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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 24 / 35 / 40 it is the complementary color CMYK 35 / 11 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 24 / 35 / 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 24 / 35 / 40: CMYK 0 / 27 / 41 / 38, CMYK 0 / 23 / 35 / 31, CMYK 0 / 21 / 31 / 25, CMYK 0 / 19 / 28 / 18 and CMYK 0 / 17 / 25 / 11

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 24 / 35 / 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 24 / 35 / 40: CMYK 0 / 24 / 35 / 40, CMYK 0 / 28 / 41 / 47, CMYK 0 / 33 / 49 / 53, CMYK 0 / 39 / 59 / 60 and CMYK 0 / 48 / 73 / 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

Complementary color

CMYK 35 / 11 / 0 / 39

HEX #668B9C

RGB 102 139 156

HSL 198.89, 0.21%, 0.51%

LAB 55.78, -8.49, -13.16

 

CMYK 0 / 27 / 41 / 38

HEX #9E745E

RGB 158 116 94

HSL 20.63, 0.25%, 0.49%

LAB 52.47, 13.55, 18.62

 

CMYK 0 / 23 / 35 / 31

HEX #AF8671

RGB 175 134 113

HSL 20.32, 0.28%, 0.56%

LAB 59.3, 12.74, 17.36

 

CMYK 0 / 21 / 31 / 25

HEX #C09884

RGB 192 152 132

HSL 20, 0.32%, 0.64%

LAB 66, 12.05, 16.22

 

CMYK 0 / 19 / 28 / 18

HEX #D1AA97

RGB 209 170 151

HSL 19.66, 0.39%, 0.71%

LAB 72.59, 11.45, 15.17

 

CMYK 0 / 17 / 25 / 11

HEX #E2BCAA

RGB 226 188 170

HSL 19.29, 0.49%, 0.78%

LAB 79.06, 10.91, 14.19

 

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

CMYK 0 / 28 / 41 / 47

HEX #886250

RGB 136 98 80

HSL 19.29, 0.26%, 0.42%

LAB 45.01, 12.93, 16.31

 

CMYK 0 / 33 / 49 / 53

HEX #77503D

RGB 119 80 61

HSL 19.66, 0.32%, 0.35%

LAB 37.84, 13.94, 17.79

 

CMYK 0 / 39 / 59 / 60

HEX #663E2A

RGB 102 62 42

HSL 20, 0.42%, 0.28%

LAB 30.49, 15.21, 19.54

 

CMYK 0 / 48 / 73 / 67

HEX #552C17

RGB 85 44 23

HSL 20.32, 0.57%, 0.21%

LAB 22.98, 16.82, 21.61

 

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

CMYK 0 / 19 / 35 / 41

HEX #977B62

RGB 151 123 98

HSL 28.3, 0.21%, 0.49%

LAB 53.63, 7.1, 17.76

 

CMYK 0 / 13 / 35 / 41

HEX #978362

RGB 151 131 98

HSL 37.36, 0.21%, 0.49%

LAB 55.78, 2.56, 20.67

 

CMYK 0 / 7 / 35 / 41

HEX #978C62

RGB 151 140 98

HSL 47.55, 0.21%, 0.49%

LAB 58.24, -2.47, 23.95

 

CMYK 0 / 1 / 35 / 41

HEX #979562

RGB 151 149 98

HSL 57.74, 0.21%, 0.49%

LAB 60.74, -7.41, 27.24

 

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

CMYK 0 / 24 / 35 / 20

HEX #CC9B84

RGB 204 155 132

HSL 19.17, 0.41%, 0.66%

LAB 67.98, 15.15, 19.14

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 0 / 24 / 35 / 80

HEX #332721

RGB 51 39 33

HSL 20, 0.21%, 0.16%

LAB 16.82, 4.52, 6.1

 

CMYK 0 / 25 / 35 / 60

HEX #664D42

RGB 102 77 66

HSL 18.33, 0.21%, 0.33%

LAB 35.05, 8.81, 10.59

 

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

CMYK 18 / 0 / 35 / 41

HEX #7C9762

RGB 124 151 98

HSL 90.57, 0.21%, 0.49%

LAB 59.25, -19.31, 24.9

 

CMYK 35 / 32 / 0 / 41

HEX #626797

RGB 98 103 151

HSL 234.34, 0.21%, 0.49%

LAB 44.99, 10.14, -26.8

 

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

CMYK 35 / 0 / 25 / 41

HEX #629772

RGB 98 151 114

HSL 138.11, 0.21%, 0.49%

LAB 57.98, -25.82, 14.02

 

CMYK 25 / 35 / 0 / 41

HEX #726297

RGB 114 98 151

HSL 258.11, 0.21%, 0.49%

LAB 45.01, 18.16, -26.66

 

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

CMYK 18 / 0 / 35 / 41

HEX #7C9762

RGB 124 151 98

HSL 90.57, 0.21%, 0.49%

LAB 59.25, -19.31, 24.9

 

CMYK 35 / 11 / 0 / 41

HEX #628797

RGB 98 135 151

HSL 198.11, 0.21%, 0.49%

LAB 54.2, -8.75, -12.69

 

CMYK 18 / 35 / 0 / 41

HEX #7C6297

RGB 124 98 151

HSL 269.43, 0.21%, 0.49%

LAB 45.98, 21.38, -25.07

 

CMYK 0 / 24 / 35 / 40

HEX #997463

RGB 153 116 99

HSL 18.89, 0.21%, 0.49%

LAB 52.02, 12.09, 15.01

 

CMYK 28 / 0 / 35 / 41

HEX #6D9762

RGB 109 151 98

HSL 107.55, 0.21%, 0.49%

LAB 58.29, -24.92, 23.45

 

CMYK 35 / 11 / 0 / 41

HEX #628797

RGB 98 135 151

HSL 198.11, 0.21%, 0.49%

LAB 54.2, -8.75, -12.69

 

CMYK 7 / 35 / 0 / 41

HEX #8C6297

RGB 140 98 151

HSL 287.55, 0.21%, 0.49%

LAB 47.68, 26.67, -22.31

 

Description

Color code: CMYK 0 / 24 / 35 / 40 | qconv.com Color code: CMYK 0 / 24 / 35 / 40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 116 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 116 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 35 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 35% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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