%, 0.14%

LAB 13.06, 5.69, -0.87

 

CMYK 0 / 25 / 14 / 64

HEX #5C454F

RGB 92 69 79

HSL 333.91, 0.14%, 0.32%

LAB 32.02, 11.69, -2.16

 

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

CMYK 0 / 6 / 25 / 44

HEX #8E856B

RGB 142 133 107

HSL 44.57, 0.14%, 0.49%

LAB 55.67, -1.02, 15.26

 

CMYK 25 / 4 / 0 / 44

HEX #6B898E

RGB 107 137 142

HSL 188.57, 0.14%, 0.49%

LAB 55.04, -9.36, -6.16

 

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

CMYK 13 / 0 / 25 / 44

HEX #7B8E6B

RGB 123 142 107

HSL 92.57, 0.14%, 0.49%

LAB 56.7, -13.54, 16.44

 

CMYK 25 / 13 / 0 / 44

HEX #6B7B8E

RGB 107 123 142

HSL 212.57, 0.14%, 0.49%

LAB 50.97, -1.39, -12.25

 

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

CMYK 0 / 6 / 25 / 44

HEX #8E856B

RGB 142 133 107

HSL 44.57, 0.14%, 0.49%

LAB 55.67, -1.02, 15.26

 

CMYK 25 / 0 / 11 / 44

HEX #6B8E7E

RGB 107 142 126

HSL 152.57, 0.14%, 0.49%

LAB 56.07, -15.72, 4.56

 

CMYK 25 / 18 / 0 / 44

HEX #6B748E

RGB 107 116 142

HSL 224.57, 0.14%, 0.49%

LAB 48.97, 2.72, -15.28

 

CMYK 0 / 25 / 14 / 44

HEX #8F6B7B

RGB 143 107 123

HSL 333.33, 0.14%, 0.49%

LAB 49.23, 17.01, -3.28

 

CMYK 1 / 0 / 25 / 44

HEX #8C8E6B

RGB 140 142 107

HSL 63.43, 0.14%, 0.49%

LAB 58.02, -6.84, 18.46

 

CMYK 25 / 0 / 11 / 44

HEX #6B8E7E

RGB 107 142 126

HSL 152.57, 0.14%, 0.49%

LAB 56.07, -15.72, 4.56

 

CMYK 23 / 25 / 0 / 44

HEX #6D6B8E

RGB 109 107 142

HSL 243.43, 0.14%, 0.49%

LAB 46.6, 8.78, -18.88

 

Description

Color code: CMYK 0 / 25 / 14 / 44 | qconv.com Color code: CMYK 0 / 25 / 14 / 44 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 107 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 107 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 14 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 14% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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