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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 21 / 31 / 43 it is the complementary color CMYK 29 / 10 / 0 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 21 / 31 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 21 / 31 / 43: CMYK 0 / 23 / 37 / 41, CMYK 0 / 20 / 32 / 35, CMYK 0 / 18 / 28 / 28, CMYK 0 / 16 / 24 / 21 and CMYK 0 / 14 / 22 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 21 / 31 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 21 / 31 / 43: CMYK 0 / 21 / 31 / 43, CMYK 0 / 24 / 37 / 50, CMYK 0 / 29 / 44 / 56, CMYK 0 / 35 / 54 / 63 and CMYK 0 / 44 / 69 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

Complementary color

CMYK 29 / 10 / 0 / 39

HEX #6E8C9B

RGB 110 140 155

HSL 200, 0.18%, 0.52%

LAB 56.52, -6.89, -11.42

 

CMYK 0 / 23 / 37 / 41

HEX #96735F

RGB 150 115 95

HSL 21.82, 0.22%, 0.48%

LAB 51.35, 10.88, 16.37

 

CMYK 0 / 20 / 32 / 35

HEX #A78572

RGB 167 133 114

HSL 21.51, 0.23%, 0.55%

LAB 58.23, 10.18, 15.18

 

CMYK 0 / 18 / 28 / 28

HEX #B89785

RGB 184 151 133

HSL 21.18, 0.26%, 0.62%

LAB 64.98, 9.58, 14.11

 

CMYK 0 / 16 / 24 / 21

HEX #C9A998

RGB 201 169 152

HSL 20.82, 0.31%, 0.69%

LAB 71.6, 9.05, 13.11

 

CMYK 0 / 14 / 22 / 15

HEX #DABBAB

RGB 218 187 171

HSL 20.43, 0.39%, 0.76%

LAB 78.1, 8.59, 12.19

 

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

CMYK 0 / 24 / 37 / 50

HEX #806151

RGB 128 97 81

HSL 20.43, 0.22%, 0.41%

LAB 43.85, 10.19, 13.98

 

CMYK 0 / 29 / 44 / 56

HEX #6F4F3E

RGB 111 79 62

HSL 20.82, 0.28%, 0.34%

LAB 36.59, 11.08, 15.35

 

CMYK 0 / 35 / 54 / 63

HEX #5E3D2B

RGB 94 61 43

HSL 21.18, 0.37%, 0.27%

LAB 29.14, 12.2, 16.96

 

CMYK 0 / 44 / 69 / 70

HEX #4D2B18

RGB 77 43 24

HSL 21.51, 0.52%, 0.2%

LAB 21.47, 13.68, 18.91

 

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

CMYK 0 / 15 / 31 / 44

HEX #907A64

RGB 144 122 100

HSL 30, 0.18%, 0.48%

LAB 52.7, 5.02, 15.21

 

CMYK 0 / 10 / 31 / 44

HEX #908164

RGB 144 129 100

HSL 39.55, 0.18%, 0.48%

LAB 54.61, 1.03, 17.83

 

CMYK 0 / 5 / 31 / 44

HEX #908964

RGB 144 137 100

HSL 50.45, 0.18%, 0.48%

LAB 56.82, -3.45, 20.83

 

CMYK 0 / 0 / 31 / 44

HEX #909064

RGB 144 144 100

HSL 60, 0.18%, 0.48%

LAB 58.78, -7.31, 23.45

 

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

CMYK 0 / 21 / 31 / 23

HEX #C49B87

RGB 196 155 135

HSL 19.67, 0.34%, 0.65%

LAB 67.22, 12.38, 16.3

 

CMYK 0 / 21 / 31 / 3

HEX #F7C4AA

RGB 247 196 170

HSL 20.26, 0.83%, 0.82%

LAB 83, 14.6, 19.98

 

CMYK 0 / 21 / 30 / 83

HEX #2B221E

RGB 43 34 30

HSL 18.46, 0.18%, 0.14%

LAB 14.12, 3.49, 4.3

 

CMYK 0 / 20 / 31 / 63

HEX #5E4B41

RGB 94 75 65

HSL 20.69, 0.18%, 0.31%

LAB 33.55, 6.33, 8.99

 

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

CMYK 17 / 0 / 31 / 44

HEX #789064

RGB 120 144 100

HSL 92.73, 0.18%, 0.48%

LAB 56.94, -16.9, 20.66

 

CMYK 31 / 28 / 0 / 44

HEX #646790

RGB 100 103 144

HSL 235.91, 0.18%, 0.48%

LAB 44.83, 8.82, -22.86

 

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

CMYK 31 / 0 / 20 / 44

HEX #649073

RGB 100 144 115

HSL 140.45, 0.18%, 0.48%

LAB 55.98, -21.42, 10.67

 

CMYK 20 / 31 / 0 / 44

HEX #736490

RGB 115 100 144

HSL 260.45, 0.18%, 0.48%

LAB 45.32, 15.51, -22

 

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

CMYK 17 / 0 / 31 / 44

HEX #789064

RGB 120 144 100

HSL 92.73, 0.18%, 0.48%

LAB 56.94, -16.9, 20.66

 

CMYK 31 / 10 / 0 / 44

HEX #648190

RGB 100 129 144

HSL 200.45, 0.18%, 0.48%

LAB 52.31, -6.58, -11.45

 

CMYK 15 / 31 / 0 / 44

HEX #7B6490

RGB 123 100 144

HSL 271.36, 0.18%, 0.48%

LAB 46.09, 18.2, -20.74

 

CMYK 0 / 21 / 31 / 43

HEX #917364

RGB 145 115 100

HSL 20, 0.18%, 0.48%

LAB 50.92, 9.47, 12.78

 

CMYK 26 / 0 / 31 / 44

HEX #6B9064

RGB 107 144 100

HSL 110.45, 0.18%, 0.48%

LAB 56.08, -21.78, 19.35

 

CMYK 31 / 10 / 0 / 44

HEX #648190

RGB 100 129 144

HSL 200.45, 0.18%, 0.48%

LAB 52.31, -6.58, -11.45

 

CMYK 5 / 31 / 0 / 44

HEX #896490

RGB 137 100 144

HSL 290.45, 0.18%, 0.48%

LAB 47.55, 22.99, -18.37

 

Description

Color code: CMYK 0 / 21 / 31 / 43 | qconv.com Color code: CMYK 0 / 21 / 31 / 43 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 115 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 115 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 31 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 31% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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