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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 51 / 25 it is the complementary color CMYK 60 / 32 / 0 / 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 51 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 24 / 51 / 25: CMYK 0 / 26 / 55 / 23, CMYK 0 / 23 / 49 / 16, CMYK 0 / 21 / 45 / 10, CMYK 0 / 19 / 41 / 3 and CMYK 0 / 15 / 35 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 51 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 24 / 51 / 25: CMYK 0 / 24 / 51 / 25, CMYK 0 / 27 / 57 / 32, CMYK 0 / 31 / 64 / 38, CMYK 0 / 35 / 74 / 45 and CMYK 0 / 41 / 85 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

Complementary color

CMYK 60 / 32 / 0 / 37

HEX #406EA1

RGB 64 110 161

HSL 211.55, 0.43%, 0.44%

LAB 45.38, 0.26, -32.26

 

CMYK 0 / 26 / 55 / 23

HEX #C49159

RGB 196 145 89

HSL 31.4, 0.48%, 0.56%

LAB 63.92, 12.83, 37.01

 

CMYK 0 / 23 / 49 / 16

HEX #D5A36C

RGB 213 163 108

HSL 31.43, 0.56%, 0.63%

LAB 70.47, 11.84, 35.58

 

CMYK 0 / 21 / 45 / 10

HEX #E6B57F

RGB 230 181 127

HSL 31.46, 0.67%, 0.7%

LAB 76.92, 10.98, 34.24

 

CMYK 0 / 19 / 41 / 3

HEX #F7C792

RGB 247 199 146

HSL 31.49, 0.86%, 0.77%

LAB 83.28, 10.23, 32.98

 

CMYK 0 / 15 / 35 / 0

HEX #FFD9A5

RGB 255 217 165

HSL 34.67, 1%, 0.82%

LAB 88.73, 6.13, 30.54

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 27 / 57 / 32

HEX #AE7F4B

RGB 174 127 75

HSL 31.52, 0.4%, 0.49%

LAB 56.77, 12.23, 35.12

 

CMYK 0 / 31 / 64 / 38

HEX #9D6D38

RGB 157 109 56

HSL 31.49, 0.47%, 0.42%

LAB 49.97, 13.49, 36.66

 

CMYK 0 / 35 / 74 / 45

HEX #8C5B25

RGB 140 91 37

HSL 31.46, 0.58%, 0.35%

LAB 43.05, 15.02, 38.15

 

CMYK 0 / 41 / 85 / 52

HEX #7B4912

RGB 123 73 18

HSL 31.43, 0.74%, 0.28%

LAB 36.02, 16.89, 39.21

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 16 / 51 / 25

HEX #BFA05E

RGB 191 160 94

HSL 40.82, 0.43%, 0.56%

LAB 67.3, 2.98, 38.44

 

CMYK 0 / 8 / 51 / 25

HEX #BFB05E

RGB 191 176 94

HSL 50.72, 0.43%, 0.56%

LAB 71.51, -5.56, 43.57

 

CMYK 1 / 0 / 51 / 25

HEX #BDBF5E

RGB 189 191 94

HSL 61.24, 0.43%, 0.56%

LAB 75.38, -14.15, 48.13

 

CMYK 9 / 0 / 51 / 25

HEX #ADBF5E

RGB 173 191 94

HSL 71.13, 0.43%, 0.56%

LAB 74.16, -20.65, 46.39

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 0 / 24 / 51 / 5

HEX #F2B877

RGB 242 184 119

HSL 31.71, 0.83%, 0.71%

LAB 78.75, 13.47, 40.95

 

CMYK 0 / 24 / 50 / 85

HEX #261D13

RGB 38 29 19

HSL 31.58, 0.33%, 0.11%

LAB 11.54, 2.58, 8.41

 

CMYK 0 / 24 / 51 / 65

HEX #59442C

RGB 89 68 44

HSL 32, 0.34%, 0.26%

LAB 30.5, 5.53, 17.96

 

CMYK 0 / 24 / 51 / 45

HEX #8C6A45

RGB 140 106 69

HSL 31.27, 0.34%, 0.41%

LAB 47.38, 8.75, 25.93

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 37 / 0 / 51 / 25

HEX #79BF5E

RGB 121 191 94

HSL 103.3, 0.43%, 0.56%

LAB 70.96, -40.04, 41.78

 

CMYK 45 / 51 / 0 / 25

HEX #695EBF

RGB 105 94 191

HSL 246.8, 0.43%, 0.56%

LAB 45.32, 29.24, -49.73

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 51 / 0 / 25 / 25

HEX #5EBF90

RGB 94 191 144

HSL 150.93, 0.43%, 0.56%

LAB 70.63, -39.61, 15.11

 

CMYK 25 / 51 / 0 / 25

HEX #905EBF

RGB 144 94 191

HSL 270.93, 0.43%, 0.56%

LAB 49.13, 39.25, -43.43

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 37 / 0 / 51 / 25

HEX #79BF5E

RGB 121 191 94

HSL 103.3, 0.43%, 0.56%

LAB 70.96, -40.04, 41.78

 

CMYK 51 / 26 / 0 / 25

HEX #5E8DBF

RGB 94 141 191

HSL 210.93, 0.43%, 0.56%

LAB 57.26, -1.76, -30.93

 

CMYK 15 / 51 / 0 / 25

HEX #A35EBF

RGB 163 94 191

HSL 282.68, 0.43%, 0.56%

LAB 51.33, 44.49, -39.81

 

CMYK 0 / 24 / 51 / 25

HEX #BF915E

RGB 191 145 94

HSL 31.55, 0.43%, 0.56%

LAB 63.45, 11.17, 33.65

 

CMYK 51 / 0 / 50 / 25

HEX #5EBF60

RGB 94 191 96

HSL 121.24, 0.43%, 0.56%

LAB 69.81, -48.01, 39.12

 

CMYK 51 / 26 / 0 / 25

HEX #5E8DBF

RGB 94 141 191

HSL 210.93, 0.43%, 0.56%

LAB 57.26, -1.76, -30.93

 

CMYK 0 / 51 / 1 / 25

HEX #BF5EBD

RGB 191 94 189

HSL 301.24, 0.43%, 0.56%

LAB 54.82, 52.01, -32.92

 

Description

Color code: CMYK 0 / 24 / 51 / 25 | qconv.com Color code: CMYK 0 / 24 / 51 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 145 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 145 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 51 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 51% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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