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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 21 / 29 / 30 it is the complementary color CMYK 41 / 11 / 0 / 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 21 / 29 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 21 / 29 / 30: CMYK 0 / 23 / 34 / 28, CMYK 0 / 21 / 30 / 21, CMYK 0 / 19 / 27 / 15, CMYK 0 / 17 / 24 / 8 and CMYK 0 / 15 / 21 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 21 / 29 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 21 / 29 / 30: CMYK 0 / 21 / 29 / 30, CMYK 0 / 24 / 33 / 36, CMYK 0 / 28 / 39 / 43, CMYK 0 / 32 / 45 / 50 and CMYK 0 / 38 / 54 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

Complementary color

CMYK 41 / 11 / 0 / 50

HEX #4C7280

RGB 76 114 128

HSL 196.15, 0.25%, 0.4%

LAB 45.81, -9.51, -11.96

 

CMYK 0 / 23 / 34 / 28

HEX #B88D7A

RGB 184 141 122

HSL 18.39, 0.3%, 0.6%

LAB 62.21, 13.63, 16.43

 

CMYK 0 / 21 / 30 / 21

HEX #C99F8D

RGB 201 159 141

HSL 18, 0.36%, 0.67%

LAB 68.85, 12.96, 15.32

 

CMYK 0 / 19 / 27 / 15

HEX #DAB1A0

RGB 218 177 160

HSL 17.59, 0.44%, 0.74%

LAB 75.38, 12.36, 14.31

 

CMYK 0 / 17 / 24 / 8

HEX #EBC3B3

RGB 235 195 179

HSL 17.14, 0.58%, 0.81%

LAB 81.81, 11.84, 13.36

 

CMYK 0 / 15 / 21 / 1

HEX #FCD5C6

RGB 252 213 198

HSL 16.67, 0.9%, 0.88%

LAB 88.14, 11.36, 12.47

 

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

CMYK 0 / 24 / 33 / 36

HEX #A27B6C

RGB 162 123 108

HSL 16.67, 0.23%, 0.53%

LAB 55, 12.99, 14.06

 

CMYK 0 / 28 / 39 / 43

HEX #916959

RGB 145 105 89

HSL 17.14, 0.24%, 0.46%

LAB 48.06, 13.8, 15.3

 

CMYK 0 / 32 / 45 / 50

HEX #805746

RGB 128 87 70

HSL 17.59, 0.29%, 0.39%

LAB 40.97, 14.76, 16.71

 

CMYK 0 / 38 / 54 / 56

HEX #6F4533

RGB 111 69 51

HSL 18, 0.37%, 0.32%

LAB 33.72, 15.93, 18.35

 

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

CMYK 0 / 16 / 29 / 30

HEX #B2957F

RGB 178 149 127

HSL 25.88, 0.25%, 0.6%

LAB 63.75, 7.46, 15.66

 

CMYK 0 / 11 / 29 / 30

HEX #B29E7F

RGB 178 158 127

HSL 36.47, 0.25%, 0.6%

LAB 66.1, 2.51, 18.91

 

CMYK 0 / 7 / 29 / 30

HEX #B2A67F

RGB 178 166 127

HSL 45.88, 0.25%, 0.6%

LAB 68.22, -1.83, 21.8

 

CMYK 0 / 2 / 29 / 30

HEX #B2AF7F

RGB 178 175 127

HSL 56.47, 0.25%, 0.6%

LAB 70.63, -6.63, 25.06

 

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

CMYK 0 / 21 / 29 / 10

HEX #E6B5A3

RGB 230 181 163

HSL 16.12, 0.57%, 0.77%

LAB 77.59, 15.19, 15.95

 

CMYK 0 / 23 / 31 / 90

HEX #1A1412

RGB 26 20 18

HSL 15, 0.18%, 0.09%

LAB 6.9, 2.44, 2.19

 

CMYK 0 / 21 / 29 / 70

HEX #4D3D37

RGB 77 61 55

HSL 16.36, 0.17%, 0.26%

LAB 27.27, 5.92, 6.34

 

CMYK 0 / 21 / 29 / 50

HEX #80655B

RGB 128 101 91

HSL 16.22, 0.17%, 0.43%

LAB 45.15, 9.25, 9.78

 

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

CMYK 13 / 0 / 29 / 30

HEX #9AB27F

RGB 154 178 127

HSL 88.24, 0.25%, 0.6%

LAB 69.64, -17.45, 23.42

 

CMYK 29 / 25 / 0 / 30

HEX #7F86B2

RGB 127 134 178

HSL 231.76, 0.25%, 0.6%

LAB 56.86, 7.65, -23.98

 

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

CMYK 29 / 0 / 21 / 30

HEX #7FB28D

RGB 127 178 141

HSL 136.47, 0.25%, 0.6%

LAB 68.22, -24.58, 13.59

 

CMYK 21 / 29 / 0 / 30

HEX #8D7FB2

RGB 141 127 178

HSL 256.47, 0.25%, 0.6%

LAB 56.14, 16.13, -24.99

 

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

CMYK 13 / 0 / 29 / 30

HEX #9AB27F

RGB 154 178 127

HSL 88.24, 0.25%, 0.6%

LAB 69.64, -17.45, 23.42

 

CMYK 29 / 8 / 0 / 30

HEX #7FA4B2

RGB 127 164 178

HSL 196.47, 0.25%, 0.6%

LAB 65.18, -9.25, -11.34

 

CMYK 15 / 29 / 0 / 30

HEX #977FB2

RGB 151 127 178

HSL 268.24, 0.25%, 0.6%

LAB 57.05, 19.36, -23.52

 

CMYK 0 / 21 / 29 / 30

HEX #B38D7F

RGB 179 141 127

HSL 16.15, 0.25%, 0.6%

LAB 61.8, 12.31, 12.96

 

CMYK 22 / 0 / 29 / 30

HEX #8BB27F

RGB 139 178 127

HSL 105.88, 0.25%, 0.6%

LAB 68.65, -22.94, 21.91

 

CMYK 29 / 8 / 0 / 30

HEX #7FA4B2

RGB 127 164 178

HSL 196.47, 0.25%, 0.6%

LAB 65.18, -9.25, -11.34

 

CMYK 7 / 29 / 0 / 30

HEX #A67FB2

RGB 166 127 178

HSL 285.88, 0.25%, 0.6%

LAB 58.51, 24.31, -21.15

 

Description

Color code: CMYK 0 / 21 / 29 / 30 | qconv.com Color code: CMYK 0 / 21 / 29 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 141 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 141 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 29 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 29% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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