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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 36 / 40 it is the complementary color CMYK 35 / 11 / 0 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 36 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 24 / 36 / 40: CMYK 0 / 27 / 41 / 38, CMYK 0 / 23 / 36 / 31, CMYK 0 / 21 / 32 / 25, CMYK 0 / 19 / 28 / 18 and CMYK 0 / 17 / 25 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 36 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 24 / 36 / 40: CMYK 0 / 24 / 36 / 40, CMYK 0 / 28 / 42 / 47, CMYK 0 / 33 / 50 / 53, CMYK 0 / 39 / 60 / 60 and CMYK 0 / 48 / 74 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

Complementary color

CMYK 35 / 11 / 0 / 38

HEX #668B9D

RGB 102 139 157

HSL 199.64, 0.22%, 0.51%

LAB 55.81, -8.23, -13.69

 

CMYK 0 / 27 / 41 / 38

HEX #9E745D

RGB 158 116 93

HSL 21.23, 0.26%, 0.49%

LAB 52.45, 13.43, 19.17

 

CMYK 0 / 23 / 36 / 31

HEX #AF8670

RGB 175 134 112

HSL 20.95, 0.28%, 0.56%

LAB 59.28, 12.61, 17.9

 

CMYK 0 / 21 / 32 / 25

HEX #C09883

RGB 192 152 131

HSL 20.66, 0.33%, 0.63%

LAB 65.98, 11.92, 16.74

 

CMYK 0 / 19 / 28 / 18

HEX #D1AA96

RGB 209 170 150

HSL 20.34, 0.39%, 0.7%

LAB 72.57, 11.31, 15.68

 

CMYK 0 / 17 / 25 / 11

HEX #E2BCA9

RGB 226 188 169

HSL 20, 0.5%, 0.77%

LAB 79.04, 10.77, 14.7

 

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

CMYK 0 / 28 / 42 / 47

HEX #88624F

RGB 136 98 79

HSL 20, 0.27%, 0.42%

LAB 44.99, 12.8, 16.88

 

CMYK 0 / 33 / 50 / 53

HEX #77503C

RGB 119 80 60

HSL 20.34, 0.33%, 0.35%

LAB 37.82, 13.83, 18.38

 

CMYK 0 / 39 / 60 / 60

HEX #663E29

RGB 102 62 41

HSL 20.66, 0.43%, 0.28%

LAB 30.47, 15.12, 20.14

 

CMYK 0 / 48 / 74 / 67

HEX #552C16

RGB 85 44 22

HSL 20.95, 0.59%, 0.21%

LAB 22.97, 16.75, 22.21

 

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

CMYK 0 / 18 / 36 / 40

HEX #987C61

RGB 152 124 97

HSL 29.45, 0.22%, 0.49%

LAB 53.98, 6.82, 18.82

 

CMYK 0 / 13 / 36 / 40

HEX #988561

RGB 152 133 97

HSL 39.27, 0.22%, 0.49%

LAB 56.4, 1.72, 22.08

 

CMYK 0 / 7 / 36 / 40

HEX #988E61

RGB 152 142 97

HSL 49.09, 0.22%, 0.49%

LAB 58.87, -3.29, 25.35

 

CMYK 0 / 1 / 36 / 40

HEX #989761

RGB 152 151 97

HSL 58.91, 0.22%, 0.49%

LAB 61.37, -8.2, 28.62

 

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

CMYK 0 / 24 / 36 / 20

HEX #CC9B83

RGB 204 155 131

HSL 19.73, 0.42%, 0.66%

LAB 67.96, 15.03, 19.66

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 24 / 35 / 80

HEX #332721

RGB 51 39 33

HSL 20, 0.21%, 0.16%

LAB 16.82, 4.52, 6.1

 

CMYK 0 / 25 / 36 / 60

HEX #664D41

RGB 102 77 65

HSL 19.46, 0.22%, 0.33%

LAB 35.03, 8.67, 11.18

 

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

CMYK 18 / 0 / 36 / 40

HEX #7C9861

RGB 124 152 97

HSL 90.55, 0.22%, 0.49%

LAB 59.53, -19.98, 25.81

 

CMYK 36 / 33 / 0 / 40

HEX #616698

RGB 97 102 152

HSL 234.55, 0.22%, 0.49%

LAB 44.68, 10.74, -27.88

 

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

CMYK 36 / 0 / 25 / 40

HEX #619872

RGB 97 152 114

HSL 138.55, 0.22%, 0.49%

LAB 58.24, -26.64, 14.37

 

CMYK 25 / 36 / 0 / 40

HEX #726198

RGB 114 97 152

HSL 258.55, 0.22%, 0.49%

LAB 44.79, 19.02, -27.59

 

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

CMYK 18 / 0 / 36 / 40

HEX #7C9861

RGB 124 152 97

HSL 90.55, 0.22%, 0.49%

LAB 59.53, -19.98, 25.81

 

CMYK 36 / 11 / 0 / 40

HEX #618798

RGB 97 135 152

HSL 198.55, 0.22%, 0.49%

LAB 54.17, -8.78, -13.31

 

CMYK 18 / 36 / 0 / 40

HEX #7D6198

RGB 125 97 152

HSL 270.55, 0.22%, 0.49%

LAB 45.87, 22.54, -25.83

 

CMYK 0 / 24 / 36 / 40

HEX #997462

RGB 153 116 98

HSL 19.64, 0.22%, 0.49%

LAB 52, 11.95, 15.57

 

CMYK 30 / 0 / 36 / 40

HEX #6B9861

RGB 107 152 97

HSL 109.09, 0.22%, 0.49%

LAB 58.46, -26.3, 24.2

 

CMYK 36 / 11 / 0 / 40

HEX #618798

RGB 97 135 152

HSL 198.55, 0.22%, 0.49%

LAB 54.17, -8.78, -13.31

 

CMYK 7 / 36 / 0 / 40

HEX #8E6198

RGB 142 97 152

HSL 289.09, 0.22%, 0.49%

LAB 47.71, 28.13, -22.84

 

Description

Color code: CMYK 0 / 24 / 36 / 40 | qconv.com Color code: CMYK 0 / 24 / 36 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 116 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 116 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 36 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 36% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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